Natalie Henderson v. Gloria Woods, ET AL.

CourtDistrict Court, E.D. Louisiana
DecidedNovember 21, 2025
Docket2:25-cv-01254
StatusUnknown

This text of Natalie Henderson v. Gloria Woods, ET AL. (Natalie Henderson v. Gloria Woods, ET AL.) is published on Counsel Stack Legal Research, covering District Court, E.D. Louisiana primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Natalie Henderson v. Gloria Woods, ET AL., (E.D. La. 2025).

Opinion

UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA

NATALIE HENDERSON CIVIL ACTION

VERSUS No. 25-1254

GLORIA WOODS, ET AL. SECTION I

ORDER AND REASONS Before the Court are two motions1 to dismiss pursuant to Federal Rules of Civil Procedure 12(b)(2), 12(b)(3), and 12(b)(6) filed by defendants Gloria Woods (“Woods”), UMG Recordings, Inc. (“UMG”), W Chappell Music Corp. (“Warner”), CMG Enterprises II, Inc. (“CMG”),2 and BMG Rights Management (US) LLC (“BMG”) (collectively, “defendants”). Plaintiff Natalie Henderson (“plaintiff”) opposes the motions,3 and has filed a motion4 to conduct jurisdictional discovery. Defendants filed replies5 to plaintiff’s oppositions and opposed6 plaintiff’s motion to conduct jurisdictional discovery. For the following reasons, the Court grants defendants’ motion to dismiss pursuant to Rule 12(b)(2) and denies plaintiff’s motion to conduct jurisdictional discovery.

1 R. Doc. No. 17; R. Doc. No. 18. 2 Plaintiff incorrectly named defendant CMG as “Collective Music Group, LLC d/b/a CMG The Label” in her complaint. R. Doc. No. 1 ¶ 9; R. Doc. No. 17 at n.1. Plaintiff’s counsel has advised this Court that plaintiff has no objection to defendant CMG being referred to as “CMG Enterprises II, Inc.” 3 R. Doc. No. 22; R. Doc. No. 23. 4 R. Doc. No. 21. 5 R. Doc. No. 24; R. Doc. No. 25. 6 R. Doc. No. 26. I. BACKGROUND This case arises out of a copyright dispute between plaintiff and defendants.7 Plaintiff, professionally known as “Slimdabodylast,” alleges that defendant Woods, a

musical artist professionally known as “GloRilla,” infringed upon plaintiff’s copyright for the song “All Natural” through the “unauthorized reproduction, distribution and/or prior performance” of the song.8 Plaintiff also alleges that defendants9 infringed on her copyright through the production and distribution of defendant Woods’s song “Never Find (feat. K Carbon),” (“Never Find”) which appeared on a digital exclusive version of her album “Glorious.”10

Plaintiff alleges that beginning on January 6, 2024, she “made several social media posts concerning her modeling and physique that went viral.”11 “Specifically, [p]laintiff refers to her physique that is ‘all naturale, no BBL.’”12 Plaintiff alleges that

7 R. Doc. No. 1 ¶ 1. 8 Id. ¶ 12. 9 As stated in plaintiff’s complaint, defendant Woods “is known for the production, recordation and composition of music that is distributed worldwide via the internet and other digital devices” who “co-authored the musical composition and performed vocals on” Never Find. Id. at 7. Defendant UMG “distributes and sells sound recordings created by [d]efendant Woods.” Id. ¶ 8. Plaintiff alleges that defendant UMG “supervised the illegal reproduction of the [i]nfringing [t]rack . . . and authorized the illegal reproduction and distribution of the [p]laintiff’s copyright protected work.” Id. Defendant CMG is a music label who plaintiff alleges “does substantial, continuous and systematic business in the State of Louisiana and in this judicial district.” Id. ¶ 9. Defendant Warner “is responsible for music royalties from the publication of the infringing works on behalf of the authors and composers of the infringing work.” Id. ¶ 10. Plaintiff states that defendant BMG is likewise “responsible for collecting music royalties from the publication of the infringing work on behalf of the authors and composers of the infringing work.” Id. ¶ 11. 10 Id. ¶ 17; R. Doc. No. 17-2 ¶ 7; R. Doc. No. 17-3 ¶ 8. 11 Id. ¶ 13. 12 Id. “[t]he aforesaid reference and video posts went viral through several published social media posts on Instagram” and “has garnered over one (1) million views and likes.”13 Plaintiff alleges that to take advantage of her social media success, she wrote and

released the song All Natural.14 According to plaintiff, the lyrics to the song All Natural included the “all naturale, no BBL” phrase from plaintiff’s Instagram posts in its chorus, which is repeated three times during the song15 and includes the lyrics “Slimdabodylast / All natural, no BBL / Mad h**s go to h**l / All natural, all natural, all, all natural / No, no BBL.”16 Plaintiff states that her song is registered with the U.S. Copyright Office under Registration Number SRul-579-013.17 Plaintiff alleges

she “is the listed author and copyright claimant on the aforesaid registration.”18 Plaintiff also alleges All Natural has been distributed through all major music streaming platforms and digital music outlets.19 Plaintiff claims she is the sole owner of the copyright registered for the song and the sole author of the “master, sound recordings, musical composition, and lyrics for the subject song.”20 According to plaintiff’s complaint, defendant Woods “without express authorization copied protected elements of ‘All Natural’ in her sound recording,

‘Never Find.’”21 Never Find was “released and distributed by [d]efendant UMG

13 Id. 14 Id. ¶ 14. 15 Id. ¶ 21. 16 Id. ¶ 14. 17 Id. ¶ 15. 18 Id. 19 Id. 20 Id. ¶ 16. 21 Id. ¶ 17. through its recording label imprints, CMG [sic] and Interscope Records, as part of [d]efendant Woods’s album ‘Glorious.’”22 Plaintiff alleges that defendants “BMG and [Warner] also collected royalties from the exploitation of the infringing work on behalf

of several publishers and [d]efendant Woods.”23 Plaintiff states that “[d]efendants released and distributed the infringing work in the State of Louisiana, United States and worldwide for streaming on all major streaming services” and that “[t]he infringing work is accessible, and available for consumer use, in Louisiana by the [p]laintiff and other Louisiana Residents through utilizing one of the streaming services” which are “available for use by Louisiana residents.”24

Plaintiff states that she did not authorize the defendants to reproduce, distribute, or otherwise create a derivative work of All Natural.25 However, plaintiff alleges that defendants “have misappropriated many of the recognizable and key protected elements of the [p]laintiff’s works into their infringing work ‘Never Find.’”26 Specifically, plaintiff alleges that “[d]efendant[] Woods copies the lyrics, content, and melody from [p]laintiff’s ‘All Natural’ to create the infringing ‘Never Find.’” Plaintiff alleges that Never Find misappropriates the lyrics “Slimdabodylast,

all naturale, no BBL, mad h**s go to h**l” of All Natural and interpolates them as “Natural, no BBL, but I’m still gon’ give them h**l.”27 Plaintiff alleges that due to

22 Id. 23 Id. 24 Id. 25 Id. ¶ 18. 26 Id. ¶ 20. 27 Id. ¶ 21. defendants’ unauthorized copyright infringement, “a layperson . . . could conclude that [the] songs are essentially identical.”28 Plaintiff filed her complaint29 on June 18, 2025, alleging copyright

infringement against all defendants based on the previously mentioned facts she alleged.30 Defendants filed a motion31 to dismiss plaintiff’s claims pursuant to Rule 12(b)(2) and 12(b)(3), and another motion32 to dismiss plaintiff’s claims pursuant to Rule 12(b)(6). Plaintiff filed responses33 in opposition to each motion, as well as a motion34 to conduct limited jurisdictional discovery. Defendant filed a reply35 to each of plaintiff’s responses in opposition to their motions, and a response36 in opposition

to plaintiff’s motion to conduct jurisdictional discovery. II. STANDARD OF LAW In the context of a motion filed pursuant to Rule 12(b)(2), a plaintiff must establish a court’s personal jurisdiction over the defendant. Wilson v. Belin, 20 F.3d 644, 648 (5th Cir. 1994).

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