McHenry v. Asylum Entertainment Delaware, LLC

CourtCalifornia Court of Appeal
DecidedMarch 12, 2020
DocketB292457
StatusPublished

This text of McHenry v. Asylum Entertainment Delaware, LLC (McHenry v. Asylum Entertainment Delaware, LLC) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
McHenry v. Asylum Entertainment Delaware, LLC, (Cal. Ct. App. 2020).

Opinion

Filed 3/12/20 CERTIFIED FOR PUBLICATION

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION TWO

EDDY MCHENRY, B292457

Plaintiff and Appellant, (Los Angeles County Super. Ct. No. BC641363) v.

ASYLUM ENTERTAINMENT DELAWARE, LLC,

Defendant and Respondent.

APPEAL from a judgment of the Los Angeles Superior Court, Benny C. Osorio, Judge. Affirmed.

Kiesel Law, Paul R. Kiesel, Steven D. Archer, and Melanie Palmer for Plaintiff and Appellant.

Arnold & Itkin and Cory Itkin (admitted pro hac vice) for Plaintiff and Appellant.

Esner, Chang & Boyer, Stuart B. Esner, and Steven T. Swanson for Plaintiff and Appellant. Cox, Wootton, Lerner, Griffin & Hansen, Terence S. Cox, Mitchell S. Griffin, and Mark E. Tepper for Defendant and Respondent. ****** A seaman on a commercial fishing vessel out on the Gulf of Mexico accidentally sliced up his hands with hooks and fish gills. The vessel’s captain arranged to have a second vessel meet them at sea and ferry the seaman back to shore so he could get medical attention. The middle-of-the-night rendezvous on the high seas was a success but did not come soon enough to save all of the seaman’s fingers; due to infection, many had to be amputated. These dramatic events were all caught on film because, as serendipity would have it, a production company was filming a reality TV show on the fishing vessel as these events unfolded. The seaman sued the vessel’s owner and the production company, among other parties, for his injuries under federal maritime law. The viability of the seaman’s lawsuit against the production company requires us to address the following questions: (1) Is the production company liable under the Jones Act (46 U.S.C. § 30104) because it “borrowed” the crew members as “employees” by filming them doing their jobs and by occasionally asking them to repeat what they are doing for the camera and explain it, and (2) Is the production company liable under maritime tort law because (a) it had a “special relationship” with the crew members it was filming sufficient to give rise to a duty to rescue them, (b) it voluntarily assumed a duty to rescue but effectuated that rescue with gross negligence, worsened the crewman’s position or caused the crewman to detrimentally rely on its rescue efforts, or (c) it acted negligently in “taking charge” of a “helpless” person within the meaning of Restatement First and Second of Torts, section 324? We conclude

2 that the answer to these questions is “no,” and affirm the trial court’s grant of summary judgment in favor of the production company. FACTS AND PROCEDURAL BACKGROUND I. Facts A. The Big Fish Texas Production Asylum Entertainment Delaware, LLC (Asylum) is a production company that films reality TV shows. In early 2015, NGC Network US, LLC (National Geographic) hired Asylum to produce eight episodes of a reality TV show that would follow the trials and tribulations of life on a commercial fishing vessel in the Gulf of Mexico; the show was to be called Big Fish Texas. To facilitate this show, National Geographic negotiated with Keith “Buddy” Guindon (Buddy)1 to allow Asylum to film the crew of The M/V Black Jack IV, one of several commercial fishing vessels Buddy owned, on a two-week voyage starting in late March 2015. Buddy signed a Location Release Form authorizing the filming, and National Geographic agreed to pay him $5,000 per episode. On that voyage, the captain of The M/V Black Jack IV was Buddy’s son, Hans Guindon (Hans). All of the vessel’s crew members signed an Appearance Release Form, and received no additional compensation for doing so. That form gave Asylum permission to “tape and photograph [each member], and record [his or her voice],” and granted Asylum “exclusive owner[ship] of the results and proceeds of such taping.”

1 Because two members of the Guindon family are involved in this case, we use first names for clarity. We mean no disrespect.

3 Asylum arranged for two of its employees—a producer and a cameraman—to be passengers on The M/V Black Jack IV during the voyage. B. Plaintiff’s hiring Days before The M/V Black Jack IV was to shove off, Buddy hired Eddy McHenry (plaintiff) to serve on its crew as an “independent contractor.” Plaintiff had experience owning and working on a shrimping boat on the Gulf, but had never served aboard a commercial fishing vessel like Buddy’s. Because this was plaintiff’s first time as a crew member on this type of vessel, he was dubbed a “greenhorn.” Plaintiff signed a Release and Waiver of Liability with The M/V Black Jack IV. Like the other crew members, plaintiff also signed an Appearance Release Form with Asylum. C. The voyage 1. The Asylum employees’ role The “primary duty” of the Asylum employees on board The M/V Black Jack IV was to “observe[] and document[]” the crew’s activities, especially those that “would appeal to the public interest.” They were to be the proverbial “flies on the wall.” On occasion, the producer or cameraman would ask crew members to repeat an activity a second time while it was being filmed, or to articulate or explain what they were doing. At no point, however, did either Asylum employee tell any crew member “what to do” or have any authority to direct the fishing operations of The M/V Black Jack IV. 2. Plaintiff’s injury Two or three days after The M/V Black Jack IV left port from Galveston, Texas, plaintiff ended up cutting his hands on hooks or fish gills. His hands became sore and swollen, and he

4 could no longer grip anything with them. At the suggestion of, and with the aid of, another crew member, plaintiff cut his hands with a razor blade in order to drain the excess fluid and puss from his wounds; he then submerged his hands in rubbing alcohol to disinfect them. The Asylum employees filmed the cutting. The cutting only made his hands worse; they became even more “swollen” and “pussy” and turned “kind of . . . green.” 3. Reacting to the injury Panicked by the worsening condition of his hands, plaintiff asked Asylum’s producer and its cameraman for help. Although the producer reported that he promised only to “pass . . . on” this news to Hans, the captain, plaintiff reported that both the producer and cameraman further promised to “get [plaintiff] a helicopter [to] get [him] off the boat.” Plaintiff did not sit idly by, however. He also directly told Hans about his worsening condition and asked to be evacuated. Hans considered “three courses of action” for getting plaintiff proper medical attention: (1) returning The M/V Black Jack IV to Galveston, (2) rendezvousing with Buddy, who could then take plaintiff back to Galveston on a faster ship, or (3) calling the Coast Guard to see if they would send a helicopter to evacuate plaintiff. In making his decision, Hans consulted with several people. Hans asked the on-board producer for his input, and the producer said it “wouldn’t hurt to call the Coast Guard and alert them.” Hans “talk[ed] through options” with Asylum’s “production team” back on shore, and the lead producer felt that plaintiff’s “health” was of “primary” concern. Hans also consulted with his father, Buddy. Hans ultimately decided to have Buddy rendezvous with The M/V Black Jack IV in Buddy’s high-speed

5 boat, The M/V Hullraiser. This decision was Hans’s and Hans’s alone. 4. The rescue Buddy left Galveston in The M/V Hullraiser around sundown on the day the decision was made to evacuate plaintiff. Asylum arranged for an emergency medical technician (EMT), a camera operator and an Asylum producer to be on that ship. The EMT arrived at the dock about three hours before The M/V Hullraiser departed, and while he waited to depart, signed an Appearance Release Form and was fitted with a microphone.

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Bluebook (online)
McHenry v. Asylum Entertainment Delaware, LLC, Counsel Stack Legal Research, https://law.counselstack.com/opinion/mchenry-v-asylum-entertainment-delaware-llc-calctapp-2020.