Odem v. Pace Academy

510 S.E.2d 326, 235 Ga. App. 648, 99 Fulton County D. Rep. 271, 1998 Ga. App. LEXIS 1583
CourtCourt of Appeals of Georgia
DecidedDecember 4, 1998
DocketA98A1494
StatusPublished
Cited by37 cases

This text of 510 S.E.2d 326 (Odem v. Pace Academy) is published on Counsel Stack Legal Research, covering Court of Appeals of Georgia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Odem v. Pace Academy, 510 S.E.2d 326, 235 Ga. App. 648, 99 Fulton County D. Rep. 271, 1998 Ga. App. LEXIS 1583 (Ga. Ct. App. 1998).

Opinion

Pope, Presiding Judge.

Appellant Jeffrey L. Odem appeals from the trial court’s grant of summary judgment to Pace Academy on his claims for breach of contract, intentional infliction of emotional distress and breach of a legal duty arising out of the termination of his employment at Pace. We affirm.

“To prevail at summary judgment under OCGA § 9-11-56, the moving party must demonstrate that there is no genuine issue of material fact and that the undisputed facts, viewed in the light most favorable to the nonmoving party, warrant judgment as a matter of law. OCGA § 9-11-56 (c). A defendant may do this by showing the court that the documents, affidavits, depositions and other evidence in the record reveal that there is no evidence sufficient to create a jury issue on at least one essential element of plaintiff’s case.” (Emphasis in original.) Lau’s Corp. v. Haskins, 261 Ga. 491 (405 SE2d 474) (1991). On appeal from a grant of summary judgment, this Court conducts a de novo review of the record, construing the evidence and all inferences therefrom in favor of the nonmoving party. Maddox v. Southern Engineering Co., 231 Ga. App. 802, 803 (500 SE2d 591) (1998); Lane v. Spragg, 224 Ga. App. 606 (481 SE2d 592) (1997).

The record shows that from August 1992 to January 25, 1994, Odem was employed as the technical director of Pace’s theater program. Odem’s responsibilities included coordinating the scenery for the school’s theater productions and teaching classes on the technical aspects of theatrical productions.

Odem originally was hired for the 1992-1993 school year and signed a one-year contract. Although George Mengert, the head of Pace’s drama department and Odem’s immediate supervisor, stated he had some concerns about Odem’s organizational skills, Odem’s contract was renewed for another year in February 1993.

Odem’s contract with Pace provided that it was terminable at will by either party upon 30 days written notice. In addition, Pace retained the right at any time “to annul this contract, suspending without compensation or dismissing the teacher for unsatisfactory professional performance, insubordination, neglect of duty, the violation of any law, or failure to adhere to the terms of this contract or to standards of personal conduct consistent with the philosophy of the school.” The contract further provided that implicit within its terms was “the understanding that employees are expected to comply with written, stated, and commonly understood definitions of duties and responsibilities in the discharge of school responsibilities.” In conjunction with his employment, Odem received a copy of the school’s *649 faculty handbook. He read the handbook and understood that he had to abide by its policies.

In November 1993, during preparations for the school’s fall musical “Carousel,” work on the stage sets ran behind schedule, 1 and the school hired a carpenter to help Odem complete the work. Even with the additional help, Odem and his technical staff were still working on the sets on opening night. Under the time pressure of these preparations, tempers flared and Odem developed an acrimonious relationship with Jill Cadenhead, one of the parent volunteers working on the production. In the midst of this pre-production work, Odem was informed that a female student was upset and crying because an adult male dancer hired by the school had been touching the student’s breasts during dance rehearsals. Odem called the girl to his office, and she confirmed this story. Odem told her that she did not have to tolerate the dancer’s conduct, that she should tell the dancer to stop his behavior and that she should tell the dancer that she had told an adult about his actions. Several days later, at a post-production party Odem informed the student’s parents of the situation.

The next day, Odem learned from a second female student that two years earlier, the same male dancer had touched her inappropriately during another Pace musical production. The girl told Odem that she had reported the dancer’s actions at the time to Cadenhead, who had also volunteered on the earlier production, but that Cadenhead had told her something to the effect of “grow up” and had taken no action. The girl from whom Odem had first heard of the inappropriate incident later told Odem that she had also spoken with Cadenhead about the dancer’s conduct, with similar results.

During one of the last performances of Carousel, Odem received information that Cadenhead was asking for help from another volunteer in getting Odem fired. Odem responded to this information by saying that he was quitting and leaving the backstage area. Nevertheless, Odem immediately “thought better” of it and returned to the set.

On the first school day after the Carousel production, Odem reported the girls’ accounts of the dancer’s behavior to George Kirkpatrick, Pace’s headmaster. Kirkpatrick told Odem that he had done the right thing in reporting these incidents. 2 Kirkpatrick also told Odem that the school would investigate the situation and instructed *650 him not to discuss the matter with the girls’ parents. But Odem had already spoken with the first student’s parents and, despite Kirkpatrick’s instructions, later discussed the matter with the second girl’s parents and at least one other school parent. And when Odem later learned that a third girl may also have been inappropriately touched by the male dancer in the earlier production, he discussed the matter with that girl’s mother. Odem then reported this third incident to Kirkpatrick.

In the meantime, Cadenhead and other volunteers began complaining to Odem’s supervisor, Mengert, about Odem’s behavior during the Carousel production. In a letter, one volunteer complained about Odem’s lack of organizational and teaching skills and emphasized his temper and “mercurial mood swings,” stating that she had seen him “blow up” at students and have “temper tantrums” before “storming” out of class. This volunteer recalled that Odem had even thrown wood across the shop during one “outburst.” Cadenhead also wrote a letter raising similar concerns, noting one instance when she said Odem had scared several young children who had been enlisted on the Carousel production.

Around this time, the school also received a report that Odem kept a gun in his unlocked truck while it was parked at school. This report, from a carpenter who was helping with Carousel, indicated that the gun was lying in Odem’s truck on the front seat under some magazines. The carpenter also reported that Odem had made a comment during production to the effect that he sometimes felt like a postal worker and he could just go in and blow everyone away. 3

Mengert related these matters to Headmaster Kirkpatrick and spoke with Odem about his gun. Odem admitted that he brought his gun to school every day and stated that it was his constitutional right to do so. Kirkpatrick told him never to bring the gun on campus again, and after further discussion Odem agreed.

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Bluebook (online)
510 S.E.2d 326, 235 Ga. App. 648, 99 Fulton County D. Rep. 271, 1998 Ga. App. LEXIS 1583, Counsel Stack Legal Research, https://law.counselstack.com/opinion/odem-v-pace-academy-gactapp-1998.