Transamerica Corporation v. The United States

902 F.2d 1540, 65 A.F.T.R.2d (RIA) 1074, 1990 U.S. App. LEXIS 7295, 1990 WL 59566
CourtCourt of Appeals for the Federal Circuit
DecidedMay 8, 1990
Docket89-1428
StatusPublished
Cited by39 cases

This text of 902 F.2d 1540 (Transamerica Corporation v. The United States) is published on Counsel Stack Legal Research, covering Court of Appeals for the Federal Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Transamerica Corporation v. The United States, 902 F.2d 1540, 65 A.F.T.R.2d (RIA) 1074, 1990 U.S. App. LEXIS 7295, 1990 WL 59566 (Fed. Cir. 1990).

Opinion

NIES, Circuit Judge.

Transamerica Corporation (taxpayer) appeals from the judgment of the United States Claims Court, 15 Cl.Ct. 420 (1988), (Harkins, Sr. J.) affirming the disallowance of taxpayer’s claim for a charitable contribution deduction under 26 U.S.C. § 170(a)(1) (1982) in the amount of $10,045,-480 for the taxable year ending December, 1969, by reason of the transfer of certain rights in motion picture film stock to the Library of Congress. We affirm.

I

In a lengthy analysis, the Claims Court detailed the facts with respect to the unusual nature of motion picture film stock which is the subject of the asserted “charitable contribution,” as well as the events leading up to the transfer of certain rights therein to the Library of Congress. Familiarity with that opinion is presumed. See Transamerica Corporation v. United States, 15 Cl.Ct. 420, 443-475 (1988). Taxpayer’s involvement in the charitable contributions issue, which was only part of the proceedings below, stems from its ownership in 1969 of United Artists Corporation. For convenience we refer to both entities as “taxpayer”.

The physical property which is the subject matter of the transfer consists primarily of original film negatives of motion pictures on nitrate-base film. Nitrate-base film negatives are not directly “viewable.” Id. at 444-446. Such film is unusable except to strike a positive therefrom. A master negative can be made on safety film from that positive, which is then used to make duplicate negatives. These materials are generally called “preprint” materials. An exhibition “print”, which is a viewable *1542 film, may be made from a duplicate negative. The trial court characterized the unusual nature of nitrate-base film as follows: “Nitrate-base film is highly flammable, potentially explosive, and, with the passage of time, decomposes. Ultimately nitrate-base film self-destructs and ceases to exist.” Id. at 469. To prevent eventual loss of the images (and sound) on such film, the court noted that they must be transferred to safety film or preserved in some other manner. Id. In 1969, at the time of the transfer, there was no charitable institution, archive, or museum that had vault facilities or resources adequate to store taxpayer’s collection of nitrate-base film. Id. Taxpayer sought to give them to the University of Wisconsin, which had established a Center of Film and Theater Research, and was apprised that the University could not accept nitrate film, although it accepted a substantial gift of studio memorabilia and documents, as well as safety films, from taxpayer. The Library of Congress, on the other hand, in cooperation with the American Film Institute, has solicited motion pictures on nitrate film from which preservation masters can be made as part of its program to preserve early motion pictures as an historical and scholarly heritage. To build up its collections (whether loaned or by a transfer of ownership), the Library obligated itself to make preservation masters from nitrate negatives. 15 Cl.Ct. at 470.

By a document entitled “Instrument of Gift,” taxpayer conveyed “title in and set[ ] over” a large number of nitrate-base motion picture films to the United States for inclusion in the collections of the Library of Congress. The “gift” was stated to be of the “physical property ... only,” and “except for the gift herein made, the Donor reserves all right, title, and interest in and to all the property constituting the Collection.” With respect to use, the donor permitted the Library to convert the nitrate film to safety film which would become the “physical property” of the Library. The Library agreed that, except for access by taxpayer and the University, use of all original and converted films would be “limited to private study on the Library’s premises by researchers engaged in serious research.” No reproductions were allowed; nor was screening for the general public permitted.

The trial court analyzed the “gift” document as follows:

In structure, the Library agreement was more than a simple instrument of gift. It involved reciprocal undertakings. The agreement authorized the Library to convert the image and sound recorded on nitrate-base film onto safety stock to make preservation preprint material and prints, which preservation pre-print material and prints would become the physical property of the Library. [Taxpayer’s] reservation of commercial exploitation, reproduction, and other intangible rights applied to the use of the safety stock preprint material and preservation prints that the Library converted from the nitrate negatives. Upon physical delivery of the nitrate film, the Library was obliged to store, care for and maintain the property at its sole expense. [Taxpayer] reserved, and the University [of Wisconsin] was given, the right of access on demand to have the Library process orders for positive safety prints to be made from either the nitrate negatives or from the Library’s preservation safety preprint materials. With [taxpayer’s] prior written consent, the Library could trade [sic, “transfer possession of”] a limited number of the components of the collection to other institutions in exchange for other motion picture materials, but only if the other archive agreed in writing to assume all the terms and conditions imposed on the Library.
The access provisions [for taxpayer] incorporated in the Library agreement were negotiated at [taxpayer's] request and were as broad as any ever extended by the Library. During trial, Library officials explained that [taxpayer’s] right of access was the “price” the Library had to pay for the rights it obtained in the Library Property, and that the concessions made to [taxpayer] during the negotiations were part of the “give and *1543 take” between the parties and a “tradeoff” of rights and obligations.

Id. at 469-70.

The cost of the conversion to safety film which the Library undertook to make was well over $1 million. 15 Cl.Ct. at 471. Taxpayer contributed nothing towards this cost, although it received the right, to the exclusion of other members of the public, to obtain access to the Library’s safety film for commercial purposes in perpetuity. Even after the relinquishment of copyright, the Library agreed to make such materials available only to educational institutions for scholarly research and then only with taxpayer’s consent.

The Claims Court found that there was no market at the time of the transfer in which taxpayer could have sold its nitrate negatives, stripped of all intangible rights in the motion picture, for scholarly or archival uses or as historical artifacts. Per the Claims Court, the nitrate films as physical property had no fair market value in November, 1969. 15 Cl.Ct. at 475. It specifically rejected taxpayer’s analogies of the nitrate film to unique property which could be commercially evaluated as a collector’s item (property such as that gifted to the University).

The Claims Court relied on the principle that when a donation is made with the expectation of receiving a substantial benefit in return, no charitable contribution has been made within the meaning of section 170(a). Ottawa Silica Co. v. United States,

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Bluebook (online)
902 F.2d 1540, 65 A.F.T.R.2d (RIA) 1074, 1990 U.S. App. LEXIS 7295, 1990 WL 59566, Counsel Stack Legal Research, https://law.counselstack.com/opinion/transamerica-corporation-v-the-united-states-cafc-1990.