Kevin Risto v. Screen Actors Guild - American Federation of Television and Radio Artists

District Court, C.D. California·Decided September 14, 2020·No. 2:18-cv-07241·Unknown

Opinion

UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA CIVIL MINUTES —- GENERAL

Present: The Honorable CHRISTINA A. SNYDER Catherine Jeang Laura Elias N/A Deputy Clerk Court Reporter / Recorder Tape No. Attorneys Present for Plaintiffs: Attorneys Present for Defendants: Nico Brancolini Andrew Thomas Mariana McConnell Paul Kiesel Daniel Lifschitz Neville Johnson Proceedings: TELEPHONE HEARING ON PLAINTIFF’S MOTION FOR CLASS CERTIFICATION (Dkt. 56, filed June 29, 2020) I. INTRODUCTION On June 22, 2018, plaintiff Kevin Risto, on behalf of himself and all others similarly situated, filed this action in the Los Angeles Superior Court against defendants the Screen Actors Guild-American Federation of Television and Radio Artists (“SAG-AFTRA”) and the American Federation of Musicians of the United States and Canada (“AFM”) (collectively, the “Unions”); Raymond M. Hair, Jr., Tino Gagliardi, Duncan Crabtree- Ireland, Stephanie Taub, Jon Joyce, and Bruce Bouton (collectively, the “Trustees”); and Does | through 10. Dkt. 1-1 (“Compl.”). On August 17, 2018, defendants removed this action to this Court, pursuant to 28 U.S.C. § 1332(d). Dkt. 1. On November 20, 2018, plaintiff filed the operative First Amended Complaint (“FAC”). Dkt. 26. The FAC alleges that that, by negotiating a service fee agreement with the Unions, the Trustee defendants violated their fiduciary duties to their beneficiaries. Id. These beneficiaries include plaintiff and other non-featured performance artists. Id. Plaintiff also alleges claims against all defendants for (1) money had and received, (2) conversion, and (3) declaratory relief. Id. Defendants answered the FAC on December 4, 2018. Dkt. 27. On June 29, 2020, plaintiff filed the instant motion for class certification. Dkt. 56 (“Mot.). Plaintiff seeks to certify a class of all non-featured performers who have been

UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA CIVIL MINUTES —- GENERAL

entitled to royalties under the Copyright Act after July 22, 2013.! Id. On August 3, 2020, defendants filed an opposition. Dkt. 68 (“Opp’n”). Plaintiff filed a reply on August 28, 2020. Dkt. 75 (“Reply”). The Court held a hearing September 14, 2020. Having carefully considered the parties’ arguments, the Court finds and concludes as follows. I. BACKGROUND Plaintiff alleges the following facts. Plaintiff Kevin Risto is a resident of Las Vegas, Nevada. He collects royalties from the AFM and SAG-AFTRA Intellectual Property Rights Distribution Fund (the “Fund,” described herein) as a non-featured artist for the song “When I See U,” by Fantasia. FAC. Risto has also written and produced songs for other artists, including, but not limited to, Justin Bieber and Jennifer Lopez. Id. Plaintiff received a Grammy award for his work on Frank Ocean’s “Channel Orange” album. Plaintiff is not a member of an artist union. Id. Defendant SAG-AFTRA is a corporation organized and existing under the laws of Delaware and conducting business in the County of Los Angeles. Id. § 28. Defendant AFM is a mutual benefit corporation that is organized and existing under the laws of California and conducts business in the County of Los Angeles. Id. { 29. Defendants Hair, Gagliardi, Crabtree-Ireland, Taub, Joyce, and Bouton are all residents of New York or California, and they were Trustees of the Fund at the time the alleged misconduct occurred. Id. 5, 30 — 35. A. Statutory Framework 17 U.S.C. § 114 provides for a statutory license that allows digital performance and reproduction of copyrighted sound recordings. Id. § 1; 17 U.S.C. § 114 (West). As part of that license, Congress has established a specific statutory scheme to distribute royalties when copyrighted songs are performed or otherwise reproduced publicly by means of a digital audio transmission. Id. Pursuant to Section 114, the Copyright Royalty Board designated SoundExchange, an affiliate of the Recording Industry Association of America, ! The Fund and Unions entered into the Services Agreement upon which plaintiff’ s claims are centered on July 22, 2013. FAC 4 11.

UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA CIVIL MINUTES —- GENERAL ‘Oo’ Case No. 2:18-cv-07241-CAS(PLAx) Date September 14, 2020 Title KEVIN RISTO v. SCREEN ACTORS GUILD-AMERICAN FEDERATION OF TELEVISION AND RADIO ARTISTS, ET AL.

as the sole entity to collect royalties for those digital performances. Id. Then, pursuant to Section 114(g)(2)(A), the royalties are distributed among the various artists, musicians, and copyright holders associated with a given song, as follows: (A) 50 percent of the receipts shall be paid to the copynght owner .. . (B) 2 % percent of the receipts shall be deposited in an escrow account managed by an independent administrator jointly appointed by copyright owners of sound recordings and the American Federation of Musicians (or any successor entity) to be distributed to nonfeatured musicians (whether or not members of the American Federation of Musicians) who have performed on sound recordings. (C) 2 % percent of the receipts shall be deposited in an escrow account managed by an independent administrator jointly appointed by copyright owners of sound recordings and the American Federation of Television and Radio Artists (or any successor entity) to be distributed to nonfeatured vocalists (whether or not members of the American Federation of Television and Radio Artists) who have performed on sound recordings. (D) 45 percent of the receipts shall be paid, on a per sound recording basis, to the recording artist or artists featured on such sound recording . . . . 17 US.C.A. § 114(g)(2)(A) (West); FAC § 2. Pursuant to Section 114, the royalties for non-featured musicians and vocalists (“non-featured artists”) must be deposited in an escrow account which is managed by an “independent administrator.” 17 U.S.C.A. § 114(g)2)(A). By law, non-featured artists are entitled to receive these royalties irrespective of their membership in a union. Id.; FAC 4 4, 6. B. The AFM and SAG-AFTRA Intellectual Property Rights Distribution Fund The AFM and SAG-AFTRA Intellectual Property Rights Distribution Fund (the “Fund”) was the IR.C. §501(c)(6) nonprofit organization created pursuant to Section 114 to receive and distribute the royalties and other remuneration, received for the digital production of copyrighted songs, for non-featured artists. Id. ] 5. AFM and the American Federation of Television and Radio Artists (“AFTRA”) established the Fund through an Agreement and Declaration of Trust (the “Trust Agreement”), dated September 16, 1998.

UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA CIVIL MINUTES —- GENERAL

Id. { 7. Upon the merging of the Screen Actors Guild (“SAG”) and AFTRA, the Trust Agreement was amended and restated on July 26, 2012. Id. § 8. The Fund is managed by the Trustees, who are responsible for administering the statutory scheme, namely, collecting and distributing the royalties due to non-featured artists. Id. By the terms of the Trust Agreement, the Trustees owe a fiduciary duty to the beneficiaries of the Fund and must protect the property held by the Fund. Id. □ 10.

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Kevin Risto v. Screen Actors Guild - American Federation of Television and Radio Artists, (C.D. Cal. 2020).

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