Sutapa Ghosh and Cinemawalla, Inc. v. Pawan Grover, M.D., 87 Minutes Production, L.L.C. and Pav Entertainment, L.L.C.

412 S.W.3d 749, 2013 WL 4604814, 2013 Tex. App. LEXIS 10962
CourtCourt of Appeals of Texas
DecidedAugust 29, 2013
Docket14-10-00974-CV
StatusPublished
Cited by7 cases

This text of 412 S.W.3d 749 (Sutapa Ghosh and Cinemawalla, Inc. v. Pawan Grover, M.D., 87 Minutes Production, L.L.C. and Pav Entertainment, L.L.C.) is published on Counsel Stack Legal Research, covering Court of Appeals of Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Sutapa Ghosh and Cinemawalla, Inc. v. Pawan Grover, M.D., 87 Minutes Production, L.L.C. and Pav Entertainment, L.L.C., 412 S.W.3d 749, 2013 WL 4604814, 2013 Tex. App. LEXIS 10962 (Tex. Ct. App. 2013).

Opinion

OPINION

JEFFREY V. BROWN, Justice.

Appellees Pawan Grover, 87 Minutes Productions, L.L.C., and PAV Entertainment, L.L.C., sued appellants Sutapa Ghosh and Cinemawalla, Inc., alleging breach of contract, conversion, and common-law fraud. The jury returned a verdict awarding the appellees damages on each cause of action. The trial court entered judgment on the verdict, awarding the appellees $1,498,468 in actual damages and $200,000 in exemplary damages. We *752 reverse and render in part, and reverse and remand in part.

I

Grover is a physician with a passion for film. In 2006, he and a partner wrote the screenplay for a film called 97 Minutes and assigned the rights to the screenplay to Grover’s company, PAV Entertainment. In November of 2006, Grover formed 87 Minutes for the purpose of producing the film. He named PAV Entertainment as the registered agent for 87 Minutes and, in turn, caused PAV Entertainment to assign the rights to the screenplay to 87 Minutes. He also hired Maureen Doherty as the company’s attorney. At all times relevant to the events giving rise to this litigation, Doherty also represented Ghosh and Ghosh’s company, Cinemawalla.

Over the course of the next year, the appellees obtained a written commitment from William Hurt, an Academy-Award winning actor, to star in the film. The appellees also procured written commitments from a director, a casting director, and a director of photography. By the end of 2007, however, the appellees had yet to secure financial backing to produce the film. Around that time, Doherty suggested Grover contact Ghosh, who was attempting to produce a film called Ex-Pats that, like 97 Minutes, featured a plot that involved a terrorist attack. Doherty explained that the appellants had a contract with San Luis Cine, a production company owned by a government agency of the Province of San Luis, Argentina. Although San Luis Cine had $4 million in escrow for the production of Ex-Pats, Do-herty explained, the appellants did not have the actors, directors, or other personnel necessary to produce the film.

In December of 2007, Grover and Ghosh met, and Ghosh verified what Doherty had already told Grover. Grover and Ghosh then agreed to combine the resources of their respective companies and form Cine-mawalla 97 Minutes, L.L.C. (“the L.L.C.”), for the purpose of producing 97 Minutes. The following month, they filed a certificate of formation for the L.L.C., naming 87 Minutes and Cinemawalla as the L.L.C.’s members. The certificate included no information about the capital contributions to be made in exchange for those membership interests. After opening a bank account in the L.L.C.’s name, Grover and Ghosh orally agreed that in exchange for 87 Minutes’s membership interest in the L.L.C., the appellees would contribute the rights to the screenplay and to the written commitments Grover had already obtained for the project, as well as an additional $1,000,000 — $600,000 cash and a $400,000 credit for the amounts spent getting the film to that point. In exchange for Cine-mawalla’s membership interest, Ghosh would attempt to modify Cinemawalla’s existing contract with San Luis Cine and have the escrowed funds released for the production of 97 Minutes rather than ExPats.

Grover then gave Ghosh the business plan for 97 Minutes to submit to San Luis Cine for its consideration. Over the course of the next several months, Ghosh repeatedly assured Grover that San Luis Cine had agreed to reallocate the escrowed funds for the production of 97 Minutes and would release the first portion of the funds at the end of April. Ghosh also explained that San Luis Cine wanted proof of 87 Minutes’s capital contribution before it released the funds. Accordingly, Grover wired an additional $633,979 from 87 Minutes’s account to the L.L.C.’s account. With Grover’s approval, Ghosh then wrote herself a check for $50,200 from the L.L.C.’s account for pre-production expenses she had incurred but for which she could not otherwise reimburse herself until *753 San Luis Cine released the first portion of its funds. Over the course of that month, the parties used money from the L.L.C.’s bank account to buy an airplane that was to be the primary set of the film and to pay the director and the director of photography. They also used $875,000 of the L.L.C.’s funds to pay Hurt half of the fee he required to secure his comihitment to the film, and they agreed that the appellants would pay the second half by April 25 with the funds from San Luis Cine. Ghosh and Grover then went to Argentina to prepare for filming, which was scheduled to begin in June. Ghosh took another $2,000 from the L.L.C.’s account for the trip.

The parties’ relationship began to deteriorate around April 23, after Grover returned from Argentina. First, he was surprised to learn that Ghosh had sent the director home from Argentina early, contrary to their plan for him to stay there to finish pre-production. The appellants then failed to pay the second half of Hurt’s fee by April 25. When Grover confronted Ghosh, she said San Luis Cine would not release the funds until 87 Minutes provided notarized copies of all the L.L.C.’s assignments. Beginning to question Ghosh’s credibility, Grover refused to provide the documents until the parties reduced their agreement to writing. Ghosh refused. On April 28, she told Grover that San Luis Cine had reneged on the deal because of his failure to provide the notarized assignments.

In July 2008, the appellees sued the appellants alleging, among other things, breach of contract, conversion, and common-law fraud. Following a trial on the merits, a jury returned a verdict in the appellees’ favor on each cause of action. 1 On appeal, the appellants argue: (1) the statute of frauds barred the appellees’ breach-of-contract claim, (2) the evidence is legally insufficient to support the jury’s verdict on the appellees’ conversion claim, (8) the trial court erred in entering judgment in the appellees’ favor for their fraud claim because the evidence conclusively established that Grover’s reliance on Ghosh’s alleged misrepresentations was unjustifiable, (4) the evidence is insufficient to support the amount the jury awarded the appellees for lost profits, and (5) the statute of frauds barred the appellees from recovering benefit-of-the-bargain damages for their fraud claim, and the evidence is insufficient to support the jury’s award of $825,000 for the appellees’ out-of-pocket expenses.

II

In their first issue, the appellants argue that the statute of frauds barred the appel-lees’ breach-of-contract claim because a promise to make a contribution to a limited liability company is unenforceable unless it is in writing. 2 The appellees disagree, emphasizing that the appellants did not promise to contribute anything directly to the L.L.C. Under the oral agreement, the ap-pellees explain, the appellants were “to cause the release of $4 million in funds held in escrow by San Luis Cine' ... to Cinemawalla, Inc.”

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412 S.W.3d 749, 2013 WL 4604814, 2013 Tex. App. LEXIS 10962, Counsel Stack Legal Research, https://law.counselstack.com/opinion/sutapa-ghosh-and-cinemawalla-inc-v-pawan-grover-md-87-minutes-texapp-2013.