Richie v. Paramount Pictures Corp.

544 N.W.2d 21, 24 Media L. Rep. (BNA) 1897, 1996 Minn. LEXIS 104, 1996 WL 75882
CourtSupreme Court of Minnesota
DecidedFebruary 23, 1996
DocketCX-94-2249, C5-94-2501
StatusPublished
Cited by45 cases

This text of 544 N.W.2d 21 (Richie v. Paramount Pictures Corp.) is published on Counsel Stack Legal Research, covering Supreme Court of Minnesota primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Richie v. Paramount Pictures Corp., 544 N.W.2d 21, 24 Media L. Rep. (BNA) 1897, 1996 Minn. LEXIS 104, 1996 WL 75882 (Mich. 1996).

Opinion

OPINION

TOMLJANOVICH, Justice.

James Richie and Karen Gerten commenced this action in May of 1993 alleging defamation and false light invasion of privacy. These charges were based upon a photograph shown during the November 5, 1992 telecast of The Maury Povich Show (the Show), a nationally syndicated television program. Appellant, Paramount Pictures Corp. (Paramount), produced the Show and employed the personnel who obtained the photograph and incorporated it into the Show. Appellant, Kathy Tatone, provided the photograph to the Show. Appellant, MoPo Productions Inc. (MoPo), provided the services of host Maury Povich to the Show, but Po-vich himself was not aware that a photograph was being used in connection with the segment of the Show in question. 1

On July 12, 1994, Hennepin County District Court granted summary judgment in favor of Paramount and MoPo on both the defamation and privacy claims. On November 17, 1994, the court granted summary judgment in favor of Tatone on both claims. However, on May 30, 1995, the court of appeals reversed the trial court and remanded the case for trial. Richie v. Paramount Pichires Corp., 532 N.W.2d 235 (Minn.App.1995). This court granted review on July 20, 1995.

In September of 1992, attorney Kathy Ta-tone represented Denise Richie in a successful civil case against her parents arising out of sexual abuse by Denise’s father, Dennis Richie. Denise also obtained a favorable verdict against her mother, Lynnell (also spelled “Lanell”) Richie, for negligently failing to take any action to prevent the abuse.

Following the verdict, a producer for the Maury Povich Show contacted Tatone regarding an appearance on that program by Tatone and Denise Richie. Tatone negotiated and entered into a legal agreement with the Show regarding the terms of the appearance. Shortly before the program was scheduled to be taped, the Show requested *24 photographs of Denise Richie and her parents. Tatone contacted Denise Richie to obtain approval to use photographs for the Show and to discuss with Denise what photographs should be used. Denise Richie had provided Tatone with a family photo album in connection with the trial. Denise suggested that Tatone look through the album and find a picture of her in a graduation gown with her parents. Tatone found a single picture in which Denise Richie was standing in a gown between an adult male and female. Tatone provided this and one other photograph to the Show’s producers.

The program was broadcast on November 5, 1992. The Show’s producers displayed the photo of Denise Richie in her graduation gown standing between two adults. The two adults standing next to Denise Richie, however, were not Denise’s parents, but her godparents, 2 Karen Gerten and James Richie. The photo was displayed at various times during the broadcast including times coinciding with Denise Richie’s description of the sexual abuse perpetrated against her by her father. Gerten and Richie, however, were never identified by name; the names of Denise’s parents were used throughout the Show. Also, with Gerten and Richie’s permission, a retraction was aired by the Show a few weeks after the broadcast. Neither Karen Gerten nor James Richie saw their pictures used during the original telecast. Each learned later, however, of the Show from family or friends and eventually each watched a videotape of the interview.

After viewing the tape, Richie stated that he was “shocked,” “humiliated,” “blown away,” and felt “just crushed” and “very sick” about the broadcast. Richie also testified that:

I don’t take this lightly. I put up with sexual abuse when I was a child in my home. My father sexually abused my sister * * ⅜. The whole thing was so distasteful for me, you know, and-1 don’t want to go back and live my childhood over again for anything. When I left the house and I started doing my own life and being a different person, then, you know, that was a great thing to me. And now how many years later, all of a sudden now Denny commits these crimes and through someone’s careless mistake or some bunch of people’s careless mistake, you know, all of a sudden now I’m thrust back into a situation, you know. That has caused me a great deal of emotional pain since I was a child * * * it * * * affect[s] me a lot and I * * * think about it every day.

Gerten also testified concerning how the broadcast affected her:

[I was] embarrassed by having that shown, that I was the mother of someone who was sexually molested by her dad and that I thought it was okay. When I thought about it, I would get sick to my stomach and-emotionally, it was very upsetting * :¡: ⅜
[WJhen people would look at you, you would wonder if they saw the show, you know, are they staring at me because they saw the show * * *. It was always on my mind. It was upsetting and embarrassing. You’re already ashamed that it’s even been involved in your family and then you’re portrayed as the one who condoned it. I guess I have to say that emotionally I was really, I guess you would say, a basket case.

Finally, both Gerten and Richie testified that they will never know whether people saw the broadcast or think ill of them because of it. The trial court found that neither Karen Gerten nor James Richie have lost any income or incurred any other special damages as a result of the broadcast.

On July 12, 1994, the trial court granted summary judgment for appellants MoPo and Paramount. The court found that Gerten and Richie did not show sufficient harm to reputation to sustain a defamation claim, and that harm to reputation could not be presumed. Additionally, the court found that the emotional harm shown by them could not support a defamation claim. Finally, MoPo and Paramount had argued that New York law should apply to their case essentially because the broadcast originated in New York. The trial court, however, declined to hold on the choice of law issue because it *25 found that under either state’s law, it would grant summary judgment.

On November 17, 1994, the trial court granted summary judgment for Kathy Ta-tone. It found that Tatone’s communication was privileged by either the qualified immunity protecting an attorney from liability to third parties for actions aidsing out of the attorney-client relationship, or by a qualified privilege for statements made on a proper occasion for a proper motive. It further found that Tatone was not liable for defamation because “allowing recovery for emotional distress damages in a defamation action without injury to reputation would, in effect, convert defamation into false light invasion of privacy,” and Minnesota has rejected the latter cause of action.

In a split decision, the court of appeals reversed. The majority found that no privilege applied to Tatone. Richie, 532 N.W.2d at 243 (Minn.App.1995). The court also found that harm to reputation could be presumed for purposes of summary judgment. Id. at 240. Finally, the court held that Minnesota law was applicable to the case. Id. at 242.

Tatone appeals the court’s findings regarding privileges for defamation and presumed harm in a defamation action.

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Cite This Page — Counsel Stack

Bluebook (online)
544 N.W.2d 21, 24 Media L. Rep. (BNA) 1897, 1996 Minn. LEXIS 104, 1996 WL 75882, Counsel Stack Legal Research, https://law.counselstack.com/opinion/richie-v-paramount-pictures-corp-minn-1996.