Local 23, American Federation of Musicians v. NLRB

12 F.4th 778
CourtCourt of Appeals for the D.C. Circuit
DecidedAugust 31, 2021
Docket20-1010
StatusPublished
Cited by1 cases

This text of 12 F.4th 778 (Local 23, American Federation of Musicians v. NLRB) is published on Counsel Stack Legal Research, covering Court of Appeals for the D.C. Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Local 23, American Federation of Musicians v. NLRB, 12 F.4th 778 (D.C. Cir. 2021).

Opinion

United States Court of Appeals FOR THE DISTRICT OF COLUMBIA CIRCUIT

Argued October 19, 2020 Decided August 31, 2021

No. 20-1010

LOCAL 23, AMERICAN FEDERATION OF MUSICIANS, PETITIONER

v.

NATIONAL LABOR RELATIONS BOARD, RESPONDENT

On Petition for Review of an Order of the National Labor Relations Board

Matthew J. Ginsburg argued the cause for petitioner. With him on the briefs was James B. Coppess.

Milakshmi V. Rajapakse, Attorney, National Labor Relations Board, argued the cause for respondent. With her on the brief were Peter B. Robb, General Counsel, Ruth E. Burdick, Acting Deputy Associate General Counsel, David Habenstreit, Assistant General Counsel, and Julie B. Broido, Supervisory Attorney.

Before: SRINIVASAN, Chief Judge, and HENDERSON and PILLARD, Circuit Judges.

Opinion for the Court filed by Chief Judge SRINIVASAN. 2 Concurring opinion filed by Circuit Judge HENDERSON.

SRINIVASAN, Chief Judge: The San Antonio Symphony contracts with the Tobin Center for the Performing Arts to perform most of its shows at the Tobin Center. After the Tobin Center barred the Symphony’s musicians from distributing leaflets on the premises, the musicians’ union filed an unfair labor practices charge. On review of the charge, the National Labor Relations Board revised its framework defining when a property owner can prohibit an onsite contractor’s employees from accessing the property to engage in labor organizing activity.

The Board established a new test that would afford access rights to employees like the Symphony musicians in a narrower set of circumstances. The musicians’ union does not dispute the Board’s general discretion to revise its standards defining the rights of an onsite contractor’s employees to access property for organizing activity. Instead, the union principally contends that the Board’s new approach is arbitrary, both on its own terms and as applied in this case. We agree, and we therefore remand to the Board to reconsider the issue consistent with this opinion.

I.

A.

The San Antonio Symphony leases performance space from the Tobin Center for the Performing Arts, a facility owned and operated by Bexar Performing Arts Center Foundation. The Symphony musicians, whose organizing rights are at issue here, are employees of the Symphony, not the Tobin Center. 3 The Symphony, along with the Tobin Center’s two other primary residents, the Ballet San Antonio and the Opera San Antonio, uses the Center’s performance venues pursuant to a “Use Agreement.” The Use Agreement entitles the Symphony to 22 performance weeks at the Tobin Center each year. In a typical performance week, the Symphony rehearses for three days (Tuesday to Thursday) and performs for three days (Friday to Sunday).

The Symphony musicians’ terms of employment are set forth in a collective bargaining agreement (CBA) between the Symphony and the musicians’ union, Local 23, American Federation of Musicians. The CBA guarantees the musicians 30 paid weeks in an annual season, spread out over a 39-week period (September to June). The Symphony musicians also perform work for the Ballet San Antonio, often also at the Tobin Center, but that work does not count towards the 30 paid weeks guaranteed by the CBA. Because the CBA entitles the musicians to 30 paid performance weeks with the Symphony but the Use Agreement provides for only 22 performance weeks for the Symphony at the Tobin Center, the Symphony musicians spend eight weeks at other venues such as the Majestic Theater, the Laurie Auditorium at Trinity University, the Barshop Jewish Community Center, and various churches and high schools in the San Antonio area.

B.

During the 2016-2017 season, the Symphony musicians faced something of a work shortage because of financial difficulties. That year, the musicians agreed to a three-week furlough, reducing their paid performance weeks to 27. Adding to the challenges for the Symphony musicians, the Ballet went forward with a plan to use recorded music rather 4 than live Symphony music at certain of its shows at the Tobin Center.

When the Ballet opted to use recorded music in its February 2017 productions of Tchaikovsky’s Sleeping Beauty, Local 23 decided to take action. Local 23 planned to engage in leafleting at the Ballet’s performances at the Tobin Center to raise awareness and exert pressure on the Ballet to employ Symphony musicians in the future. The leaflets informed patrons that they would not hear a live symphony and encouraged them to insist on live music.

Shortly before the first February performance, ten to fifteen Local 23 members (primarily Symphony musicians) gathered in the Tobin Center’s front plaza and began to hand out the leaflets to Ballet patrons. Tobin Center staff informed the Local 23 members that they could not leaflet anywhere on Tobin Center property. The staff suggested that the leafleters move to the public sidewalk across the street from the Tobin Center and distribute the leaflets there. The Local 23 members complied. The same sequence of events—attempted leafleting at the Tobin Center followed by compliance with a staff request to move across the street—played out at the three subsequent performances of Sleeping Beauty.

C.

Local 23 filed unfair labor practice charges against Bexar (d/b/a the Tobin Center), and the Board’s General Counsel subsequently brought a complaint. The ALJ applied the then- governing framework set out by the National Labor Relations Board in New York New York, LLC, 356 NLRB 907 (2011). Under that standard, a property owner may exclude a contractor’s employees “who are regularly employed on the property” and who seek to engage in Section 7 organizational 5 activity “only where the owner is able to demonstrate that their activity significantly interferes with his use of the property or where exclusion is justified by another legitimate business reason.” Id. at 918–19. The ALJ determined that the Symphony musicians worked regularly at the Tobin Center and that the Center had not shown significant interference with its use of the property or an alternative reason for exclusion. Thus, the ALJ found “that Respondent violated Section 8(a)(1) in preventing symphony employees from distributing flyers on the sidewalk in front of the Tobin Center between February 17 and 19, 2017.” J.A. 33.

A divided Board reversed. The Board majority overruled New York New York and announced a new standard that broadens the circumstances in which a property owner can prohibit an onsite contractor’s employees from accessing the property for labor organizing activity:

[A] property owner may exclude from its property off-duty contractor employees seeking access to the property to engage in Section 7 activity unless (i) those employees work both regularly and exclusively on the property and (ii) the property owner fails to show that they have one or more reasonable nontrespassory alternative means to communicate their message.

Bexar Cnty. Performing Arts Ctr. Found., 368 NLRB No. 46, at *3 (Aug. 23, 2019), J.A. 8–9. Applying that new standard, the Board found: (i) the Symphony employees did not work regularly or exclusively at the Tobin Center; and (ii) even assuming otherwise, the Symphony employees had alternative nontrespassory channels of communication to reach the general 6 public, namely, the sidewalk across the street as well as traditional and social media. See id.

The Board thus dismissed the General Counsel’s complaint. Local 23 now petitions for review of the Board’s decision.

II.

On review, “we will uphold the Board’s decision if its ruling is not arbitrary, capricious, or founded on an erroneous application of the law, and if its factual findings are supported by substantial evidence.” Advanced Life Sys. Inc. v.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Gann v. Braithwaite
District of Columbia, 2021

Cite This Page — Counsel Stack

Bluebook (online)
12 F.4th 778, Counsel Stack Legal Research, https://law.counselstack.com/opinion/local-23-american-federation-of-musicians-v-nlrb-cadc-2021.