Tape Industries Association of America v. Younger

316 F. Supp. 340, 166 U.S.P.Q. (BNA) 468, 1970 U.S. Dist. LEXIS 10786
CourtDistrict Court, C.D. California
DecidedJuly 27, 1970
DocketCiv. 68-1938
StatusPublished
Cited by18 cases

This text of 316 F. Supp. 340 (Tape Industries Association of America v. Younger) is published on Counsel Stack Legal Research, covering District Court, C.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Tape Industries Association of America v. Younger, 316 F. Supp. 340, 166 U.S.P.Q. (BNA) 468, 1970 U.S. Dist. LEXIS 10786 (C.D. Cal. 1970).

Opinion

DECISION, FINDINGS OF FACT AND CONCLUSIONS OF LAW

Before TRASK, Circuit Judge, * and WHELAN and HAUK, District Judges.

HAUK, District Judge.

This is an action for declaratory and injunctive relief. Plaintiffs contend that the so-called “tape piracy” law of California, Penal Code, Section 653h (1968) 1 is in conflict with the Copy *342 right Clause of the United States Constitution, art. I, § 8, cl. 8, 2 and the implementing Federal copyright statutes, 17 U.S.C. §§ 1-215. Plaintiffs seek preliminary and permanent injunctions restraining defendants from initiating or continuing any proceedings to enforce this purportedly unconstitutional section of the California Penal Code. Further, plaintiffs seek a declaratory judgment that Calif.P.C. § 653h (1968) is unconstitutional.

Federal jurisdiction is invoked pursuant to 28 U.S.C. § 1331, Federal Question; U.S.Const. Art. I, § 8, el. 8, Copyright Clause; 17 U.S.C. §§ 1-215, Copyright Statutes; 28 U.S.C. § 1343, Civil Rights; and 28 U.S.C. §§ 2201 and 2202, Declaratory Judgment.

Plaintiffs requested .a Three-Judge Court to hear and determine their right to interlocutory and permanent injunctions restraining the enforcement of the California statute on the ground of unconstitutionality. 28 U.S.C. §§ 2281 and 2284. After a hearing conducted on March 10, 1969, the single-judge District Court held that a Three-Judge Court must be convened because there was not a “clear and unequivocal showing that there [was] no substantial issue of constitutionality raised by the complaint, * * * ” Accordingly, the Three-Judge Court was appointed and convened, and the case was tried on May 15, 1970. Except for the limited amount of testimony that was presented at the trial the case was heard on stipulated facts.

Defendant Evelle J. Younger is the duly elected and qualified District Attorney of the County of Los Angeles, and charged with the responsibility of enforcing Calif.P.C. § 653h (1968) within the unincorporated area of the County of Los Angeles and, by contract, in certain cities within the County of Los Angeles. Defendant Roger Arnebergh is the duly elected and qualified City Attorney of the City of Los Angeles, and charged with the responsibility of enforcing Section 653h within the City of Los Angeles.

The plaintiffs still remaining in this suit are Tape Industries Association of America, Barry Pressman, Donald Koven, Jean Holmquist, and Robert Holmquist. Upon stipulation of counsel, plaintiff Stanley Meckler dismissed his action against all defendants with prejudice on April 20, 1970.

Plaintiffs Pressman, Koven, Holmquist, and Holmquist are in the business of making and selling sound tapes and cartridges. These plaintiffs purchase on the open market long playing disc phonograph records which have been manufactured and sold through the usual commercial channels by record companies. Such disc phonograph records are *343 generally referred to as albums and they usually contain 10 to 12 performances of one artist or group of artists. A label containing the title or name of the album, the name of the recording artist or group of artists and the name of the record company, is affixed to each of the albums and the packages in which they are sold.

After purchasing an album, plaintiffs Pressman, Koven, Holmquist, and Holmquist make a tape recording of the exact sounds recorded on the album. The tape is made by playing the album on a record player connected to a tape recorder which turns out a tape. When this master tape is finished, it is placed on a machine known as a “tape playback deck”. The “tape playback deck” is connected to machines known as “tape slaves” which in turn make additional tape recordings of the sounds which have been transferred from the record album to the master tape. A large number of “tape slaves” may be connected to one “tape playback deck” so that a correspondingly large number of tape recordings can be made at one time. After the tapes have been made by use of the “tape playback deck” and the “tape slaves”, each of the new tapes is placed on a hub. Each hub is placed into a plastic cartridge, and the ends of the tape are spliced together so that it forms a continuous “loop” in the cartridge. The cartridge is sealed, tested, packaged, and labeled.

Plaintiffs affix to each tape cartridge recorded in the above manner a label which states the title of the original record album or albums from which the tape has been copied and the name of the recording artist or artists who made the album or albums. Each such tape cartridge also contains a label which states the following:

“No relationship of any kind exists between [plaintiffs] and the original recording company nor between this recording and the original recording artist. This tape is not produced under a license of any kind from the original company nor the recording artist (s) and neither the original recording company nor artist(s) receives a fee or royalty of any kind from [plaintiffs]. Permission to produce this tape has not been sought nor obtained from any party whatsoever.”

Plaintiff Tape Industries Association of America is a California Corporation duly organized under the laws of the State of California for the purpose nf helping to solve the problems of the various small tape manufacturers who produce tapes in the manner described above. Plaintiff Tape Industries distributes the disclaimer labels to its members for a fixed fee.

The record companies which manufacture and sell the albums which plaintiffs use to make their unauthorized tapes expend great efforts and substantial sums of money for the commercial exploitation of their albums. Some of the costs incurred by these record companies are: the various expenses in producing a master record of a performance which can be used to manufacture albums and authorized tapes; the expense of manufacturing records and tapes; the expense of advertising and promoting albums and tapes; and the expense of paying royalties to the recording artists and to the various trust funds established by collective bargaining agreements. Other than the small sums required to make and distribute their tapes, plaintiffs do not pay any other expenses. The issue of payment or nonpayment of royalties to the proprietors of copyrights of musical compositions involved was stipulated by the parties not to be relevant to this action.

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Bluebook (online)
316 F. Supp. 340, 166 U.S.P.Q. (BNA) 468, 1970 U.S. Dist. LEXIS 10786, Counsel Stack Legal Research, https://law.counselstack.com/opinion/tape-industries-association-of-america-v-younger-cacd-1970.