Garfield Baker v. Warner/Chappell Music, Inc.

Court of Appeals for the Eleventh Circuit·Decided November 27, 2018·No. 18-11798·Unpublished

Opinion

[DO NOT PUBLISH]

IN THE UNITED STATES COURT OF APPEALS

FOR THE ELEVENTH CIRCUIT

No. 18-11798

Non-Argument Calendar

D.C. Docket No. 1:14-cv-22403-JG

GARFIELD BAKER, BYRON SMITH,

Plaintiffs - Appellants,

SHERMAN NEALY, MUSIC SPECIALIST, INC.,

Intervenor Plaintiffs - Appellants, versus

WARNER/CHAPPELL MUSIC, INC., a Delaware Corporation, ARTIST PUBLISHING GROUP, L.L.C., a Delaware limited liability corporation, KAREN L. STETSON, an individual, 321 MUSIC L.L.C., a Florida limited liability corporation, TONY BULTER, an individual, PANDISC MUSIC CORPORATION, a Florida corporation,

WHOOPING CRANE MUSIC, INC., a Florida Corporation, ROBERT CRANE, an individual,

Defendants - Appellees,

ATLANTIC RECORDING CORPORATION, et al., Defendants.

Appeal from the United States District Court for the Southern District of Florida

(November 27, 2018)

Before WILSON, NEWSOM, and HULL, Circuit Judges. PER CURIAM:

Garfield Baker, Byron Smith, Sherman Nealy, and Music Specialists, Inc.

appeal a district court order granting Robert Crane, Pandisc Music Corporation, and Whooping Crane Music, Inc. a stay under the Colorado River doctrine in deference to related state-court litigation. In invoking the doctrine, the district court found that the federal and state suits at issue were sufficiently parallel and that the Colorado River factors weighed in favor of abstention. Although the Colorado River doctrine provides but a narrow exception to our “virtually unflagging obligation” to exercise our jurisdiction when it exists, we cannot say

that the district court abused its discretion in granting the motion to stay. We affirm.

I

This case concerns the rights and royalties to 14 songs co-authored by Garfield Baker, Byron Smith, Tony Butler, and Sherman Nealy between 1984 and 1987. Nealy’s company, Music Specialists, Inc., was the first to record, publish, and distribute these songs; it also filed the original copyright registrations for most of the songs. Music Specialists was administratively dissolved, however, between 1986 and 2008 while Nealy was incarcerated.

During this time, Butler—along with his companies Captain Productions and C-Tan Music—decided to license the rights to the songs without Music Specialists’s involvement. Between 1989 and 1992 Butler entered into several licensing agreements with Robert Crane and Crane’s companies Pandisc Music Corporation and Whooping Crane Music, Inc.

In 2006, the Crane companies sued the Butler companies in Florida state court, alleging that Butler was falsely telling third parties that Crane did not have any licensing rights to the subject songs. Two years later, Butler—through a new company called 321 Music, LLC—entered into yet another licensing agreement, this time with Warner/Chappell Music, purporting to license the same songs he had earlier licensed to the Crane companies. The Crane companies then filed a

copyright-infringement suit against Butler and Warner/Chappell Music in federal court to protect their rights in the songs. Two of the other songwriters, Baker and Smith, moved to intervene, claiming copyright infringement and constructive trust. All of the parties reached a settlement agreement that outlined a distribution of royalties based in part on Butler’s representations that he had recently re-licensed the songs to another company, Universal UK.

After the agreement, however, some dispute arose as to whether Butler had indeed contracted with Universal UK, resulting in royalties to be distributed per the settlement agreement. Baker and Smith filed several motions to enforce the agreement in federal court, but the district judge denied the motions, explaining that it no longer had jurisdiction over the settlement agreement and that any recourse to be had would be found in a state-court contract action.

Baker and Smith instead initiated this suit in federal court,1 alleging that they were the “beneficial owners” of the works at issue because they had assigned their original rights in the songs to Music Specialists in exchange for royalties.2 After the district judge dismissed the first two complaints for, among other things,

1 About a month after filing this suit, Baker and Smith also filed a breach-of-contract claim in state court seeking to recover royalties allegedly due under the settlement agreement. The second state-court case has been stayed pending resolution of this suit. 2 Baker and Smith, initiating this suit pro se, at first asserted that they were the “copyright owners” of the songs, but in their reply to the Crane companies’ motion to dismiss they clarified that they were the “beneficial owners,” entitled to royalties based on Music Specialists’s copyright ownership.

“shotgun” pleadings, the parties consented to magistrate-judge jurisdiction, and Baker and Smith filed the currently-operative complaint. The magistrate judge granted Nealy and Music Specialists leave to intervene, based on claims that Music Specialists was “the sole and exclusive owner” of the copyrights and that it had never assigned its rights to anyone else.

The Crane companies then moved to stay this proceeding under the Colorado River doctrine pending resolution of the original 2006 state-court proceeding. 3 The district court granted the motion, and Baker, Smith, Nealy, and Music Specialists timely appealed.

II

The Colorado River doctrine “addresses the circumstances in which federal courts should abstain from exercising their jurisdiction because a parallel lawsuit is proceeding in one or more state courts.” Ambrosia Coal & Const. Co. v. Pages Morales, 368 F.3d 1320, 1327 (11th Cir. 2004). We review a district court’s order abstaining from the exercise of jurisdiction on Colorado River grounds for abuse of discretion. TranSouth Fin. Corp. v. Bell, 149 F.3d 1292, 1294 (11th Cir. 1998).

Our precedent makes clear that federal courts should rarely yield jurisdiction to a state court simply because litigation would be duplicative—a pending action in state court does not normally bar proceedings regarding the same matter in federal

3 Defendants-Appellees Warner/Chappell Music, Inc., Artist Publishing Group, LLC, and Karen L. Stetson separately filed a motion to dismiss which the district court denied.

court. Jackson-Platts v. Gen. Elec. Capital Corp., 727 F.3d 1127, 1140 (11th Cir. 2013). That said, in Colorado River Water Conservation District v. United States, the Supreme Court acknowledged that federal courts could abstain from exercising otherwise-proper jurisdiction in certain extraordinary circumstances involving the “contemporaneous exercise of concurrent jurisdictions.” 424 U.S. 800, 814, 817 (1976). The Court clarified, however, that such instances would be rare, as federal courts have a “virtually unflagging obligation . . . to exercise the jurisdiction given them” when it exists. Id. at 817 (citation omitted).

A

As a threshold matter, the Colorado River analysis is limited to situations in which federal and state proceedings involve “substantially the same parties and substantially the same issues.” Ambrosia Coal, 368 F.3d at 1330. In this case, they do. As the district court correctly observed, both the state and federal proceedings here concern the same issue: ownership of and licensing rights to certain musical works. The parties are also substantially the same—in state court, the Crane companies sued to enjoin the Butler companies and Music Specialists from claiming ownership rights in the songs; in federal court Music Specialists, Nealy, Baker, and Smith sued the Crane companies, seeking a declaration of rights in the same songs. Although Baker and Smith are not parties to the state action, as “beneficial owners” their alleged interest is inextricably linked to Music

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Garfield Baker v. Warner/Chappell Music, Inc., (11th Cir. 2018).

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