McKenzie v. Brannan

19 F.4th 8
CourtCourt of Appeals for the First Circuit
DecidedNovember 22, 2021
Docket20-2170P
StatusPublished
Cited by16 cases

This text of 19 F.4th 8 (McKenzie v. Brannan) is published on Counsel Stack Legal Research, covering Court of Appeals for the First Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
McKenzie v. Brannan, 19 F.4th 8 (1st Cir. 2021).

Opinion

United States Court of Appeals For the First Circuit

No. 20-2170

MICHAEL MCKENZIE, individually and d/b/a American Image Art,

Plaintiff, Appellant,

v.

JAMES W. BRANNAN, as personal representative of the Estate of Robert Indiana,

Defendant, Appellee,

AARON M. FREY, in his official capacity as Attorney General of the State of Maine,

Defendant.

APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF MAINE

[Hon. John A. Woodcock, Jr., U.S. District Judge]

Before

Thompson, Hawkins,* and Barron, Circuit Judges.

John J.E. Markham, II, with whom Bridget A. Zerner and Markham & Read were on brief, for appellant. Seth W. Brewster, with whom Alfred J. Falzone, III and Eaton Peabody were on brief, for appellee.

* Of the Ninth Circuit, sitting by designation. November 22, 2021 THOMPSON, Circuit Judge. Famous artwork, business

relationships, and contract law collide in today's case. The

matter lands here amidst a tangle of litigation involving an art

publisher, the personal representative of the estate of a famous

American artist, and the agreement(s) between them. The publisher

says the parties' original contract, which included an arbitration

provision, was terminated and supplanted by a superseding

contract, which did not contain an agreement to arbitrate.

According to the publisher, the arbitrability of the parties'

dispute about this newer contract's enforceability and impact on

the earlier agreement to arbitrate should be decided by the court,

not arbitrators. So, in the publisher's telling, the district

court erred when, in accordance with the original agreement's

arbitration clause, it sidestepped the potential effect of the

newer contract and concluded that the gateway question of

arbitrability was for the arbitrators. The estate, of course,

says the district court got its analysis just right.

After careful review of this nuanced matter, we vacate

the grant of the motion to compel arbitration, the dismissal of

the request for a preliminary injunction, and the dismissal of the

complaint, and we remand for further proceedings.

- 3 - I. BACKGROUND1

A. Robert Indiana, Michael McKenzie, and the 2008 Agreement

During the American Pop Art Movement of the 1960s, artist

Robert Indiana ("Indiana") conceived of an image of the word

"love." His distinctive rendering of the word -- colorful, all-

caps letters arranged in a square, with the L and a tilted O

sitting atop the V and E -- became quite famous. Readily

recognizable, Indiana's "LOVE" has been depicted in various

artistic media, such as prints, silkscreens, and sculptures, and

it was even featured on United States postage stamps. Originally

from the Midwest, Indiana relocated from New York, where he had

lived for a time, to Vinalhaven, an island off the coast of Maine.

He lived there from 1976 until his death on August 9, 2018.

Michael McKenzie ("McKenzie"), an art publisher, began

collaborating with Indiana in the mid-1970s. In 2008, in the

course of this ongoing relationship, McKenzie (operating through

American Image Art ("AIA")) created "HOPE" artwork -- images of

the word "hope" laid out in the same format as Indiana's "LOVE"

artwork -- and McKenzie wanted to work with Indiana to make color

1Because this matter has its genesis in a motion seeking "to compel arbitration and stay federal-court proceedings, 'we draw the relevant facts from the operative complaint and the documents submitted to the district court in support of' that 'motion.'" Toddle Inn Franchising, LLC v. KPJ Assocs., LLC, 8 F.4th 56, 59 n.1 (1st Cir. 2021) (quoting Cullinane v. Uber Techs., Inc., 893 F.3d 53, 55 (1st Cir. 2018)).

- 4 - variations of it. The ensuing HOPE collaboration between Indiana

and McKenzie led to a 2008 publishing agreement between the two

(sometimes called the "Agreement for Art Editions contract,"

sometimes the "HOPE agreement," but we'll refer to it here as "the

2008 Agreement"), and that contract is what allowed McKenzie and

AIA to produce HOPE sculptures, paintings, objects, and prints.

The 2008 Agreement lays out the responsibilities of AIA and Indiana

in this collaboration and details the specifics of art production.

Important to the debate before us today is the 2008 Agreement's

arbitration provision, which provides: "Any disputes will be

settled by arbitration through the American Arbitration

Association [("AAA")], governed by the laws of the State of New

York."

Indiana and McKenzie operated under the 2008 Agreement

until Indiana died, at which point the rights and obligations of

Indiana passed to his estate ("the Estate"), with James W. Brannan

("Brannan") serving as the Estate's personal representative.

Indiana's LOVE artwork, not to mention his many other

highly acclaimed works of art, brought him significant financial

success -- one need look no further than the $89,738,458.38 fortune

borne out in his probate records to confirm as much. Indiana

bequeathed that entire estate (minus any claims and debts) to The

- 5 - Star of Hope, Inc. ("Star of Hope"), a nonprofit in Vinalhaven

that aims to promote visual-arts education.2

B. The Initial Disputes and Resulting Proceedings

Right around the time of Indiana's death in 2018, various

disagreements between a handful of different people and entities

affiliated with the artist began to surface. The one with which

we are concerned -- McKenzie and the Estate sparring over the 2008

Agreement's production-rights terms, i.e., the dispute from which

the issue now on appeal stemmed -- actually began as crossclaims

in a Manhattan-federal-court (S.D.N.Y.) action in which a company

called Morgan Art Foundation (an offshore Bahamian entity) sued

McKenzie (d/b/a AIA) and Indiana (naming the Estate after Indiana's

passing) under a breach of contract theory.3 See Morgan Art Found.

Ltd. v. McKenzie, No. 2018-cv-04438, 2020 WL 6135113, at *1 n.1

2 Because Star of Hope is a Maine charity, Aaron M. Frey ("Frey"), Maine's Attorney General, was joined as a defendant in his official capacity pursuant to Maine Revised Statutes, Title 5, § 194(4), which instructs that the Attorney General "must be made a party to all judicial proceedings in which the Attorney General is interested in the performance" of his duties, including the duty to "enforce due application of funds given or appropriated to public charities within the State and prevent breaches of trust in the administration of public charities," Me. Rev. Stat. Ann. tit. 5, § 194(2). While Frey was involved in the litigation below, as we'll explain, we note that Frey has not appealed the district court's decision, takes no position on the appeal, and has not participated in the appeal. 3 Between Morgan, McKenzie, the Estate, and other parties to the Morgan lawsuit, claims, crossclaims, and counterclaims abound. But for our purposes, we need not concern ourselves with anything beyond the dispute between McKenzie and the Estate.

- 6 - (S.D.N.Y. Oct. 18, 2020). In answering that suit, McKenzie cross-

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