H. A. Artists & Associates, Inc. v. Actors' Equity Ass'n

451 U.S. 704, 101 S. Ct. 2102, 68 L. Ed. 2d 558, 1981 U.S. LEXIS 104, 49 U.S.L.W. 4557, 107 L.R.R.M. (BNA) 2394
Supreme Court of the United States·Decided May 26, 1981·No. 80-348·Published·Cited by 53 cases

Opinions

Justice Stewart

delivered the opinion of the Court.

The respondent Actors’ Equity Association (Equity) is a union representing the vast majority of stage actors and actresses in the United States. It enters into collective-bargaining agreements with theatrical producers that specify minimum wages and other terms and conditions of employment for those whom it represents. The petitioners are independent theatrical agents who place actors and actresses in jobs with producers. The Court of Appeals for the Second Circuit held that the respondents’1 system of regulation of theatrical agents is immune from antitrust liability by reason of the statutory labor exemption from the antitrust laws, 622 F. 2d 647.2 We granted certiorari to consider the availability of that exemption in the circumstances presented by this case. 449 U. S. 991.

I

A

Equity is a national union that has represented stage actors and actresses since early in this century. Currently representing approximately 23,000 actors and actresses, it has collective-bargaining agreements with virtually all major theatrical producers in New York City, on and off Broadway, [707]*707and with most other theatrical producers throughout the United States. The terms negotiated with producers are the minimum conditions of employment (called “scale”); an actor or actress is free to negotiate wages or terms more favorable than the collectively bargained minima.

Theatrical agents are independent contractors who negotiate contracts and solicit employment for their clients. The agents do not participate in the negotiation of collective-bargaining agreements between Equity and the theatrical producers. If an agent succeeds in obtaining employment for a client, he receives a commission based on a percentage of the client’s earnings. Agents who operate in New York City must be licensed as employment agencies and are regulated by the New York City Department of Consumer Affairs pursuant to New York law, which provides that the maximum commission a theatrical agent may charge his client is 10% of the client’s compensation.

In 1928, concerned with the high unemployment rates in the legitimate theater and the vulnerability of actors and actresses to abuses by theatrical agents,3 including the extraction of high commissions that tended to undermine collectively bargained rates of compensation, Equity unilaterally established a licensing system for the regulation of agents. The regulations permitted Equity members to deal only with those agents who obtained Equity licenses and thereby agreed to meet the conditions of representation prescribed by Equity. Those members who dealt with nonlicensed agents were subject to union discipline.

The system established by the Equity regulations was immediately challenged.4 In Edelstein v. Gillmore, 35 F. 2d [708]*708723, the Court of Appeals for the Second Circuit concluded that the regulations were a lawful effort to improve the employment conditions of Equity members. In an opinion written by Judge Swan and joined by Judge Augustus N. Hand,5 the court said:

“The evils of unregulated employment agencies (using this term broadly to include also the personal representative) are set forth in the defendants’ affidavits and are corroborated by common knowledge. . . . Hence the requirement that, as a condition to writing new business with Equity’s members, old contracts with its members must be made to conform to the new standards, does not seem to us to justify an inference that the primary purpose of the requirement is infliction of injury upon plaintiff, and other personal representatives in a similar situation, rather than the protection of the supposed interests of Equity’s members. The terms they insist upon are calculated to secure from personal representatives better and more impartial service, at uniform and cheaper rates, and to improve conditions of employment of actors by theater managers. Undoubtedly the defendants intend to compel the plaintiff to give up rights under existing contracts which do not conform to the new standards set up by Equity, but, as already indicated, their motive in so doing is to benefit themselves and their fellow actors in the economic struggle. The financial loss to plaintiff is incidental to this purpose.” Id., at 726 (emphasis added).6

[709]*709The essential elements of Equity’s regulation of theatrical agents have remained unchanged since 1928.7 A member of Equity is prohibited, on pain of union discipline, from using an agent who has not, through the mechanism of obtaining an Equity license (called a “franchise”), agreed to comply with the regulations. The most important of the regulations requires that a licensed agent must renounce any right to take a commission on an employment contract under which an actor or actress receives scale wages.8 To the extent a contract includes provisions under which an actor or actress will sometimes receive scale pay — for rehearsals or “chorus” [710]*710employment, for example — and sometimes more, the regulations deny the agent any commission on the scale portions of the contract. Licensed agents are also precluded from taking commissions on out-of-town expense money paid to their clients. Moreover, commissions are limited on wages within 10% of scale pay,9 and an agent must allow his client to terminate a representation contract if the agent is not successful in procuring employment within a specified period.10 Finally, agents are required to pay franchise fees to Equity. The fee is $200 for the initial franchise, $60 a year thereafter for each agent, and $40 for any subagent working in the office of another. These fees are deposited by Equity in its general treasury and are not segregated from other union funds.

In 1977, after a dispute between Equity and Theatrical Artists Representatives Associates (TARA) — a trade association representing theatrical agents, see n. 7, supra — a group of agents, including the petitioners, resigned from TARA because of TARA’s decision to abide by Equity’s regulations. These agents also informed Equity that they would not accept Equity’s regulations, or apply for franchises. The petitioners instituted this lawsuit in May 1978, contending that Equity’s regulations of theatrical agents violated §§ 1 and 2 of the Sherman Act, 26 Stat. 209, as amended, 15 U. S. C. §§ 1 and 1px solid var(--green-border)">2.

[711]*711B

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H. A. Artists & Associates, Inc. v. Actors' Equity Ass'n, 451 U.S. 704, 101 S. Ct. 2102, 68 L. Ed. 2d 558, 1981 U.S. LEXIS 104, 49 U.S.L.W. 4557, 107 L.R.R.M. (BNA) 2394 (1981).

451 U.S. 704 (H. A. Artists & Associates, Inc. v. Actors' Equity Ass'n) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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