Stroeber v. Commission Veteran's Auditorium

453 F. Supp. 926, 1977 U.S. Dist. LEXIS 13456
CourtDistrict Court, S.D. Iowa
DecidedOctober 14, 1977
DocketCiv. 77-274-2
StatusPublished
Cited by21 cases

This text of 453 F. Supp. 926 (Stroeber v. Commission Veteran's Auditorium) is published on Counsel Stack Legal Research, covering District Court, S.D. Iowa primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Stroeber v. Commission Veteran's Auditorium, 453 F. Supp. 926, 1977 U.S. Dist. LEXIS 13456 (S.D. Iowa 1977).

Opinion

MEMORANDUM AND ORDER

HANSON, District Judge.

This action brings into question the constitutionality of search procedures conducted during “rock concerts” held at Veterans Memorial Auditorium in Des Moines, Iowa. Plaintiffs, rock concert patrons who seek declaratory and injunctive relief pursuant to 42 U.S.C. § 1983 and 28 U.S.C. §§ 1343 and 2201, claim that said search procedures are in violation of their First, Fourth, and Fourteenth Amendment rights. On October 4,1977, subsequent to the Court’s denial of plaintiffs’ September 20,1977 application for a temporary restraining order, this matter of declaratory and injunctive relief was fully heard and tried on the merits of plaintiffs’ amended and substituted complaint. Fed.R.Civ.P. 65(a)(2). Having now heard the evidence and considered the parties’ arguments, the Court enters the following Findings of Fact and Conclusions of Law in support of its judgment that the contested search procedures cannot withstand Fourth Amendment scrutiny.

I. FINDINGS OF FACT

A. Parties

Individual party plaintiffs to the instant action are Steven Stroeber, Julie Golden, and Lisa Parmley, all of whom have previously attended rock concerts at the Auditorium and who, in particular, were ticket holders to the “Zappa” concert on September 20, 1977. Two organizations, Iowa NORML and the Iowa Civil Liberties Union, are also named plaintiffs in this lawsuit. Iowa NORML is an affiliate of NORML, which is a national non-profit corporation advocating that the use of marijuana be decriminalized. The Iowa Civil Liberties Union is an association organized and founded for the stated purpose of promoting and defending rights guaranteed to all citizens under the Constitution of the United States. Plaintiffs Steven Stroeber and Julie Golden are members of Iowa NORML; plaintiff Lisa Parmley is a member of the Iowa Civil Liberties Union.

Defendants Ray C. Stiles, Russell H. Laird, Peter Watrous, Harry J. Bradley, Jr., and Everett S. Newcomb are presently serving as members of the Veterans Memorial Auditorium Commission, and each is herein being sued individually and in his capacity as a commissioner pursuant to Chapter 37, Code of Iowa (1977). Also named as defendants, in addition to the *929 Commission itself, are David Palmitier, manager of the Auditorium, and Wendell Nichols, chief of police for the City of Des Moines Police Department. Both men are said to have been instrumental in setting up the search procedures at the Auditorium.

Plaintiffs seek to maintain this lawsuit as a class action on behalf of all those persons who have and will attend Auditorium rock concerts and who have been and will be subject to search upon the entry into the Auditorium. In accordance with Rule 23(b)(2) of the Federal Rules of Civil Procedure, it is alleged that defendants’ illegal actions as to each member of this class can be appropriately and fully remedied by the issuance of declaratory and injunctive relief directed to the class as a whole.

B. Search Procedures at the Auditorium

The testimony of Commissioners Stiles and Watrous and Assistant Manager Merton A. Barr indicated that the Auditorium Commission, because of certain purported incidents involving property damage, personal injury, alcohol, drugs, and general rowdiness at rock concerts, adopted and instituted more stringent security measures at the Auditorium in early 1974. These measures, which the Court finds for the most part to have been in effect for rock concerts but not other events at the Auditorium, included the posting of a notice warning patrons not to enter the arena with contraband (“controlled substances” or “alcoholic beverages”), the playing of an amplified tape recording warning patrons of the same, and the checking of patrons and their personal effects by security guards for contraband and items that might be used as weapons or projectiles.

Though ultimately reimbursed by concert promoters, the Auditorium Commission does employ and pay off-duty policemen to serve as security guards. Lieutenant Derald R. Learning, who has been chief of security for the past eighteen months at the Auditorium, is contacted by the Auditorium management prior to what it determines to be a “rock concert.” Either Learning, or Sergeant Charles Sanders, both of the Des Moines Police Department, in turn solicit fellow policemen to work off-duty hours at the rock concerts. Twenty-three such policemen generally appear at the Auditorium in full uniform, with badge and sidearms, while two others, one of them often a matron, are attired in civilian clothes. Prior to the concert, sixteen to eighteen policemen are stationed inside the Auditorium, and the remaining officers are assigned to traffic control. Those policemen checking patrons for contraband and other prohibited items stand in the Auditorium’s inside foyer near the turnstiles.

Police Chief Wendell Nichols is involved in this off-duty service by the police only to the extent that he must give written authorization in order for the men to wear their uniforms. Otherwise, the enforcement of security is under the control of Learning or Sanders, who look to the management, which is responsible to the Commission, for approval and suggestions. When the police make an arrest, they do so in their capacity as officers, but it is the Commission that brings charges against arrested patrons.

Patrons, before entering the Auditorium, are not in any way forewarned that security officers, or Auditorium personnel, will check for and either confiscate or detain contraband and other items. At the direction of the Auditorium Commission, a single sign intended to convey this warning is posted near the doors between the lobby, where the tickets are sold, and the inside foyer, where the tickets are taken. 1 The Commission has also authorized and authored a tape recording which plays over the loudspeakers in the lobby area. This tape, which has a recorded message less than a minute in length, further warns patrons that they may be checked for contraband. 2 Although the tape recording is to *930 be played continuously from the time the ticket windows open until the concert begins, plaintiffs testified that they did not hear it on the night of the “Zappa” concert.

In checking for contraband, or other items that might serve as weapons or projectiles, the police attempt to observe all patrons who enter the arena. Detection of contraband and the other prohibited items is made by either visual surveillance or actual search. Bags, parcels, and purses are sometimes opened and checked upon request, and male patrons, who wear bulky clothing or have pockets where items might be concealed, may be subjected to a pat-down search as a condition to entry.

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Bluebook (online)
453 F. Supp. 926, 1977 U.S. Dist. LEXIS 13456, Counsel Stack Legal Research, https://law.counselstack.com/opinion/stroeber-v-commission-veterans-auditorium-iasd-1977.