Lluberes v. UNCOMMON PRODUCTIONS, LLC

663 F.3d 6, 2011 WL 6015606
CourtCourt of Appeals for the First Circuit
DecidedDecember 2, 2011
Docket10-2082
StatusPublished
Cited by88 cases

This text of 663 F.3d 6 (Lluberes v. UNCOMMON PRODUCTIONS, LLC) is published on Counsel Stack Legal Research, covering Court of Appeals for the First Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Lluberes v. UNCOMMON PRODUCTIONS, LLC, 663 F.3d 6, 2011 WL 6015606 (1st Cir. 2011).

Opinion

HOWARD, Circuit Judge.

This case raises issues of First Amendment law. At the center of the dispute is The Pnce of Sugar, a documentary film released in 2007 by film company Uncommon Productions, LLC, and its principal William M. Haney, III. The film depicts the treatment of Haitian laborers on sugarcane plantations in the Dominican Republic. It refers by name to brothers Felipe and Juan Vicini Lluberes, senior executives of a family conglomerate that owns and operates Dominican sugar plantations. The Vicinis contend that the film is defamatory and sued the filmmakers in federal court. The filmmakers moved for summary judgment, which the court granted. The Vicinis appeal the entry of summary judgment and the denial of a motion to compel production of discovery materials.

For the reasons that follow, we affirm in part the entry of summary judgment but otherwise vacate the judgment, vacate the order denying the motion to compel, and *11 remand for further proceedings consistent with this opinion.

I. BACKGROUND

The controversy that spawned The Pnce of Sugar is well catalogued in the district court’s rescript, Lluberes v. Uncommon Prod’ns, LLC, 740 F.Supp.2d 207 (D.Mass. 2010), and we will not rehash it. Suffice it to say that the treatment of Haitian laborers on Dominican sugarcane plantations and the conditions of company towns (or bateyes) where they live have received scrutiny from many sectors for many years.

In 2004, the filmmakers began shooting in the Dominican Republic. Much of the film follows Fr. Christopher Hartley, a Roman Catholic priest critical of the Vicinis, as he seeks to improve conditions for his parishioners in the bateyes. Those conditions, the film highlights, include shanty quarters, inadequate provisions, and little if any education for children. At several points, Fr. Hartley and the film’s narration reference Vicini-owned bateyes and identify Felipe and Juan as bearing some measure of responsibility for their disrepair. The film was released publicly on March 11, 2007, at a film festival in Texas. It has since received limited screenings in a handful of major cities and other venues.

Later in 2007, the Vicinis sued the filmmakers in federal district court in Massachusetts. 1 Invoking the court’s diversity jurisdiction, the Vicinis alleged that the film was defamatory and identified fifty-three statements, although they later winnowed the number of allegedly defamatory statements down to seven. The filmmakers seasonably moved for summary judgment on these remaining statements; they argued that Felipe and Juan were “public figures” required to prove “actual malice” in accordance with New York Times Co. v. Sullivan, 376 U.S. 254, 84 S.Ct. 710, 11 L.Ed.2d 686 (1964), and its progeny, and that the Vicinis could not so prove. The district court agreed and granted summary judgment in the filmmakers’ favor.

At the same time, the court denied a motion to compel that the Vicinis had initially filed during discovery and later renewed. The motion sought production of several categories of documents; those at issue here include communications with a third-party “script annotator” that the filmmakers had withheld on attorney-client privilege grounds. The judge did not explain his reasoning. This appeal followed.

II. DISCUSSION

We begin with the public-figure question, then turn to the discovery dispute and go no further.

A. Public-Figure Status

1. Defamation and the First Amendment

Before the Supreme Court’s decision in New York Times, defamation law was shaped by the states and strongly favored their interest in protecting an individual’s reputation. See Bruno & Stillman, Inc. v. Globe Newspaper Co., 633 F.2d 583, 586 (1st Cir.1980) (“Once a plaintiff put into evidence a reputation-harming statement and proof that defendant caused it to be disseminated, he enjoyed an irrebuttable presumption of injury and a rebuttable presumption of falsity.”); see generally Joel D. Eaton, The American Law of Defamation Through Gertz v. Robert Welch, *12 Inc. and Beyond: An Analytical Primer, 61 Va. L.Rev. 1349, 1351-57 (1975) (surveying defamation law in the various states that existed prior to New York Times).

That balance shifted in 1964, when the Court considered whether “the constitutional protections for speech and press limit a State’s power to award damages in a libel action brought by a public official against critics of his official conduct.” N.Y. Times, 376 U.S. at 256, 84 S.Ct. 710. Recognizing the “profound national commitment to the principle that debate on public issues should be uninhibited, robust, and wide-open,” id. at 270, 84 S.Ct. 710, the Court reasoned that even falsehoods “must be protected if the freedoms of expression are to have the breathing space that they need to survive,” id. at 271-72, 84 S.Ct. 710 (internal quotation marks and ellipsis omitted). On that basis, the Court held that the First Amendment “prohibits a public official from recovering damages for a defamatory falsehood relating to his official conduct unless he proves that the statement was made with ‘actual malice’ — that is, with knowledge that it was false or with reckless disregard of whether it was false or not.” Id. at 279-80, 84 S.Ct. 710. 2

The Court soon applied the New York Times rule to nonofficial “public figures.” Curtis Publ’g Co. v. Butts, 388 U.S. 130, 154-55, 87 S.Ct. 1975, 18 L.Ed.2d 1094 (1967). Under Curtis, a defamation plaintiff was to be, considered a public figure when he “commanded sufficient continuing public interest and had sufficient access to the means of counter-argument to be able to expose through discussion the falsehood and fallacies of the defamatory statements.” Id. at 155, 87 S.Ct. 1975 (internal quotation marks and citation omitted).

For a time, the New York Times rule was also extended to private individuals. Rosenbloom v. Metromedia, Inc., 403 U.S. 29, 91 S.Ct. 1811, 29 L.Ed.2d 296 (1971) (plurality opinion). According to the Rosenbloom plurality: “If a matter is a subject of public or general interest, it cannot suddenly become less so merely because a private individual is involved, or because in some sense the individual did not ‘voluntarily’ choose to become involved. The public’s primary interest is in the event[.]” Id. at 43, 91 S.Ct. 1811. Rather, the linchpin became simply “whether the utterance involved concerns an issue of public or general concern.” Id. at 44, 91 S.Ct. 1811;

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
663 F.3d 6, 2011 WL 6015606, Counsel Stack Legal Research, https://law.counselstack.com/opinion/lluberes-v-uncommon-productions-llc-ca1-2011.