Stock-Hendel v. Fox Digital Enterprises CA2/1

CourtCalifornia Court of Appeal
DecidedOctober 4, 2022
DocketB309869
StatusUnpublished

This text of Stock-Hendel v. Fox Digital Enterprises CA2/1 (Stock-Hendel v. Fox Digital Enterprises CA2/1) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Stock-Hendel v. Fox Digital Enterprises CA2/1, (Cal. Ct. App. 2022).

Opinion

Filed 10/4/22 Stock-Hendel v. Fox Digital Enterprises CA2/1 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS

California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION ONE

THOMAS STOCK-HENDEL, B309869

Plaintiff and Appellant, (Los Angeles County Super. Ct. No. 19STCV04334)

v.

FOX DIGITAL ENTERPRISES, INC.,

Defendant and Respondent.

APPEAL from the judgment of the Superior Court of Los Angeles County, Lia Martin, Judge. Affirmed. Law Offices of Jeffrey C. McIntyre, Jeffrey Curran McIntyre and Robert Garcia, Jr., for Plaintiff and Appellant. Mitchell, Silberberg & Knupp, Seth E. Pierce and Bradley J. Mullins for Defendant and Respondent.

________________________ Thomas Stock-Hendel appeals from a judgment dismissing his age discrimination lawsuit against his former employer, Fox Digital Enterprises, Inc. (Fox). Stock-Hendel contends the trial court erred in granting summary adjudication for Fox on two key issues: (1) whether Stock-Hendel could make a prima facie case, and (2) whether the nondiscriminatory reason Fox identified for reducing and ultimately eliminating Stock-Hendel’s shifts was pretextual. Stock-Hendel further challenges certain evidentiary rulings the court made in connection with Fox’s summary judgment /adjudication motion. We affirm. The trial court correctly concluded that Fox identified evidence establishing Stock-Hendel could not prove circumstances supporting an inference of discriminatory intent, a requisite element of a prima facie case for age discrimination. We further hold that the trial court did not abuse its discretion in permitting Fox to rely on certain evidence it identified for the first time at the reply stage of Fox’s summary judgment /adjudication motion. Finally, as to the remainder of Stock-Hendel’s challenges to the court’s evidentiary rulings, even assuming, for the sake of argument, that these rulings were in error, such error would not affect our analysis and ultimate conclusion on appeal.

FACTS AND PROCEEDINGS BELOW The following background is based on the evidence the parties presented at the summary judgment stage. Unless the source of the information is indicated, it is undisputed.

A. Stock-Hendel’s Duties as a Finishing Editor at Fox In November 1989, Fox hired Stock-Hendel as a finishing editor. A finishing editor electronically finishes advertising

2 “promos” for Fox television programs. Room producers assign work to the finishing editors, provide specific instructions regarding needed edits, and approve the final promos. At Fox, finishing editors are assigned to an editor’s bay, which is a separate office filled with required electronic equipment. Room producers typically spend their shift in an editor’s bay. The editor’s bay, in effect, acts as the room producer’s office and the editor’s office, and the room producers directly assist, review the work of, and answer the questions of the editors with whom they share an office. As there were fewer room producers than editors, some finishing editors, including Stock-Hendel, generally worked without a room producer in their editing bay. All finishing editors asked questions of room producers. Because a room producer was not typically in his editing bay, when Stock-Hendel needed to obtain information to complete a promo, he called a room producer or went to an editing bay that a room producer shared with another finishing editor.

B. Finishing Editor Shift Reductions and Stock-Hendel’s Termination 1. Finishing editor staffing generally Under the agreement entered into between Fox and the union representing finishing editors, finishing editors like Stock-Hendel are what is referred to as daily hires. This means that, technically, a finishing editor is rehired each day of work. Given that promo work, by its nature, varies over the course of the television season, the daily hire approach was implemented to permit management to staff up or down as work needs change. The union specifically negotiated a premium wage to compensate for this lack of job security.

3 Stock-Hendel was a daily hire while working at Fox, although, in practice, he was continuously on Fox’s work schedule (except for vacations) from November 1989 until July 2018. At the time Stock-Hendel was terminated, Christy Cofer (the vice president of on-air marketing operations) and Tina Manos (the director of on-air marketing operations) determined the required number of finishing editor shifts and who would work them. The scheduling department, ultimately under William Morales (vice president of entertainment post-production engineering) then implemented Cofer and Manos’s scheduling choices.

2. 2009 finishing editor shift reduction In 2009, Fox reduced the number of finishing editor shifts as part of overall cost reductions. Stock-Hendel’s regular shifts were reduced from a consistent schedule of five shifts per week to four shifts per week. After this reduction, however, Fox offered him additional shifts “relatively regularly,” depending on additional staffing needs. The 2009 reduction did not impact all finishing editors. Stock-Hendel was told that he was selected, in part, due to his tendency to “usurp[ ] [the room producer’s] authority,” an issue that, according to Stock-Hendel, resulted from the changing role of the room producers at the time, and that he corrected after it was raised with him in 2009. Stock-Hendel did not view these shift reductions as discriminatory, and instead testified at deposition that “they [Fox] gave me an honest answer [when he asked why he was selected] and I accepted it.”

3. 2017 and 2018 finishing editor shift reductions In 2017, Fox decided it needed to make cuts across various units to reduce costs. Scott Edwards (executive vice president of creative advertising) announced this to the finishing editors at an

4 all-editors meeting that Stock-Hendel attended in October 2017. Edwards conveyed to the editors that, in Stock-Hendel’s words, “[t]he nature of the workload was going to be changing. That philosophically, people should view what they were doing at Fox as a strict freelance job, even though the majority of people in that room had been there for a very long time, such as myself. That . . . because they were expecting to cut fewer promos, there would be less work. That the nature of what they were doing would be to try and do as much promotion as they could, but with less. [¶] . . . [T]he rule—the word came down he had to absolutely stay within budget even though they had gone over budget every year. . . . [T]he whip was coming down.” Contemporaneous Fox email communications identify these budget cuts, as well as finishing editor “[n]ight shifts experiencing early releases,” as the basis for the 2017 reduction in the total number of finishing editor shifts to be staffed. Cofer and Manos chose to reduce the total number of shifts from 35 to 29 shifts per week. At that time, the finishing editors working regularly at Fox— that that is, an average of at least four shifts per week—were Stock-Hendel, Daryl Frederick, Jack Thannum, Patrick Williams, Paul Ware, David Yount, and Ruth Cooper. These editors ranged in age at that time from 51 to 66 years old. Fox also employed “fill-in and/or more part-time finishing editors” as needed. A fill-in editor provides coverage when other editors are sick, on vacation, or when coverage is otherwise needed, so such fill-in editors’ shifts vary considerably depending on things like regular editor absences or whether it is premiere season.

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Stock-Hendel v. Fox Digital Enterprises CA2/1, Counsel Stack Legal Research, https://law.counselstack.com/opinion/stock-hendel-v-fox-digital-enterprises-ca21-calctapp-2022.