International Silver Co. v. Julie Pomerantz

271 F.2d 69, 123 U.S.P.Q. (BNA) 108, 1959 U.S. App. LEXIS 5402
CourtCourt of Appeals for the Second Circuit
DecidedOctober 7, 1959
Docket25506_1
StatusPublished
Cited by23 cases

This text of 271 F.2d 69 (International Silver Co. v. Julie Pomerantz) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
International Silver Co. v. Julie Pomerantz, 271 F.2d 69, 123 U.S.P.Q. (BNA) 108, 1959 U.S. App. LEXIS 5402 (2d Cir. 1959).

Opinions

HINCKS, Circuit Judge.

This is an action brought for the infringement of United States Patent Design No. 176,601 by the plaintiff as as-signee of Doerfler, the designer. The defendant, by answer and counterclaim, asserted that the patent was invalid and not infringed. The judge below decided both issues in favor of the plaintiff and this appeal followed.

The subject of the patent is an “ornamental design for a spoon or other similar article of flatware.” The salient feature of the design is the shape of the handle which, from a front view, widens out from the bowl to reach its maximum width at about the middle of the shaft and in its upper half or third simultaneously tapers in width and swirls to one side (to the right, as shown in the patent), somewhat as a wave about to break in the surf. As a result of this feature, the two side outlines of the handle, though asymmetrical, each comprise a graceful reverse curve. And the suggestion of a wave is accentuated by fluting in the upper third of the handle on its (right) side which gives the effect of the cavity which forms beneath the crest of a gathering breaker. Items of ornamentation at the bottom of the shaft somewhat accentuate the swirl of the shaft and bring the curve of the bowl into graceful harmony with the reverse curve of the shaft but in themselves seem not to be a distinctive variation from the prior art. ®

The patent in suit issued on January 10,1956 on an application filed November 23, 1954. Flatware of the design under the trade name of “Flair,” was put on the market by the plaintiff in January 1955 and with the aid of extensive advertising in 1955 was a substantial commercial success. Thereafter, in the spring of 1956, defendant's chief executive, who with his brother owns and controls the wholesale flatware business carried on by the defendant, went abroad and in Germany bought flatware of the accused design, known as “Roma,” which was imported in August 1956 and went on sale shortly thereafter. The “Roma” [71]*71design, like the “Flair,” has sides of asymmetrical outline tapering and swirling to the right at the top of the handle with fluting along the right side. The ornamentation at the junction of the shaft and bowl was similar but not identical. The plaintiff’s notice of ownership was sent to the defendant in December 1956 and its complaint was filed in that month.

We thoroughly agree with the appellant that “a design patent must be the product of invention if it is to be found valid * * * ” and that “it will not suffice merely to show that the design is novel, ornamental, or pleasing in appearance * * * ” It must also reveal a greater skill than “that exercised by the ordinary designer who is chargeable with knowledge of the prior art.” General Time Instruments Corp. v. United States Time Corp., 2 Cir., 165 F.2d 853, 854. See also Gorham Mfg. Company v. White, 14 Wall. 511, 20 L.Ed. 731; Gold Seal Importers, Inc. v. Morris White Fashions, 2 Cir., 124 F.2d 141; Neufeld Furst & Co., Inc. v. Jay-Day Frocks, Inc., 2 Cir., 112 F.2d 715; American Fabrics Co. v. Richmond Lace Works, 2 Cir., 24 F.2d 365 ;1 Dominick & Haff v. R. Wallace & Sons Mfg. Co., 2 Cir., 209 F. 223 ;1 Whiting Mfg. Co. v. Alvin Silver Co., 2 Cir., 283 F. 75, certiorari denied 260 U.S. 731, 43 S.Ct. 93, 67 L.Ed. 486;1 Graff, Washbourne & Dunn v. Webster, 2 Cir., 195 F. 522 ;1 R. Wallace & Sons Mfg. Co. v. Ellmore Silver Co., D.C.Conn., 91 F.Supp. 703.1

The defendant, we hold, failed to prove that the patent in suit did not have the requisites of patentability. Concededly, the flatware prior art contained some three thousand design patents. The defendant, from this number, selected twenty-one design patents as the most pertinent to the patent in suit, which it put in evidence. These we have carefully scrutinized and find not one which gives the effect of the asymmetrical swirling contours combined with the flutings disclosed by Doerfler’s “Flair.” And the defendant in this case, unlike the defendant in Gold Seal Importers, Inc., supra, put in evidence not a single design from the prior unpatented art. Assuming, as we must, that the prior art patents in evidence, which the defendant has culled from the vast prior art, illustrate the general level of skill in design in this field, consistent with the authorities cited above we think the judge below did not err in his conclusion that the design in suit was not only novel, original and of genuine artistic merit but also so striking and so arresting in the effect produced as to attest the presence of a creative skill surpassing that of a rou-tineer.

Our conclusion, reached as just stated, is supported by the great preponderance of expert testimony in the case. In this connection we do not overlook the inconclusiveness of expert testimony to which Judge Clark called attention in his dissenting opinion in Vacheron & Constantin-Le Coultre Watches, Inc. v. Benrus Watch Co., Inc., 2 Cir., 260 F.2d 637, 643. However, this court has held that in patent cases the device of a summary judgment may not be used to preclude the use of expert testimony from those skilled in the relevant art. Vacheron & Constantin-Le Coultre Watches, Inc. v. Benrus Watch Co., Inc., supra. Cf. Bridgeport Brass Co. v. Bostwick Laboratories, 2 Cir., 181 F.2d 315, 319. Such decisions necessarily import that expert testimony in patent cases is not so subject to a generic defect as to be completely worthless. We think that in the patent field (as in other fields such as that of real estate valuation) the weight to be accorded expert testimony depends not only on the qualifications of the witnesses and the usual hallmarks of credibility, but also in large part upon the [72]*72reasonableness of the relationship between their opinions and the bases on which they are stated to exist. By these standards the judge below might well conclude that the predominance of expert opinion supported the validity of the patent in suit. After all, of the defendant’s two experts one was not even asked to compare the design in suit with the prior art. And its other expert, after testifying to an alleged lack of similarity between the defendant’s accused design and the design in suit, on cross-examination said of the design in suit, as compared with various prior art patents upon which the defendant relied to support its claim of invalidity, that it had “no resemblance,” was “quite remote,” “completely different.” The net effect of his testimony for its impact on the issue of validity was that the plaintiff’s design was distinctively different from the prior art.

The defendant further contends that the patent is invalid because of alleged public use or knowledge as early as October 1953, relying on 35 U.S.C.A. § 102(b).

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Bluebook (online)
271 F.2d 69, 123 U.S.P.Q. (BNA) 108, 1959 U.S. App. LEXIS 5402, Counsel Stack Legal Research, https://law.counselstack.com/opinion/international-silver-co-v-julie-pomerantz-ca2-1959.