Jackson v. Wright

CourtDistrict Court, E.D. Texas
DecidedOctober 22, 2021
Docket4:21-cv-00033
StatusUnknown

This text of Jackson v. Wright (Jackson v. Wright) is published on Counsel Stack Legal Research, covering District Court, E.D. Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Jackson v. Wright, (E.D. Tex. 2021).

Opinion

United States District Court EASTERN DISTRICT OF TEXAS SHERMAN DIVISION

TIMOTHY JACKSON § Plaintiff, § v. § Civil Action No. 4:21-CV-00033 § Judge Mazzant LAURA WRIGHT, et al. § Defendants. §

MEMORANDUM OPINION AND ORDER

Pending before the Court is Defendants’ Motion to Dismiss (Dkt. #8). Having considered the motion and the relevant pleadings, the Court finds it requires supplemental factual information from the parties before it can rule on the motion. A hearing on the matter is scheduled for Friday, October 29, 2021 at 2:00pm. BACKGROUND Dr. Timothy Jackson is a professor and scholar of music theory at the University of North Texas (“UNT”) (Dkt. #1 ¶¶ 60–61). He has dedicated much of his 40-year career to studying Heinrich Schenker (“Schenker”), an Austrian Jew who developed a system of music theory that became influential in the United States after World War II (Dkt. #1 ¶¶ 36, 38–42). UNT is home to, and Plaintiff directs, the Center for Schenkerian Studies (the “Center”) (Dkt. #1 at p. 3). Plaintiff is also a founding member of the Journal of Schenkerian Studies (the “Journal”), which is published by the UNT Press (Dkt. #1 at p. 3). In November 2019 at the Society for Music Theory, Philip Ewell, a Black professor at Hunter College of the City University of New York, delivered a plenary address titled “Music Theory’s White Racial Frame” (Dkt. #1 ¶¶ 30–31). During this talk, Professor Ewell critiqued the discipline of music theory for its “deep-seated whiteness” and described Schenker as “an ardent racist and German nationalist” (Dkt. #1 ¶ 33). In a paper later published on this talk, Professor Ewell argued that “Schenkerian theory is an institutionalized racial structure . . . that exists to benefit members of the dominant white race of music theory” (Dkt. #1 ¶¶ 31, 34). As a lead editor of the Journal (of which Schenker is the namesake), Plaintiff organized a symposium and invited music scholars to submit papers in response to Professor Ewell’s talk and

publication (Dkt. #1 ¶ 44). The Journal sent a call for papers to members of the Society for Music Theory, including Professor Ewell (Dkt. #1 ¶ 44). The symposium contributions, reflecting a range of views on Professor Ewell’s arguments, were published in July 2020 (Dkt. #1 ¶¶ 44–45). Plaintiff contributed one of the pieces, which accuses Professor Ewell of quoting Schenker without context, failing to discuss the evolution of Schenker’s views on race during his lifetime, and refusing to acknowledge that Schenker was a victim of anti-Semitism (Dkt. #1 ¶¶ 46–49). Notably, Plaintiff also suggested Professor Ewell’s criticisms of Schenker might themselves have constituted anti- Semitism; in support of this contention, Plaintiff cited studies purportedly classifying Black people as more likely to hold anti-Semitic views than whites (Dkt. #1 ¶ 50). Plaintiff closed his article by asserting that the paucity of African American involvement in music theory discipline results from

“few grow[ing] up in homes where classical music is profoundly valued, and therefore . . . lack[ing] the necessary background” (Dkt. #1 ¶ 51). The backlash was swift. Professors across the country circulated emails and “led [a] social media charge” condemning the symposium (Dkt. #1 ¶¶ 53–54). The Executive Board of the Society for Music Theory issued a letter, stating, among other things, “[t]he conception and execution of [the] symposium failed to meet the ethical, professional, and scholarly standards of our discipline” (Dkt. #1 ¶ 54). Further, a number of UNT graduate students circulated a statement (the “Student Statement”) denouncing the Journal’s “platforming of racist sentiments” and calling for potential removal of Plaintiff from the Journal for his “actions . . . both past and present” that were “particularly racist and unacceptable” (Dkt. #1 ¶ 55). One Defendant published the Student Statement on her Twitter feed (Dkt. #1 ¶ 56). In response, a majority of Plaintiff’s colleagues in UNT’s Division of Music History, Theory, and Ethnomusicology signed a letter endorsing the Student Statement and included a link for viewers to access it (Dkt. #1 ¶ 57). In a fourth statement,

John Richmond, Dean of the College of Music at UNT, announced the College of Music’s launch of a “formal investigation into the conception and production of the twelfth volume of the Journal” (Dkt. #1 ¶ 58). UNT officials formed an ad hoc panel (the “Panel”) to carry out this investigation (Dkt. #1 ¶ 58). In its report, the Panel found the Journal did not observe “the standards of best practice in scholarly publication” in producing Volume 12 and, accordingly, made recommendations the Journal was expected to implement (Dkt. #1 ¶ 59). Provost Jennifer Cowley then sent Plaintiff a letter instructing him “to develop a plan to address the recommendations . . . and submit the plan to Chair Benjamin Brand and Dean John Richmond for review and approval” by a particular date (Dkt. #1 ¶ 59). Approximately seven days prior to the plan submission deadline, Dr. Brand, Chair

of Plaintiff’s department, “informed [Plaintiff] that he would be removed from the Journal and that the university would eliminate resources previously provided to the Journal and Center for Schenkerian Studies” (Dkt. #1 ¶ 60). Plaintiff filed suit against two classes of defendants: (1) members of the Board of Regents of UNT in their official capacities (the “Board Defendants”) for unlawful First Amendment retaliation under 42 U.S.C. § 1983; and (2) signatories of the Student Statement for the tort of defamation (the “Defamation Defendants”). As against the Board Defendants, Plaintiff seeks only declaratory and injunctive relief. Defendants filed their Motion to Dismiss (Dkt. #8) asserting first, that this Court lacks subject matter jurisdiction over the claims under Federal Rule of Civil Procedure 12(b)(1) and, second, that Plaintiff has failed to state a claim upon which relief can be granted under Federal Rule of Civil Procedure 12(b)(6). LEGAL STANDARD Federal Rule of Civil Procedure 12(b)(1) authorizes dismissal of a case for lack of subject

matter jurisdiction when the district court has neither statutory nor constitutional power to adjudicate the case. Home Builders Ass’n of Miss. v. City of Madison, 143 F.3d 1006, 1010 (5th Cir. 1998). If a Rule 12(b)(1) motion is filed in conjunction with other Rule 12 motions, the Court will consider the jurisdictional attack under Rule 12(b)(1) before addressing any attack on the legal merits. Ramming v. United States, 281 F.3d 158, 161 (5th Cir. 2001). In deciding the motion, the court may consider “(1) the complaint alone; (2) the complaint supplemented by the undisputed facts evidenced in the record; or (3) the complaint supplemented by undisputed facts plus the [C]ourt’s resolution of disputed facts.” Lane v. Halliburton, 529 F.3d 548, 557 (5th Cir. 2008) (quoting Barrera-Montenegro v. United States, 74 F.3d 657, 659 (5th Cir. 1996)). Addressing a facial attack on the complaint, the court accepts as true all well-pleaded

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Jackson v. Wright, Counsel Stack Legal Research, https://law.counselstack.com/opinion/jackson-v-wright-txed-2021.