Minden Pictures, Inc. v. Sup China, Inc.

District Court, S.D. New York·Decided October 4, 2024·No. 1:23-cv-10312·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK MINDEN PICTURES, INC.,

Plaintiff, CIVIL ACTION NO.: 23 Civ. 10312 (DEH) (SLC) v. SUP CHINA, INC., REPORT AND RECOMMENDATION Defendant.

SARAH L. CAVE, United States Magistrate Judge. TO THE HONORABLE DALE E. HO, United States District Judge: Plaintiff Minden Pictures, Inc. (“Minden”) alleges that Defendant Sup China, Inc. (“SCI”) infringed its copyrighted photograph by unlawfully reproducing, distributing, and displaying it on SCI’s for-profit company website without authorization. (ECF No. 1 (the “Complaint”)). After SCI failed to answer the complaint or otherwise appear in this action, the Clerk of Court entered a certificate of default, and Judge Ho referred the case for an inquest on damages before final default judgment. We respectfully recommend that default judgment be entered against SCI, awarding Minden (1) statutory damages in the amount of $7,500 for copyright infringement, (2) attorneys’ fees in the amount of $4,815.00, (3) costs in the amount of $749.22, and (4) post- judgment interest pursuant to 28 U.S.C. § 1961. We further recommend that neither prejudgment interest nor a permanent injunction be awarded. I. BACKGROUND Given SCI’s default, the Court accepts as true all well-pleaded factual allegations in Plaintiff’s complaint, except as to damages. See City of New York v. Mickalis Pawn Shop, LLC, 645 F.3d 114, 137 (2d Cir. 2011) (“[I]t is an ‘ancient common law axiom’ that a defendant who defaults thereby admits all ‘well-pleaded’ factual allegations contained in the complaint.”) (quoting Vt. Teddy Bear Co., Inc. v. 1-800 Beargram Co., 373 F.3d 241, 246 (2d Cir. 2004)); Whitehead v. Mix Unit, LLC, No. 17 Civ. 9476 (VSB) (JLC), 2019 WL 384446, at *1 (S.D.N.Y. Jan. 31, 2019), adopted by, 2019 WL 1746007 (S.D.N.Y April 18, 2019). A. Factual Background Minden is a California corporation “recognized as a premier provider of rights managed wildlife and nature stock photos and feature stories, with a collection that covers key aspects of natural history, ecology, biodiversity, and endangered species from all continents including many remote and isolated regions.” (ECF No. 1 44] 2, 7-8). Photographers sign “exclusive agreements” with Minden, granting it “all rights needed to act as the exclusive agent and syndicator of the photographers’ works, including the right to reproduction, distribution, public display and exploitation of the works.” (Id. 98). Effectively, Minden licenses photographers’ works. (Id.) Defendant is a New York corporation. (Id. 4] 3). The copyrighted work at issue is the following photograph of the sea at sunset by “Yva Momatuik and John Eastcott, for whom Minden [] serves as the exclusive licensing agent”:

ee

(ECF No. 1 44] 16-18 (the “Work”)). Minden obtained a certificate of registration for the Work from the United States Copyright Office. (Id. 4] 18). Minden first discovered SCl’s unauthorized use of the Work in May 2022 and engaged a third-party “to attempt to obtain a licensing fee for Defendant’s use” of the Work but, although the third-party “sent a number of infringement notices to Defendant[,]” Defendant never paid a licensing fee for its use of the Work. (ECF No. 1 44] 20-21). In July 2022, Minden discovered that SCI was again reproducing, distributing, and publicly displaying the Work without authorization by publishing it on its website as “a promotional tool for [SCI’s] business”:

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Friday Sone: ‘The Sea, My Hometown’ — asong of home, a song of loss

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(Id. 1 19). As Minden puts it, SCl’s “infringement did not begin and end with the first publication of the [] Work... because [SCI] stored the [] Work on computer servers and computer systems and machines” it owned. (Id. | 21). Each time someone in New York viewed the Work on □□□□□ website, SCI “had to reproduce digital copies of the [] Work from its servers and then distribute the digital copies of the images through the Internet to the computer monitors and display screens” of those viewing the website, all without Minden’s authorization or a licensing agreement. (Id.)

B. Procedural Background In response to the infringement, on November 24, 2023, Minden filed the Complaint asserting claims for direct, contributory, and vicarious copyright infringement under the

Copyright Act, 17 U.S.C. §§ 106, 501. (ECF No. 1 ¶¶ 31–63). Minden seeks declaratory and injunctive relief together with monetary damages. (Id. at 14–15). On December 6, 2023, Minden served SCI with a summons and the Complaint. (ECF No. 10). SCI did not answer or otherwise respond to the Complaint or appear in this action, so Minden moved for entry of default judgment. (ECF Nos. 15–16, 18 (the “Motion”)). On February 29, 2024, Judge Ho ordered SCI to

respond to the Motion and to appear and show cause at a hearing why default judgment should not be entered against it. (ECF No. 23 (the “OTSC”)). On March 29, 2024, the Clerk of the Court entered a certificate of default against SCI. (ECF Nos. 27; 28). On April 2, 2024, Judge Ho held a hearing on the OTSC, and SCI failed to appear. (ECF No. 31 at 2). Judge Ho then referred the matter for an inquest on damages. (ECF Nos. 29; 31 at 4).

On May 1, 2024, the Court ordered Minden to submit proposed findings of fact and conclusions of law concerning damages no later than May 22, 2024, and ordered SCI to respond by June 12, 2024. (ECF No. 33 (the “Scheduling Order”)). The Scheduling Order warned SCI that failure to respond or contact the Court by June 12, 2024 would result in the Court issuing a report and recommendation concerning damages based on Minden’s written submissions alone, without an in-court hearing. (Id.)

On May 22, 2024, Minden submitted deficient proposed findings of fact and conclusions of law, which the Court ordered Minden to remedy and re-serve by May 24, 2024; the Court also warned SCI of the consequences of failing to respond or contact the Court by June 14, 2024. (ECF No. 36 (the “Amended Scheduling Order”)). Minden filed revised proposed findings of fact and conclusions of law, rectifying the deficiencies the Court had enumerated. (ECF Nos. 37–38 (the

“Corrected Damages Submission”)). On August 9, 2024, the Court directed Minden to serve the Corrected Damages Submission and the order on SCI, and directed SCI to respond by September 4, 2024, again warning that it would issue a report and recommendation concerning damages based on Minden’s written submissions alone, without an in-court hearing, if SCI failed to respond or contact the Court. (ECF No. 41 (the “Second Amended Scheduling Order”)).

Minden filed proof of service of the Second Amended Scheduling Order and the Corrected Damages Submission on SCI. (ECF No. 42). SCI was warned three times about the risk of failing to respond to Minden’s submissions, but it has neither responded nor contacted the Court. We thus proceed without an in-court hearing and on Minden’s Corrected Damages Submission alone. II. JURISDICTION AND VENUE The Court has subject matter jurisdiction pursuant to 28 U.S.C § 1331 because Minden

sued under the federal Copyright Act. The Court also has personal jurisdiction, “a necessary prerequisite to entry of a default judgment[,]” over SCI, a New York domiciliary, who Minden properly served. (ECF No. 10); Zak v. Five Tier, Inc., No. 20 Civ.

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Minden Pictures, Inc. v. Sup China, Inc., (S.D.N.Y. 2024).

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