Gruen v. Gruen

104 A.D.2d 171, 488 N.Y.S.2d 401, 1984 N.Y. App. Div. LEXIS 20610
CourtAppellate Division of the Supreme Court of the State of New York
DecidedDecember 3, 1984
StatusPublished
Cited by8 cases

This text of 104 A.D.2d 171 (Gruen v. Gruen) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gruen v. Gruen, 104 A.D.2d 171, 488 N.Y.S.2d 401, 1984 N.Y. App. Div. LEXIS 20610 (N.Y. Ct. App. 1984).

Opinion

OPINION OF THE COURT

Gibbons, J.

In this action, inter alia, for an adjudication of title to a valuable oil painting, plaintiff asserts that the painting was given to him by his father as a birthday present in 1963. Defendant contends that there was no valid gift of the painting, and the Supreme Court, Kings County, has concluded, after a nonjury trial, that the defendant is correct. We disagree and hold that the plaintiff has sustained his burden of proving a valid inter vivos gift. Accordingly, the judgment appealed from [172]*172must be reversed and a judgment entered declaring the plaintiff’s ownership of the painting.

The subject of this action is a painting entitled “Schloss Kammer am Attersee II”, which was painted by Gustav Klimt, a noted Austrian modernist, around the turn of the century. It was purchased for $8,000 in 1959 by the plaintiff’s father, Victor Gruen, who died in Austria on February 14, 1980. The defendant, Kemija Gruen, is the plaintiff’s stepmother, having married the plaintiff’s father in February of 1963. Victor Gruen was, until his death, a prominent and successful architect, with offices in several cities. In fact, at all times relevant to this lawsuit, he spent significant amounts of time both in New York and Los Angeles, working professionally in both cities and maintaining separate residences in each. The painting was purchased from an art gallery in New York and was delivered to the decedent’s Manhattan apartment, where it remained until the summer of 1963. At that point, however, it was apparently shipped to the decedent’s Los Angeles home, where it remained for some time. The painting was located in the decedent’s residence in Vienna, Austria, at the time of his death.

On or about April 1, 1963, the plaintiff’s father sent him a letter stating, in relevant part, as follows: “I am sending you enclosed a written confirmation of your most important birthday present. I hope that it will take a long time before you can enjoy it.” Subsequently, on May 22, 1963, another letter was sent to the plaintiff by his father which stated the following:

“Dear Michael:
“I wrote you at the time of your birthday about the gift of the painting by Klimt.
“Now my lawyer tells me that because of the existing tax laws, it was wrong to mention in that letter that I want to use the painting as long as I live. Though I still want to use it, this should not appear in the letter. I am enclosing, therefore, a new letter and I ask you to send the old one back to me so that it can be destroyed.
“I know this is all very silly, but the lawyer and our accountant insist that they must have in their possession copies of a letter which will serve the purpose of making it possible for you, once I die, to get this picture without having to pay inheritance taxes on it.
“Love,
“s/Victor”.

[173]*173Enclosed with this letter was the following “replacement” letter bearing the date of April 1, 1963:

“Dear Michael:
“The 21st birthday, being an important event in life, should be celebrated accordingly, I therefore wish to give you as a present the oil painting by Gustav Klimt of Schloss Kammer which now hangs in the New York living room. You know that Lazette and I bought it some 5 or 6 years ago, and. you always told us how much you liked it.
“Happy birthday, again.
“Love,
“s/Victor”.

The preceding two letters were dictated by Victor Gruen on or about May 22, 1963, and were unquestionably signed by him. Notably, except for those brief periods of time when the painting was on loan for exhibition, it remained in the father’s possession until his death.

Before going on to consider the substantive issues, we pause for a moment to comment briefly upon the choice of laws question which was given such extensive treatment by Trial Term. Fundamentally, we see no reason to disturb that court’s decision to apply New York law to the facts of the instant case. We note, however, that with respect to the issue of whether a valid inter vivos gift has been made, there is no material difference between New York and California law. Thus, any alleged conflict is, insofar as is here relevant, illusory (cf. Dym v Gordon, 16 NY2d 120, 124).

The primary issue on this appeal is whether the afore-mentioned letters sent by Victor Gruen to his son in April and May of 1963 operated to effect a present transfer to the plaintiff of a property interest in the Klimt painting which is the subject of this lawsuit. In our view, this question should be answered in the affirmative.

At common law, a gift of property could be effected by the • delivery of a writing to the donee evidencing a gift. Such a writing has been variously called an “instrument of gift” or a “deed of gift”, but, by whatever name it is known, it is well settled in this State that an inter vivos gift of property may be validly made by written instrument (see Speelman v Pascal, 10 NY2d 313; Gordon v Gordon, 70 AD2d 86, 90, affd 52 NY2d 773; Matter of Cohn, 187 App Div 392, 395; Hawkins v Union Trust Co., 187 App Div 472; Matter of Roosevelt, 190 Misc 341; Matter of Valentine, 122 Misc 486; Matter of Stalden’s Estate, 194 NYS [174]*174349). When property is conveyed in this manner, it is the delivery of the instrument itself which fulfills the “delivery” requirement of a gift inter vivos, and duplicative manual delivery is therefore unnecessary. As the First Department stated in Matter of Cohn (supra, p 395), “[t]he necessity of delivery where gifts resting in parol are asserted against the estates of decedents is obvious; but it is equally plain that there is no such impelling necessity when the gift is established by the execution and delivery of an instrument of gift”. The policy considerations underlying the foregoing distinction can be simply stated, for in the case of an oral gift, the fact of delivery serves to assist, in an evidentiary manner, to confirm the intent of the donor, and to prevent the assertion of fraudulent claims (see Matter of Cohn, supra). No such policy considerations are applicable to a gift made in writing, for, as one commentator has noted, “the delivery of a written conveyance * * * requires a high degree of deliberation on the part of the donor, substantially higher than a manual delivery, and affords the clearest and most convincing evidence of the fact that a gift has taken place” (Mechem, The Requirement of Delivery in Gifts of Chattels, 21 Ill L Rev 568, 586). Moreover, while certain types of property, being intangible in nature, can only be “delivered” by means of a written instrument (see, e.g., Speelman v Pascal, supra), the principle itself does not appear to be so limited, and may be applied, with equal vigor, to conveyances of tangible personal property as well (see, e.g., Hawkins v Union Trust Co., supra; Matter of Roosevelt, supra; Matter of Stalden’s Estate, supra).

Closely allied with the “delivery” requirement of a gift inter vivos is the concept of “donative intent”, which requires that the donor, at the operative time, intend to make a present transfer of ownership to the donee

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Bluebook (online)
104 A.D.2d 171, 488 N.Y.S.2d 401, 1984 N.Y. App. Div. LEXIS 20610, Counsel Stack Legal Research, https://law.counselstack.com/opinion/gruen-v-gruen-nyappdiv-1984.