Guvera IP Pty Ltd. v. Spotify, Inc.

CourtDistrict Court, S.D. New York
DecidedSeptember 28, 2022
Docket1:21-cv-04544
StatusUnknown

This text of Guvera IP Pty Ltd. v. Spotify, Inc. (Guvera IP Pty Ltd. v. Spotify, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Guvera IP Pty Ltd. v. Spotify, Inc., (S.D.N.Y. 2022).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------------- X : GUVERA IP PTY LTD., : : Plaintiff, : : 21-CV-4544 (JMF) -v- : : OPINION AND ORDER SPOTIFY, INC., : : Defendant. : : ---------------------------------------------------------------------- X JESSE M. FURMAN, United States District Judge: Guvera IP Pty, Ltd. (“Guvera”), an Australian media-streaming company, brings this patent infringement case against its better-known counterpart, the music-streaming service Spotify, Inc. (“Spotify”). Guvera alleges infringement of U.S. Patent No. 8,977,633 (the “’633 Patent”), a process for generating a pool of matched content using parameters that its “brand clients” select in order to advertise to consumers. ECF No. 38-1 (“Patent”). According to Guvera, Spotify infringes Claim 1 of the Patent by generating playlists — a type of matched- content pool — and allowing its users to stream them for free. See ECF No. 38 (“SAC”), ¶¶ 26, 28. Spotify now moves, pursuant to Rule 12(b)(6) of the Federal Rules of Civil Procedure, to dismiss on the ground that the ’633 Patent’s claims are directed to an abstract idea and therefore ineligible for patent protection. See ECF No. 40 (“Def.’s Mem.”), at 1. For the reasons that follow, the Court agrees and, thus, GRANTS the motion to dismiss. BACKGROUND The following facts, drawn from the Second Amended Complaint and the underlying patent, are presumed to be true for purposes of this motion. See, e.g., Karmely v. Wertheimer, 737 F.3d 197, 199 (2d Cir. 2013); Chambers v. Time Warner, Inc., 282 F.3d 147, 152-53 (2d Cir. 2002) (noting that, for purposes of a Rule 12(b)(6) motion, “the complaint is deemed to include . . . documents incorporated in it by reference” or documents “integral” to the complaint (internal quotation marks omitted)). Guvera is an Australian corporation that used to stream free music and entertainment and,

as relevant here, owns the ’633 patent. SAC ¶¶ 1, 6, 10. The ’633 Patent, titled “System and Method for Generating a Pool of Matched Content,” was issued on March 10, 2015. At a high level, the patent claims “computer implemented systems and method for generating a body of matched content from a larger pool of content based on parameters set by a particular brand client.” Patent 1:14-17. The ’633 Patent recites two independent claims — Claim 1 and Claim 16 — and fourteen dependent claims — Claims 2-15. Id. 12:57-16:31; see also Def.’s Mem. 3. First, the patented method requires three databases for the process: one with consumer profiles, one with brand client profiles, and one with digital content pieces. Patent 12:62-13:5. Each entry in each database has identifying information — consumer preferences, branding parameters, and “tags” — describing characteristics of the content pieces. Id.; see also id. at

5:52-53. A brand client selects a certain number of content pieces that it determines “convey a brand identity”; they form the “Spine.” Id. at 13:6-8, 2:41-42. The system administrator tests the Spine to ensure that, in each sample, there are (1) enough pieces; (2) multiple content creators represented in the sample; or (3) a minimum number of a particular type of content. Id. at 13:9-29. The content tags each have a “weighting factor,” and the content pieces themselves are assigned a “quantitative value.” Id. at 13:44-48. A computer or other data processor then uses these values to calculate “a degree of association” between the sample content that the brand client selects and the other content pieces in the database. Id. at 13:54-60. Although the claims do not expressly state this, the system generates a matched content pool based on the degree of association between the sample content pieces and the other content pieces in the database; the matching content pieces form the “Ribcage.” See id. at 2:43-47, 7:51-61. Claims 2-15 are dependent claims that impose limitations on the process in Claim 1. For instance, the content tags can be updated in real time, and a search engine will search the content

database for pieces with certain tags. Id. at 14:14-16, 14:25-28. The claims provide that the brand client can choose the depth of association it requires between content pieces in the Spine and those in the Ribcage when generating the matched content pool. Id. at 14:4-10. And the claims state that the brand client may select the sample content pieces to convey their particular identity. Id. at 14:17-21, 14:29-33. The specification provides further context for the patented method. It notes that “one embodiment” of the method is as an “advertising system.” Id. at 2:65. The brand client chooses the types of content pieces that represent their brand identity, and then similar pieces will make up the Ribcage. Id. at 6:59-62. Together, this pool of matched content forms a branded channel. Id. at 2:35-64. Then, the brand client chooses its target demographics, and consumers who fit the demographic profile can stream the branded channel. Id. at 5:16-17,

5:28-34. The purpose of this method is to provide “non-disruptive” advertising while consumers stream free content. Id. at 10:28-34; see also ECF No. 42 (“Pl.’s Opp’n”), at 6. But the specification also notes that the method is “broadly” applicable to computer-implemented methods of matching content, not just to targeted advertising. Id. at 1:46-49. Spotify is a New York-based media company that provides “the means to play streamed music, podcasts, and video to provide access to millions of songs and other content from creators around the world.” SAC ¶¶ 2, 20. “An important part of Spotify’s Streaming Service is the ability to provide advanced advertisement placement using detailed information about the user, the electronic content available on Spotify, and the advertisers who want to reach those users.” Id. ¶ 22. Guvera alleges that, in doing so, Spotify infringes on Claim 1 of the ’633 patent by using databases of consumers, brands, and content; creating a representative pool of content that meets branding requirements; and generating a pool of matched content by calculating a degree of association between content pieces. Id. ¶¶ 26-40.

APPLICABLE LEGAL STANDARDS Spotify moves to dismiss the Second Amended Complaint on the ground that the claims of the ’633 patent are unpatentable on their face because they are directed at an abstract idea. See Def.’s Mem. 1, 5. Thus, the only question at this stage is whether the claims are patentable. A. Standard of Review In evaluating that question, the Court must accept all facts set forth in the Second Amended Complaint as true and draw all reasonable inferences in Guvera’s favor. See, e.g., Burch v. Pioneer Credit Recovery, Inc., 551 F.3d 122, 124 (2d Cir. 2008). A claim will survive Spotify’s Rule 12(b)(6) motion, however, only if Guvera alleges facts sufficient “to state a claim to relief that is plausible on its face.” Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007). A

claim is facially plausible “when the plaintiff pleads factual content that allows the court to draw the reasonable inference that the defendant is liable for the misconduct alleged.” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009) (citing Twombly, 550 U.S. at 556). Thus, Guvera must show “more than a sheer possibility that [Spotify] has acted unlawfully,” id., and cannot rely on mere “labels and conclusions” to support a claim, Twombly, 550 U.S. at 555.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Funk Bros. Seed Co. v. Kalo Inoculant Co.
333 U.S. 127 (Supreme Court, 1948)
Gottschalk v. Benson
409 U.S. 63 (Supreme Court, 1972)
Parker v. Flook
437 U.S. 584 (Supreme Court, 1978)
Diamond v. Chakrabarty
447 U.S. 303 (Supreme Court, 1980)
Bell Atlantic Corp. v. Twombly
550 U.S. 544 (Supreme Court, 2007)
Ashcroft v. Iqbal
556 U.S. 662 (Supreme Court, 2009)
Microsoft Corp. v. i4i Ltd. Partnership
131 S. Ct. 2238 (Supreme Court, 2011)
Burch v. Pioneer Credit Recovery, Inc.
551 F.3d 122 (Second Circuit, 2008)
Karmely v. Wertheimer
737 F.3d 197 (Second Circuit, 2013)
Ultramercial, Inc. v. Hulu, LLC
772 F.3d 709 (Federal Circuit, 2014)
Intellectual Ventures I LLC v. Capital One Bank (USA)
792 F.3d 1363 (Federal Circuit, 2015)
Enfish, LLC v. Microsoft Corporation
822 F.3d 1327 (Federal Circuit, 2016)
Electric Power Group, LLC v. Alstom S.A.
830 F.3d 1350 (Federal Circuit, 2016)
McRO, Inc. v. Bandai Namco Games America Inc.
837 F.3d 1299 (Federal Circuit, 2016)
Affinity Labs of Texas, LLC v. Directv, LLC
838 F.3d 1253 (Federal Circuit, 2016)
Thales Visionix Inc. v. United States
850 F.3d 1343 (Federal Circuit, 2017)
Recognicorp, LLC v. Nintendo Co., Ltd.
855 F.3d 1322 (Federal Circuit, 2017)

Cite This Page — Counsel Stack

Bluebook (online)
Guvera IP Pty Ltd. v. Spotify, Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/guvera-ip-pty-ltd-v-spotify-inc-nysd-2022.