Montijo v. Samuel Goldwyn, Inc.

297 P. 949, 113 Cal. App. 57, 1931 Cal. App. LEXIS 777
CourtCalifornia Court of Appeal
DecidedMarch 28, 1931
DocketDocket No. 356.
StatusPublished
Cited by3 cases

This text of 297 P. 949 (Montijo v. Samuel Goldwyn, Inc.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Montijo v. Samuel Goldwyn, Inc., 297 P. 949, 113 Cal. App. 57, 1931 Cal. App. LEXIS 777 (Cal. Ct. App. 1931).

Opinion

MARKS, J.

In 1925 appellant was the owner of a four-passenger cabin airplane of the biplane type. Respondent was engaged in producing moving pictures. In the fall of 1925 respondent was filming a picture known as “Partners Again”, one of a “Potash and Perlmutter” series. The plot of the story included an act which involved an airplane and an automobile rushing toward each other at rapid speeds with the airplane avoiding a collision by zooming over the automobile and just missing it. This was characterized as a “stunt” which was intended to give a “thrill” to an audience by the apparent and actual danger to those participating in it.

Respondent engaged appellant to use his airplane in this stunt for a compensation of $100 per day, or $50 an hour if the airplane was out of its hangar for more than two hours on any one day.

Ray Cushman was the owner of a Cadillac automobile of the touring car type. It was generally used for the purpose of transporting moving picture actors and properties from studios to places where scenes were filmed. Samuel Diege conducted an auto rental service in Hollywood under the name of “Sammy’s Rental Service”. He furnished automobiles and drivers to moving picture producers for like transportation purposes. Other than his own automobile, which he occasionally used and drove, he did not own any of the cars working out of his agency, but acted as agent in obtaining business for other owners, such as Cushman, taking ten per cent of the charges for his services.

November 20, 1925, was fixed by respondent for filming the “stunt” in “Partners Again”. Respondent arranged with Samuel Diege to have three automobiles report at its studio in Hollywood to transport the actors and necessary properties to the Municipal Airport at Long Beach. Ray Cushman, Jack Radke and another driver were assigned to this undertaking by Diege. They reported at the studios of respondent on the morning of November 20th and took *59 the paraphernalia and actors to the airport where appellant was waiting.

Jack Radke was an automobile racing and stunt driver of considerable skill and large experience. He had participated in many dangerous stunts in moving pictures, such as turning his automobile over at high rates of speed, engaging in collisions with other automobiles, and in crossing railroad tracks in front of fast-moving trains in such close proximity to the front of the train that his tail-light would appear to be torn off. He was selected to drive the “stunt” automobile over which the airplane was expected to zoom. In this automobile was seated Radke, dressed in a policeman’s uniform, an actor also dressed as a policeman, and perhaps two others. The cameras were placed in the tonneau of a second automobile, which, during the first two trials of the stunt was driven by an undisclosed person. The camera car was to follow Radke’s car at a distance of twenty-five feet, the cameras photographing the airplane approaching the Radke car and zooming over it.

Cullen Tate was the director in charge of filming this stunt for respondent. He was working under Robert B. McIntyre who was its production manager. Prior to the twentieth day of November McIntyre had explained the details of the story to appellant and had discussed the necessary action with him. On the morning of November 20th, Tate, appellant, Radke, and respondent’s head cameraman, together with others, conferred over the details of the stunt. Appellant said that the flying speed of the airplane was between sixty-five and seventy miles per hour and that he would require from 3000 to 1200 feet in which to attain this speed so that he could zoom over the automobile. The runway at the airport was 1950 feet long. He directed the stunt automobile to start after the airplane had started a.nd to proceed at a speed of between thirty and thirty-five miles per hour which would give him the required two-thirds distance of the runway over which to travel before meeting the automobile. It was arranged that when the actors and the cameramen were ready, Tate would signal this fact to appellant by waving a white handkerchief and appellant would then start his airplane and the action would proceed.

*60 On this day the airplane took its position at the west end of the runway facing east, and the automobiles at the east end of the runway facing west. There was a very gentle breeze blowing from the east to the west of the airport. When the cameramen and actors were in their places and ready to perform their duties, Tate gave appellant the agreed signal and he started his airplane on its course. The automobiles started immediately afterward and the machines proceeded toward each other at the respective speeds and in the position and manners as arranged by appellant. When the leading automobile was within about 100 feet of the oncoming airplane, Radke lost his nerve, and thinking that a collision could not be avoided threw his car to the right and passed out of the picture. The airplane successfully zoomed over the place where the stunt automobile should have been. The action of the picture having been spoiled by Radke, it was necessary to take the scene over again. All of the participants proceeded as before and the airplane successfully zoomed over the automobile clearing its top by a very few feet. However the driver of the camera car on this trial swerved his car so that the stunt automobile and the airplane passed out of the field of the cameras and it had to be again retaken. On the third attempt Tate changed the driver of the camera car and put Ray Cushman at the wheel. The.third filming of the stunt was a success though the airplane passed closer to the top of the leading automobile than on the second occasion. Tate desired to refilm the scene to insure a good picture and directed the action repeated. On the fourth attempt all of the participants executed their parts in accordance with the previous plan. On this occasion the airplane barely cleared the top of the stunt automobile thus by only a few inches avoiding a serious collision. This ended the filming of the scene for that day.

The films were developed and run in respondent’s projection room before Samuel Goldwyn, McIntyre, Tate and others. They were not satisfied with the picture for the reason that the cameras, as placed in the second car, were too far from the airplane to give the audience a good idea of the action of the automobile and the airplane rushing toward each other at rapid speeds and the airplane avoiding the collision by starting to zoom over the automobile at about *61 a hundred feet or less in front of it and just clearing its top. For this reason the “thrill”, caused by the very evident danger to the occupants of the two machines, was lost to the audience. The representatives of respondent decided to retake the picture and place the cameras in the tonneau of the stunt automobile rather than in a second car. The filming of this scene was fixed for December 1, 1925, and appellant was told to have his airplane in readiness at the Long Beach airport. Samuel Diege again furnished the automobiles and drivers to transport the actors and properties. He went, driving his own car. Ray Cushman again reported for duty. The driver of the third automobile on this occasion is not identified in the record.

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Bluebook (online)
297 P. 949, 113 Cal. App. 57, 1931 Cal. App. LEXIS 777, Counsel Stack Legal Research, https://law.counselstack.com/opinion/montijo-v-samuel-goldwyn-inc-calctapp-1931.