Theatre Party Associates, Inc. v. Shubert Organization, Inc.

695 F. Supp. 150, 1988 U.S. Dist. LEXIS 10316, 1988 WL 95705
CourtDistrict Court, S.D. New York
DecidedSeptember 12, 1988
Docket88 CIV. 0059 (PKL)
StatusPublished
Cited by24 cases

This text of 695 F. Supp. 150 (Theatre Party Associates, Inc. v. Shubert Organization, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Theatre Party Associates, Inc. v. Shubert Organization, Inc., 695 F. Supp. 150, 1988 U.S. Dist. LEXIS 10316, 1988 WL 95705 (S.D.N.Y. 1988).

Opinion

ORDER

LEISURE, District Judge:

This is an antitrust action concerning an alleged market for “choice” theatre party group tickets to the “hits” of each Broadway theatre season in New York. Plaintiff alleges, in essence, that defendant, the Shubert Organization, was aware that the show “The Phantom of the Opera” was destined to become the only Broadway “hit” for the 1987-88 theatre season, that Shubert bid competitively to book that show in one of its theatres, and that Shubert then used its control of tickets to “Phantom” to pursue a scheme to dominate the relevant market.

Defendant has moved, pursuant to Fed. R.Civ.P. 12(b)(6), to dismiss the complaint. For the reasons below, defendant's motion is granted.

I.

Plaintiff Theatre Party Associates, Inc. (“Associates”) is a New York corporation with its principal place of business in New York. Associates is licensed by the New York City Department of Consumer Affairs as a “theatre party agent.” According to Associates, “theatre party” agents sell large blocks of advance tickets to charitable organizations or other similar groups, which in turn resell those tickets to individual theatre patrons at a substantial premium. That premium normally serves as a charitable contribution to the charitable organization. Such “theatre party” sales dif *151 fer from what plaintiff labels “group sales,” in that group sales are normally-made after the opening date of a show has been announced, are generally not intended for resale at a premium, and are made in smaller quantities. According to plaintiff, theatre party sales have historically been the most important source of advance ticket sales, normally accounting for fifty percent of pre-opening receipts. According to plaintiff, those pre-opening receipts typically determine the financial success or failure of a show in a New York Broadway theatre. Plaintiff claims that a given theatre will normally pay theatre party agents a commission equal to ten percent of the face value of the tickets sold.

According to plaintiff, a number of months before the public announcement of the opening date of a show — that is, the time at which groups and the general public are allowed to buy tickets — theatre party agents have historically been given allocations of seats, for particular dates, by the theatre or other entity controlling the ticket distribution. However, according to plaintiff, only one or two shows during each Broadway season will be perceived by theatre party agents and their clients as appealing to theatre party patrons. Such perception is, according to plaintiff, based upon such factors as pre-opening publicity, the presence of “stars” in the show, or success of the show in another city. Shows for which these factors are present are known as “theatre party hits,” and theatre party agents will normally, according to plaintiff, not accept tickets to any other shows. Moreover, plaintiff alleges that theatre party agents will only accept choice seats on choice dates of performances of those shows Choice seats are understood to be seats with unobstructed views in the forward sections of the center of the theatre. Choice dates are understood to be dates early enough in the run of a show to enable a patron to feel that he or she enjoys a significant advantage over the general ticket buying public, typically the first six weeks of a show’s engagement.

Plaintiff claims that purchasers of theatre party tickets have normally and historically relied on theatre party agents’ experience and expertise to help select a show and date combination that best suits the purchasers’ needs. Normally, a given theatre party agent has a number of regular clients whose needs are filled from the allocation of dates given to that agent. According to plaintiff, the organizations purchasing theatre party tickets from the agents compete among themselves for sales of tickets to patrons. Thus, a given agent’s clients will only be willing to continue to rely on that agent for so long as the clients perceive that the agent is capable of providing “choice” tickets to theatre party hits.

Defendant, The Shubert Organization, Inc., is a New York corporation doing business principally in New York. Of the thirty-eight theatres in New York which are considered “Broadway theatres” Shubert is alleged to own sixteen, and is alleged to be an equal partner in a seventeenth theater. Plaintiff alleges that in the three Broadway seasons preceeding the 1987-88 season, Shubert theatres booked seventy percent of all plays considered “theatre party hits.”

Plaintiff’s amended complaint discusses a 1950 antitrust lawsuit in which the federal government challenged the means through which the Shubert theatres acquired a dominant position in the Broadway theatre market. In 1956, that lawsuit was settled through the entry of a consent decree which placed numerous restrictions upon Shubert’s activities. That consent decree forbade Shubert, inter alia, from “entering into any contract by which a producer is required to leave the disposition of theatre tickets ... to the sole discretion of [Shubert]” and from “owning, controlling or having any financial interest in any theatre ticket agency doing business in ... any city ... [in which Shubert] ... operates a theatre.” Amended Complaint ¶ 21. According to the Amended Complaint, the consent decree was modified in 1981 to eliminate the prohibition on Shubert’s operating a theatre ticket agency. At about that time, Shubert organized a “group sales” division, which sells tickets to shows appearing in Shubert theatres and in theatres operated by Shubert’s competitors. *152 Plaintiff claims that Shubert operates its group sales division without the license required by Article 25 of the New York State Arts and Cultural Affairs Law and regulations of the New York City Department of Consumer Affairs.

Plaintiff alleges that, prior to the fall of 1987, Shubert did not compete with plaintiff or other theatre party agents in the sale to theatre party clients of choice tickets to the theatre party hits of each Broadway season. Indeed, prior to the fall of 1987, Shubert apparently allowed theatre party agents to handle all such sales.

Plaintiff claims, however, that when the 1987-88 Broadway season began, Shubert determined to engage, and did engage, upon a course of conduct intended to monopolize the Theatre Party Ticket market through interference with plaintiffs relationships with its clients. Plaintiff alleges that for the 1987-88 Broadway season, only one show qualified as a theatre party “hit” — namely, “Phantom of the Opera.” Plaintiff claims that the show’s “hit” status was determined because the play’s author, Andrew Lloyd Webber, is internationally famous as the author of numerous hits; the play’s producer, Cameron Mackintosh, is internationally famous as the producer of numerous hits; its director, Hal Prince, is internationally famous as a director and producer; Phantom was a hit in London; and Phantom received considerable publicity in New York because of, among other reasons, the opposition of the Actors Equity Association to Andrew Lloyd Webber’s wife, Sarah Brightman, playing the starring role in the New York production.

Plaintiff claims that,

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Bluebook (online)
695 F. Supp. 150, 1988 U.S. Dist. LEXIS 10316, 1988 WL 95705, Counsel Stack Legal Research, https://law.counselstack.com/opinion/theatre-party-associates-inc-v-shubert-organization-inc-nysd-1988.