Ralph Andrews Productions, Inc. v. Paramount Pictures Corp.

222 Cal. App. 3d 676, 271 Cal. Rptr. 797, 1990 Cal. App. LEXIS 877
CourtCalifornia Court of Appeal
DecidedJuly 27, 1990
DocketB040944
StatusPublished
Cited by4 cases

This text of 222 Cal. App. 3d 676 (Ralph Andrews Productions, Inc. v. Paramount Pictures Corp.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Ralph Andrews Productions, Inc. v. Paramount Pictures Corp., 222 Cal. App. 3d 676, 271 Cal. Rptr. 797, 1990 Cal. App. LEXIS 877 (Cal. Ct. App. 1990).

Opinion

Opinion

ASHBY, J.

Plaintiff and appellant Ralph Andrews Productions, Inc., a California corporation (RAP), appeals from the entry of judgment upon the granting of a summary judgment motion brought by defendant and respondent Paramount Pictures, a Delaware corporation (Paramount). We reverse.

Facts

The basis of this lawsuit is RAP’s accusation that when RAP’s employee, Gary Bernstein, stole an idea for a television game show and took the idea to Paramount, Paramount produced the show even though Paramount knew or should have discovered Bernstein did not have the rights to the game show. Bernstein is not a party to this appeal. The trial court granted Paramount’s summary judgment motion finding that at the time Paramount negotiated with Bernstein for the rights to the show, Paramount had neither actual nor constructive knowledge RAP owned the rights.

In that RAP is the party who opposed the summary judgment motion, we must liberally construe the facts in the light most favorable to RAP. (Molko v. Holy Spirit Assn. (1988) 46 Cal.3d 1092, 1107 [252 Cal.Rptr. 122, 762 P.2d 46].)

RAP and its president, Ralph Andrews, were established producers of television game shows. From 1980 through 1986 RAP had an exclusive agreement with Columbia Pictures Television (Columbia). The agreement required that all projects developed by RAP first be presented to Columbia. If Columbia was not interested in the project, i.e., if Columbia “passed” on the project, RAP then had the right to take the project elsewhere. RAP’s office was on the Columbia lot.

From 1981 to September 1, 1983, Bernstein was employed by RAP as vice-president in charge of development. Bernstein’s responsibilities includ *680 ed developing new concepts for television shows. RAP developed a game show entitled “Anything For Money.” The concept was that people would do anything for money. 1 The concept had been presented to and rejected by Columbia.

During July 1983, the idea was presented through an agent to Twentieth Century Fox (Fox). Bernstein told Andrews that Fox requested a letter confirming Columbia “passed” on the project. In a letter dated July 27, Andrews authorized the agent to negotiate with Fox on behalf of RAP. The letter clearly stated that the show had been rejected by Columbia.

Andrews suggested Bernstein present the idea to Paramount. In July 1983, Bernstein called John Goldhammer, Paramount’s vice-president. Goldhammer met and discussed the idea of the game show with Bernstein and Bernstein’s partner, Larry Hovis. Goldhammer asked who had the rights to the show. Rather than presenting the idea on behalf of RAP, it appears Bernstein told Goldhammer that he and Hovis owned the rights to the show. 2 Bernstein and Hovis also suggested they had the contract with Columbia when they erroneously told Goldhammer they had previously presented the idea to Columbia, with whom they had a contract, but Columbia had rejected the idea. 3 Additional meetings were held among Bernstein, Hovis, Goldhammer, and an independent producer hired by Goldhammer.

Andrews prepared a letter similar to the one he had previously written for the benefit of Fox. This letter was addressed to Paramount on RAP letterhead. Its purpose was to inform Paramount that RAP owned the concept and was free to sell it because the show had been presented to and rejected by Columbia. Bernstein requested Andrews write this letter, stating Paramount had requested assurance that Columbia no longer had rights to the game show. The letter was to be hand delivered by Bernstein to Para *681 mount. There was no indication the letter was delivered to Paramount, although copies were disseminated at Columbia. Further, there was no indication that when Goldhammer did not receive the letter he or anyone else at Paramount inquired further. 4

At Paramount, clearances for shows were normally handled by its legal department. There was no indication such clearances were ever obtained with respect to “Anything for Money.” There was no indication anyone from the legal department ever contacted Bernstein or Hovis.

Paramount knew Bernstein at one time was a game show developer and Paramount was aware Bernstein had worked for RAP. A November 1983 news release issued from Paramount verifies that it had this information. In June 1983, Paramount’s lawyer directed a letter to Bernstein “c/o Ralph Andrews Productions, Inc., 1050 Columbia Plaza, South, Columbia Pictures.” Bernstein was shown to have been affiliated with RAP by the productions credits he received on other game shows.

On October 17, 1983, Paramount formalized its agreement to hire Bernstein, Hovis and another independent producer to produce the pilot. The pilot was produced in 1984, after which time Paramount exercised its option to hire Bernstein and Hovis to produce the syndicated show. One hundred fifty shows (thirty weeks) were produced and broadcast between September 1984 and August 1985. The show was cancelled due to low ratings.

A seven-count complaint was filed on behalf of RAP on September 11, 1984, against Paramount and other parties. Thereafter, the trial court granted Paramount’s summary judgment motion finding there were no triable issues of fact. On appeal, the parties implicitly agree the trial court must be reversed if, at the time Paramount contracted with Bernstein, Paramount had knowledge RAP actually owned the concept for the game show or if Paramount was on constructive notice and should have made further inquiry as to the ownership of the concept.

Discussion

Constructive Knowledge

The standards for examining a summary judgment motion are clear. The proponent has the burden to show there are no triable issues of *682 fact. (Code Civ. Proc., § 437c, subd. (c).) “Summary judgment is a drastic measure that deprives the losing party of a trial on the merits. [Citation.] It should therefore be used with caution, so that it does not become a substitute for trial. [Citation.] .... Any doubts as to the propriety of granting the motion should be resolved in favor of the party opposing the motion. [Citation.]” (Molko v. Holy Spirit Assn., supra, 46 Cal.3d at p. 1107.) In examining the evidence we are not determining if the evidence is strong or weak, only if sufficient evidence has been presented to raise triable issues of fact. (Fosgate v. Gonzales (1980) 107 Cal.App.3d 951, 955 [166 Cal.Rptr. 233].)

Constructive knowledge is codified in Civil Code section 19: “Every person who has actual notice of circumstances sufficient to put a prudent man upon inquiry as to a particular fact, has constructive notice of the fact itself in all cases in which, by prosecuting such inquiry, he might have learned such fact.”

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222 Cal. App. 3d 676, 271 Cal. Rptr. 797, 1990 Cal. App. LEXIS 877, Counsel Stack Legal Research, https://law.counselstack.com/opinion/ralph-andrews-productions-inc-v-paramount-pictures-corp-calctapp-1990.