Gerard O’Donnell v. Magazzino Italian Art Foundation, Nancy Olnick, in her individual and professional capacities, Giorgio Spanu, in his individual and professional capacities, Ken Pollet, in his individual and professional capacities, Dianna Schulte, in her individual and professional capacities

CourtDistrict Court, S.D. New York
DecidedMarch 31, 2026
Docket7:25-cv-02918
StatusUnknown

This text of Gerard O’Donnell v. Magazzino Italian Art Foundation, Nancy Olnick, in her individual and professional capacities, Giorgio Spanu, in his individual and professional capacities, Ken Pollet, in his individual and professional capacities, Dianna Schulte, in her individual and professional capacities (Gerard O’Donnell v. Magazzino Italian Art Foundation, Nancy Olnick, in her individual and professional capacities, Giorgio Spanu, in his individual and professional capacities, Ken Pollet, in his individual and professional capacities, Dianna Schulte, in her individual and professional capacities) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gerard O’Donnell v. Magazzino Italian Art Foundation, Nancy Olnick, in her individual and professional capacities, Giorgio Spanu, in his individual and professional capacities, Ken Pollet, in his individual and professional capacities, Dianna Schulte, in her individual and professional capacities, (S.D.N.Y. 2026).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK GERARD O’DONNELL, Plaintiff, -against- MAGAZZINO ITALIAN ART FOUNDATION, NANCY OLNICK, in her 25-CV-2918 (JGLC) individual and professional capacities, GIORGIO SPANU, in his individual and OPINION AND ORDER professional capacities, KEN POLLET, in his individual and professional capacities, DIANNA SCHULTE, in her individual and professional capacities, Defendants.

JESSICA G. L. CLARKE, United States District Judge: Plaintiff Gerard O’Donnell brings retaliation claims under Title VII and the New York State Human Rights Law (“NYSHRL”) against his former employer, Magazzino Italian Art Foundation (“Magazzino” or “the Museum”) and various individuals who worked there, alleging that he was fired for complaining about women employees being treated poorly. Before the Court is Defendants’ Motion to Compel Arbitration and Stay the Action, pursuant to the Federal Arbitration Act (“FAA”). There is no dispute that the employment contract, including an agreement to arbitrate, is valid and governs. Instead, Plaintiff argues that because his underlying complaint addressed sexual harassment in the workplace, arbitration cannot be compelled under the Ending Forced Arbitration of Sexual Assault and Sexual Harassment Act of 2021 (“EFAA”). As described below, Plaintiff’s underlying complaint relates to sexual harassment under New York law. Consequently, the EFAA prohibits forced arbitration in this case, and the Court denies Defendants’ Motion to Compel Arbitration and Stay the Action. BACKGROUND The following facts, unless otherwise noted, are taken from the Complaint and presumed to be true for the purposes of this motion. See Smith v. Meta Platforms, Inc., No. 24-CV-4633 (JPC), 2025 WL 2782484, at *1 (S.D.N.Y. Sept. 30, 2025); ECF No. 1 (“Compl.”). Plaintiff

Gerard O’Donnell (“Plaintiff” or “O’Donnell”) was first hired in 2021 as a part-time Gallery Attendant at Magazzino, an Italian art museum in Cold Spring, New York. ¶¶ 1, 49. Shortly after his employment began, Plaintiff signed an arbitration agreement with Magazzino. See ECF No. 25-1. The agreement requires that any dispute, controversy or claim between the parties arising out of, relating to or concerning [O’Donnell’s] employment with the Institute, termination of such employment or this Letter Agreement, other than claims that cannot be legally arbitrated, shall be finally settled by arbitration in the state of New York, before and in accordance with the Employment Arbitration Rules and Mediation Procedures of the American Arbitration Association before a single arbitrator. Id. ¶ 19. A few months after he started the part-time role, Plaintiff was promoted to a full-time Gallery Attendant, before being promoted again to Operations Manager and then to Operations and Facilities Manager in September 2022. ¶¶ 52, 56–57, 61. In October 2022, he signed a superseding agreement that included his new job description, salary, and benefits. ECF No. 25-2 at 3. Plaintiff contends that he was repeatedly praised for his work at Magazzino. ¶¶ 302, 318. In December 2023, Magazzino hired Filippo Fossati (“Fossati”) as a curator. ¶ 90. He was promoted, about a month later, to Director of the museum. ¶ 122–23. Soon after Fossati joined Magazzino, female employees of the company began complaining to Plaintiff about Fossati’s behavior. See, e.g., ¶¶ 124–25, 155–56, 252–55, 277–79, 290–94. Plaintiff reported this conduct to management, who, according to Plaintiff, began retaliating against him. See, e.g., ¶¶ 288, 307–08, 322, 337. Plaintiff was fired shortly after he began complaining about Fossati’s treatment of female employees. ¶ 339. I. Allegations About Gender-Based Misconduct at Magazzino Several employees complained to Plaintiff about Fossati and how he treated them,

including Margaret Scarborough (“Scarborough”). See ¶ 125. Scarborough was the Scholar-in- Residence at the Museum. See ¶ 91. Soon after Fossati joined the Museum in December 2024, the two began meeting in person and messaging via WhatsApp about Scarborough’s ideas to improve the Research Center and about events the Museum could host. ¶¶ 93–103. Fossati frequently used emojis with Scarborough. See, e.g., ¶¶ 100, 102–03. He responded to one of Scarborough’s documents with a red rose emoji, and he used both a red rose emoji and a praying emoji when he asked her, in Italian, if they could “see or talk to each other today.” ¶¶ 98–103. That same day, Fossati showed up uninvited to a lunch between Scarborough and a female colleague at the Museum’s café and proceeded to discuss Museum programming. ¶¶ 106–112. During the conversation, Fossati did not agree to give Scarborough credit for her work on the

programming, using a tone that made both Scarborough and her colleague uncomfortable. ¶¶ 111–113. On January 17, 2024, Fossati asked if he and his wife could visit Scarborough’s apartment, which the Museum provided for Scarborough during her residency. ¶ 116; ECF No. 1- 3 (“Scarborough Decl.”) ¶ 4. When Scarborough declined, stating her preference to meet at a local café, Fossati “yelled” at her on the phone and insisted that it was just a “friendly coffee.” ¶¶ 117–20. Immediately after, Fossati messaged Scarborough to return a book he had loaned her. ¶¶ 121. Scarborough’s discomfort with Fossati grew following his promotion to Director, and statements from colleagues reinforced her belief that he treated women at Magazzino poorly. See ¶¶ 114, 125–27. On January 19, 2024, Giorgio Spanu (“Spanu”), one of the co-founders of the Museum, informed Scarborough that he and the other co-founder Nancy Olnick (“Olnick”) would be

visiting her apartment in a few hours in connection with a plan to rent another unit in the building. ¶¶ 2, 130. When they arrived, they were accompanied by Fossati and his wife. ¶ 133. As Spanu showed Fossati and his wife around the apartment, Fossati opened closet doors and looked at Scarborough’s clothes and belongings. ¶¶ 134–35. In passing comments, Fossati told Scarborough that he would “take care” of further planning and decisions related to lectures that they had been discussing. ¶¶ 137–38. Also on January 19, 2024, Scarborough alerted Dianna Schulte (“Schulte”), the Museum’s Chief Financial Officer, via email about the “uncivil,” “unprofessional,” and “inappropriate” manner in which Fossati was communicating with her. ¶¶ 63, 132. Schulte directed Scarborough to contact Ken Pollet (“Pollet”), the Human Resources Director. ¶ 139. The

next day, while Scarborough was in the Museum’s Research Center, Fossati came in to speak with her. ¶ 141. He “berat[ed]” her in Italian, criticizing her communication style, educational background, and work, and explained that he was angry about the apartment ordeal, among other things. ¶¶ 142–48. He told her that he did want to work with her anymore and demanded that she provide him with a copy of her doctoral dissertation. ¶¶ 143, 148. Scarborough emailed Pollet to share her concerns about Fossati the same day. ¶ 158. The next day, in response to an email from Pollet, Scarborough expressed her desire to “file a formal complaint” about the January 20 conversation with Fossati. ¶ 161. She spoke with Pollet on January 22. ¶ 162–68. To Scarborough’s knowledge, despite further phone calls, Pollet did not take any action beyond escalating her complaint to Spanu and Olnick. ¶¶ 171, 173–84. Without any remedy, Scarborough spent less time at the Museum to try to avoid Fossati. ¶ 187. She was eventually fired in June 2024. ¶ 220. Plaintiff alleges that other female employees also had negative experiences with Fossati.

A female employee told Scarborough that Fossati had “challenged her credentials and competency . . . and accused her of lying on her resume.” ¶ 114. A male employee told Scarborough that he believed Fossati treated women worse than men. ¶ 126.

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Gerard O’Donnell v. Magazzino Italian Art Foundation, Nancy Olnick, in her individual and professional capacities, Giorgio Spanu, in his individual and professional capacities, Ken Pollet, in his individual and professional capacities, Dianna Schulte, in her individual and professional capacities, Counsel Stack Legal Research, https://law.counselstack.com/opinion/gerard-odonnell-v-magazzino-italian-art-foundation-nancy-olnick-in-her-nysd-2026.