Paramount Pictures Corp. v. Davis

228 Cal. App. 2d 827, 39 Cal. Rptr. 791, 1964 Cal. App. LEXIS 1145
CourtCalifornia Court of Appeal
DecidedJuly 31, 1964
DocketCiv. 28433
StatusPublished
Cited by12 cases

This text of 228 Cal. App. 2d 827 (Paramount Pictures Corp. v. Davis) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Paramount Pictures Corp. v. Davis, 228 Cal. App. 2d 827, 39 Cal. Rptr. 791, 1964 Cal. App. LEXIS 1145 (Cal. Ct. App. 1964).

Opinions

FOURT, J., and LILLIE, J.

This is an application for a writ of supersedeas to stay the enforcement of a preliminary injunction pending an appeal from the injunctive order. The injunction issued in an action commenced by Paramount Pictures Corporation (“Paramount”), against Bette Davis (“Davis”) in which Paramount sought to compel performance of a contract.

Under the contract, dated November 11, 1963, Davis was employed by Paramount to act, play and perform the part of “Mrs. Hayden” in the photoplay “Where Love Has Gone,” such services to be rendered for a period of “ten (10) consecutive weeks (hereinafter called the ‘minimum period’), and as much longer as the Employer may require the Artist’s services therein, commencing on December 16, 1963,” the services of Davis to be rendered exclusively for Paramount “during the term” of the agreement.

Paragraph Sixth of the contract provides, in pertinent part: “The Artist agrees to appear at the studios of the Employer ... to render the Artist’s additional services in connection with the photographing, recording, rephotographing or re-recording of parts or sequences or the making'of any retakes, transparencies, trick shots, added scenes or trailers, which may be required in the opinion of the Employer, in connection with the Photoplay, at such times as the Employer may direct after the completion thereof; provided, however, that if the Employer shall require any such additional services at a time or times after the expiration of the minimum period and any extension of the minimum period pursuant to the provisions hereof, the rendition of such additional services by the Artist shall be subject to other actual engagements of the Artist to render the Artist’s motion picture services for any other person, firm or corporation which prevent the Artist from so doing at that time; the Artist nevertheless agrees to exert the Artist’s best efforts and endeavors so to arrange the Artist’s other engagements as to be [830]*830available for the rendition of such additional services for the Employer. ... The Artist expressly agrees to be available at all times in Los Angeles, California (or in such other place or location where the Artist may then be), or its environs, for a period of seven (7) days after the expiration of the term hereof for the purpose of rendering the services specified in both this and the preceding paragraph,1 unless excused in writing by the Employer.”

In Paragraph Sixteenth, it is “mutually understood and agreed that the Artist’s services are special, unique, unusual, extraordinary and of an intellectual character, giving them a peculiar value, the loss of which cannot be reasonably or adequately compensated in damages in an action at law, and that the Employer in the event of any breach by the Artist shall be entitled to equitable relief by way of injunction or otherwise.”

It is alleged by Paramount in its complaint that principal photography of said photoplay was commenced on or about December 10, 1963, and was completed on February 10, 1964; that, in accordance with the terms of the contract defendant was paid the sum of one hundred twenty five thousand dollars ($125,000); that after completion of the principal photography, plaintiff determined that defendant’s additional services were required in connection with the photographing of an additional scene; that, during the month of March 1964, plaintiff so notified defendant and suggested several dates during the month of April 1964, upon which the added scene might be photographed; that, at the request of defendant, the photographing of the added scene was deferred until and scheduled for May 15, 1964, and that defendant agreed to report at said time; that on May 13, in breach of her contract, defendant declared that she would not render her services in the said added scene on May 15 or at any other time; that “defendant did not have any actual engagements to render her motion picture services for any other person, firm or corporation on May 15, 1964, or any other of the dates plaintiff had suggested for the photographing of said added scene”; and that on May 15, 1964, in breach of her contract, defendant failed to report for or to render her additional services.

In the second cause of action it is alleged that defendant further breached the contract in that she failed “to use her [831]*831best efforts, or any efforts at all, to arrange her engagements for motion picture services to others so as to be available for the rendition of additional services for plaintiff pursuant to Paragraph Sixth of the contract. ”

It is further alleged that defendant “threatens to, and unless enjoined by this Court will continue to, fail and refuse to perform the obligations of the contract on her part to be performed with respect to the photographing of said added scene, and will, while so in default under said contract, render her services for others in the photographing of motion pictures, all in breach of her obligations under said contract.” Plaintiff asserts irreparable injury in that by the absence of said added scene the value of its three million dollar investment in the photoplay “will be lessened in an undeterminable amount” and plaintiff will be placed at a competitive disadvantage; that plaintiff “will be irreparably injured unless said defendant’s breach of said contract is enjoined prior to the date by which this case would be set for trial by virtue of the following facts. The scheduled release date for said photoplay is October 10, 1964. In order to meet said release date, it is necessary to film said added scene within four or five weeks from the date of this complaint. The meeting of said release date is of great and immeasurable importance to plaintiff____”

Plaintiff prays that “defendant Bette Davis be enjoined both during the pendency of this action and permanently thereafter from rendering her services in any motion picture photoplay or in any other artistic or dramatic enterprise so long as she remains in default under her contract with plaintiff ... in the respects alleged herein. ”

By her answer, defendant admits the making of the contract as above set forth; that she participated in the filming of the photoplay; that the photoplay was completed on February 10, 1964, and that she was paid one hundred twenty five thousand dollars; that, during the month of April 1964, she suggested to her agent several dates during said month upon which the added scene might be photographed; and that on May 13, 1964, she notified plaintiff that she would not report and render her services in the added scene on May 15, 1964. Except as expressly admitted, defendant denies all material allegations of the complaint specifically denying that she requested that the photographing of said additional scene be deferred to and scheduled on May 15, 1964, or that she agreed to report or render services to plaintiff on said date or [832]*832at any other time.

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Bluebook (online)
228 Cal. App. 2d 827, 39 Cal. Rptr. 791, 1964 Cal. App. LEXIS 1145, Counsel Stack Legal Research, https://law.counselstack.com/opinion/paramount-pictures-corp-v-davis-calctapp-1964.