Home Box Office, Inc. v. Federal Communications Commission

587 F.2d 1248, 190 U.S. App. D.C. 351
CourtCourt of Appeals for the D.C. Circuit
DecidedSeptember 20, 1978
DocketNo. 77-1878
StatusPublished
Cited by1 cases

This text of 587 F.2d 1248 (Home Box Office, Inc. v. Federal Communications Commission) is published on Counsel Stack Legal Research, covering Court of Appeals for the D.C. Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Home Box Office, Inc. v. Federal Communications Commission, 587 F.2d 1248, 190 U.S. App. D.C. 351 (D.C. Cir. 1978).

Opinion

Opinion for the Court filed by Circuit Judge ROBB.

ROBB, Circuit Judge:

This case is a sequel to Home Box Office, Inc. v. FCC, 185 U.S.App.D.C. 142, 567 F.2d 9, cert. denied, 434 U.S. 829, 98 S.Ct. 111, 54 L.Ed.2d 89 (1977). In that case the petitioner Home Box Office challenged orders of the Federal Communications Commission which regulated and limited the program fare cablecasters and subscription broadcast television stations might offer to the public for a fee. The Commission’s orders, issued in 1975, established rules which, among other things, prohibited pay exhibition of feature moving picture films more than three but less than ten years old. The Commission’s stated purpose was to prevent the drawing off or “siphoning” of popular program material from the free television service to a service for which the audience would have to pay a fee. This “siphoning” was said to be possible because the amount of money received from paying viewers was significantly greater for some programs than the amount received from advertisers to attach their messages to the same material. In its decision this court held that with respect to pay cable television the so-called anti-siphoning rules were invalid. Although the court did not disturb the rules as applied to subscription broadcast television the Commission itself repealed those rules on November 22, 1977. As a result all restrictions imposed by the Commission on pay television’s use of feature films were eliminated.1

In addition to its attack on the “anti-siphoning” rules the petitioner Home Box Office requested this court to order the Commission to complete its “program exclusivity” proceedings. “Program exclusivity” means a practice whereby broadcasters by contract obtain exclusive exhibition rights against pay television. It appeared that since 1971 the problem of exclusivity had been under consideration by the Commission and that in 1975, by a “Notice of Inquiry” establishing Docket 20402, the Commission had begun a proceeding in which the issue was to be resolved. Noting that for eighteen months the Commission had taken no action in Docket 20402 we [354]*354entered an order directing the Commission to terminate its proceedings concerning program exclusivity within 180 days. We observed that the use of exclusivity clauses raised antitrust questions. Home Box Office, Inc. v. FCC, 185 U.S.App.D.C. 142, 150 n. 4, 567 F.2d 9, 17 n. 4. Our opinion and order issued March 25, 1977.

On September 21, 1977 the Commission adopted its Report and Order in Docket 20402,-F.C.C.2d-, 41 Pike & Fischer R.R.2d 839. By this Report and Order the Commission terminated its inquiry into TV program exclusivity contracts. In summary, the Commission held:

that market forces should be given an opportunity to find an appropriate place for feature films in the sequential media use of feature films, the antitrust laws as currently interpreted and enforced should be sufficient to deter the unlawful exercise of market power, collusive behavior, and any other anticompetitive practices in the distribution of feature films to television, and that it is appropriate . to defer the adoption of rules until such time as there is some credible evidence that the structure of the marketplace, reinforced with appropriate antitrust enforcement procedures, is insufficient to protect the public.

Id. at-, 41 Pike & Fischer R.R.2d at 848.

The petitioner Home Box Office now seeks review of the Commission’s Report and Order (hereinafter referred to as Report). The petitioner says the Commission’s action is arbitrary and capricious, disregards the mandate of the first Home Box Office case, and violates the Commission’s duty to promote diversity of programs and sources and its duty to promote the goals of the antitrust laws and to encourage development of new media. Specifically, the petitioner asks us to direct the Commission to prohibit broadcaster exclusivity practices against pay television as contrary to the public interest. As an alternative, the petitioner requests us to remand the case to the Commission with a direction to answer specific questions as to why broadcaster exclusivity serves the public interest. However we think the Commission reasonably concluded, in the exercise of its discretion, that as a matter of policy further restrictions should not be placed upon the industry at this time and that it is best to defer action until the play of competitive forces can be observed.

The Notice of Inquiry in Docket 20402 announced the intention of the Commission to explore the “effects of exclusive contracts entered into either by conventional or subscription television interests which give one form of television service exclusive use of program material vis-a-vis the other, and to elicit comments of interested persons on the subject.” 52 F.C.C.2d 87, 40 Fed.Reg. 15576 (1975). Comments were received from television broadcast licensees, the three commercial television networks, cable television system owners and programmers, feature film producers, and one public interest group. In addition, the Commission had before it evidence developed during the Senate Antitrust and Monopoly Subcommittee hearings in May and June of 1975, together with information gleaned from other related public proceedings of the Commission. Thus the Commission’s findings and conclusions were based upon a thorough exploration of the facts in the light of the contentions of the interested parties.

In its Report the Commission first considered typical contracts between distributors and broadcasters whereby broadcasters acquire exclusive rights to the use of feature films. These contracts are geared to “availability dates” and “broadcast dates”. The availability date is the first date on which a broadcaster by contract has the right to telecast a film. The broadcast date is the day on which the telecast takes place, and may be months or years after the availability date. Also in the lexicon of the business is the term “up front period”, meaning the three-year period under the anti-siphoning rules when new films were available for pay use. The Commission found that contracts give the networks exclusive rights to the use of films beginning from two to six months prior to the availability date of a film and extending through [355]*355the broadcast date. Because of the interval between the availability date and the broadcast date the total span of exclusivity before use may be as much as a year or even two years. Moreover, in the past these contracts frequently took effect during the three-year “up front period”. Individual station licensees, both independents and network affiliates, also contract for exclusivity against other television stations in direct competition with them and against pay cable operations within their service area. Such exclusive rights may extend for as much as seven years.

The Commission found general agreement as to the effect on pay television of the exclusivity practices which we have summarized.

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Bluebook (online)
587 F.2d 1248, 190 U.S. App. D.C. 351, Counsel Stack Legal Research, https://law.counselstack.com/opinion/home-box-office-inc-v-federal-communications-commission-cadc-1978.