Shana Nizeul, Individually and on behalf of others similarly situated v. ICF Technology, Inc., Accretive Technology Group, Inc.

CourtDistrict Court, D. Connecticut
DecidedMarch 18, 2026
Docket3:24-cv-01393
StatusUnknown

This text of Shana Nizeul, Individually and on behalf of others similarly situated v. ICF Technology, Inc., Accretive Technology Group, Inc. (Shana Nizeul, Individually and on behalf of others similarly situated v. ICF Technology, Inc., Accretive Technology Group, Inc.) is published on Counsel Stack Legal Research, covering District Court, D. Connecticut primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Shana Nizeul, Individually and on behalf of others similarly situated v. ICF Technology, Inc., Accretive Technology Group, Inc., (D. Conn. 2026).

Opinion

UNITED STATES DISTRICT COURT DISTRICT OF CONNECTICUT SHANA NIZEUL, Individually and on behalf of others similarly situated, No. 3:24-cv-1393 (MPS) Plaintiff,

v.

ICF TECHNOLOGY, INC., ACCRETIVE TECHNOLOGY GROUP, INC., Defendants.

RULING ON MOTION FOR CLASS CERTIFICATION I. Introduction Plaintiff Shana Nizeul (“Nizeul”) brings this action against ICF Technology, Inc. (“ICF”) and Accretive Technology Group, Inc. (“ATG,” and collectively with ICF, “Defendants”). Nizeul performs live video content for customers on Streamate.com (“Streamate”), an adult chat website owned and operated by Defendants. Under Defendants’ policies, Nizeul and others who perform on Streamate (“Performers”) are not paid for the entire time they spend live streaming. Nizeul has sued, alleging that Defendants misclassify her and other Performers as independent contractors and thereby deny her wages owed under the Fair Labor Standards Act (“FLSA”) and the Connecticut Minimum Wage Act (“CMWA”). She also brings a statutory theft claim under Connecticut law, alleging that Defendants unlawfully retain sixty-five percent of discretionary tips paid by customers during Performers’ livestreams. Nizeul now seeks to represent a putative class of Performers for her Connecticut law claims. ECF No. 60-1. For the reasons explained below, Nizeul has satisfied the requirements of Rule 23, and the Motion for Class Certification will be granted. II. Factual Background The following facts are drawn from the operative complaint, Defendants’ answer, the parties’ briefs on the Plaintiffs’ motion for class certification, and the accompanying affidavits and exhibits. I set forth only those facts necessary to decide the motion.

1) Streamate and Its Performers Defendant ICF operates Streamate, a website that hosts live adult entertainment for customers. ECF No. 42 at 3. Defendant ATG wholly owns ICF. ECF No. 42 at 1. Plaintiff alleges that both entities jointly employ her and other Performers who provide live performances on Streamate. ECF No. 41 ¶ 4. To begin livestreaming on Streamate, each Performer must apply to and be approved by

Defendants. ECF Nos. 60-1 at 10; 71-1 ¶ 3. Performers must certify their eligibility by confirming their compliance with minimum age requirements and the legal right to perform adult-oriented content in their place of residence. ECF No. 71-1 ¶ 3. Defendants review each application and verify Performer eligibility. ECF No. 60-4 at 3. Each Performer must also sign a Performer Agreement in order to begin streaming or uploading content. ECF No. 42 at 4. The Performer Agreement sets the rules for streaming and states that Performers “shall not be deemed or treated as an employee of Streamate for any purpose.” ECF Nos. 71-5 at 4; 60-4 at 2, 8.

2) “Free Chat” and “Paid Chat” Streamate organizes a Performer’s livestreams into two modes: “free chat” and “paid chat.” ECF No. 71-1 ¶¶ 4–6. Customers visiting the site can browse thumbnails of Performers currently online and select a stream to join. ECF Nos. 60-1 at 15; 60-14 at 2–4. Upon entering a stream, customers are placed in free chat, where they can view the Performer’s live video and interact with them at no charge. ECF No. 71-1 ¶ 5. A customer can enter a paid chat by paying a per-minute or flat rate. Id. ¶ 6; ECF No. 41 ¶¶ 13, 38. When a Performer is in a paid chat, non-paying customers are no longer able to view the stream. ECF No. 71-1 ¶ 6. Once the paid session concludes, the Performer returns to free chat. ECF No. 60-1 at 15.

Performers can earn revenue while streaming in both free and paid chat through “Gold” transactions. ECF No. 41 ¶ 14. Gold is Streamate’s virtual currency; one Gold is equal to one U.S. dollar. ECF No. 71-1 ¶ 5, n. 1. Gold can be used by customers to purchase a Performer’s previously uploaded photos or videos or to subscribe to the Performer’s content. Id. ¶ 5; ECF No. 60-6 at 18. Customers can also give discretionary one-time Gold payments during a Performer’s livestream to “show extra appreciation” as a “bonus.” ECF No. 41 ¶ 14; see also ECF Nos. 60-9 at 2 (“Receive tips on Streamate with Gold! . . . Gold is used as a mode for members to ‘tip’ models on Streamate.”); 60-7 at 30 (Defendants’ corporate representative testifying that customers may give

Performers Gold on Streamate “at their own discretion” and that “[t]he term ‘tip’ is common vernacular in the performer population”). Nizeul asserts that these kinds of Gold transactions are tips. Defendants disagree. Performers can use features during their streams, such as the “Gold Menu” or “Spin the Wheel,” to solicit discretionary Gold payments. ECF No. 71-1 ¶ 5. Under the Gold Menu, a Performer can agree to perform a specific Menu item once they receive a set amount of Gold. Id.; see also ECF No. 72-2 at 4–10 (Nizeul testimony on using the Gold Menu to solicit tips). Under the Spin the Wheel function, a customer pays an amount set by the Performer to spin a digital wheel, and the Performer then performs the act that the wheel lands on. ECF No. 71-1 ¶ 5.

Defendants admit that they do not pay Performers for time spent in free chat. ECF No. 42 ¶ 18. Defendants track each Performer’s total minutes online (free chat plus paid chats) and total paid minutes online (paid chats only) and compensate them only for the latter. ECF No. 42 ¶¶ 18– 19. Gold transactions are, therefore, the only way a Performer can earn money while in free chat. ECF No. 71-1 ¶ 5. Performers and Streamate share all revenue derived from Gold transactions during a Performer’s livestream. ECF Nos. 42 ¶ 35; 60-4 at 5. Under the typical revenue split, Streamate receives sixty-five percent of the Gold a Performer earns, and the Performer retains

thirty-five percent. ECF No. 60-7 at 13. 3) Written Rules and Policies Each Performer is bound by the rules for using Streamate as set out in the Performer Agreement, which Defendants may terminate for any reason. ECF No. 60-4 at 2, 8. Defendants can suspend or terminate a Performer’s livestream or Streamate account for violating the terms of the Agreement. Id. at 3–4. For example, Performers are prohibited from displaying “below the waist” nudity in free chat areas and from promoting any non-Streamate websites. Id. at 6. Individuals who are not Streamate-approved Performers may not appear in performances even if they meet the minimum age requirement. Id. Performers are not permitted to use or be under the

influence of illegal drugs or alcohol in any of their content, solicit prostitution, or display any animals, firearms, or guns of any type. Id. The Agreement also prohibits “fraudulent activity,” defined as “any activity that violates any law, that results in complaints or chargebacks, or that is deemed inappropriate by [Defendants].” Id. Defendants can amend the terms of the Performer Agreement at any time in their sole discretion. Id. at 10. Defendants review all content submitted for upload before it becomes publicly viewable

and may block any content deemed to violate the Performer Agreement. Id. at 4. Defendants must pre-approve any images the Performer submits for their website biography. ECF No. 42 at 5. Defendants also actively monitor Performer conduct in real time throughout each livestream and block or remove any livestreamed content they determine to be in violation of the Performer Agreement. ECF No. 60-4 at 3–5.

Streamate also provides Performers a “Streaming Rules FAQ,” which clarifies its “streaming rules and how they are enforced.” ECF No. 60-12 at 2. Defendants categorize their rules as “no tolerance rules,” “three-strike rules,” and behavior that is “allowed with some exceptions.” Id. at 2-9. A violation of a “no tolerance rule” results in removal from Streamate for the first violation. Id. at 2. “No tolerance” rules include the prohibitions on underage and non- consensual roleplay, weapons, and drug use. Id. at 3-5.

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Shana Nizeul, Individually and on behalf of others similarly situated v. ICF Technology, Inc., Accretive Technology Group, Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/shana-nizeul-individually-and-on-behalf-of-others-similarly-situated-v-ctd-2026.