Fletcher v. Doig

District Court, N.D. Illinois·Decided December 30, 2022·No. 1:13-cv-03270·Unknown

Opinion

UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION

ROBERT FLETCHER and BARTLOW GALLERY ) LTD., ) ) 13 C 3270 Plaintiffs, ) ) Judge Gary Feinerman vs. ) ) PETER DOIG, GORDON VeneKLASEN, ) MATTHEW S. DONTZIN, and THE DONTZIN ) LAW FIRM LLP, ) ) Defendants, ) ) vs. ) ) WILLIAM FREDERICK ZIESKE, ) ) Respondent. )

MEMORANDUM OPINION AND ORDER Robert Fletcher and Bartlow Gallery Ltd. brought this diversity suit against Peter Doig and some of his associates, alleging interference with prospective economic advantage and requesting damages and declaratory relief. Doc. 1. Plaintiffs alleged that Defendants falsely denied that Doig, an internationally renowned artist, had created a painting owned by Fletcher and thereby frustrated Plaintiffs’ ability to sell the work. After the court dismissed the claims against Doig’s associates, Docs. 74-75 (reported at 125 F. Supp. 3d 697 (N.D. Ill. 2014)), and denied Doig’s summary judgment motion, Doc. 198, the case proceeded to a bench trial. The court rendered a verdict for Doig, finding that he had not authored the painting. Docs. 260-261. Before the court is Defendants’ motion for sanctions under Civil Rule 11, 28 U.S.C. § 1927, and the court’s inherent authority against Plaintiffs and their (now former) counsel, William Zieske. Doc. 273. With sincere apologies for the substantial delay in resolving this difficult and unfortunate coda to the litigation—placing at risk Zieske’s professional reputation and involving large sums of money for both Zieske and Plaintiffs—Defendants’ motion is granted in part and denied in part. Background

To support their sanctions motion, Defendants submitted an appendix comprising over 4,000 pages of materials. Much of this material is located elsewhere in the record or was admitted at trial; to the extent it is not, neither Plaintiffs nor Zieske object to its consideration for the purposes of this motion. A. The Painting From 1975 to 1978, Fletcher attended Lakehead University in Thunder Bay, Ontario. Doc. 273-5 at p. 86, ¶ 9. At the same time, Fletcher worked as a correctional officer at the Thunder Bay Correctional Center (“TBCC”). Doc. 273-8 at 139 (138:2-24). In 1976, a prisoner incarcerated at TBCC created the painting at issue in this case. Doc. 273-5 at p. 86, ¶¶ 4, 11. Over a period of months, Fletcher observed the painting progress from its initial stages to

completion. Id. at p. 86, ¶ 11. After the painter’s release from TBCC, Fletcher assisted him in gaining employment through the Seafarers Union. Id. at p. 86, ¶ 10. Fletcher later purchased the painting from its creator for $100. Doc. 273-8 at 292-295 (291:20-294:3). Fast forward to 2011, when a friend visiting Fletcher’s home noticed the painting and told him that it had been created by a renowned artist named Peter Doig, id. at 305 (304:7-23)— perhaps after noticing that the work was signed with a very similar name, “Pete Doige,” Doc. 273-3 at p. 3, ¶ 8. Fletcher contacted Peter Bartlow, the owner of Bartlow Gallery Ltd. in Chicago, in hopes that the gallery could sell the painting on his behalf. Doc. 273-8 at 312-316 (311:10-315:17). In September 2011, Fletcher and Bartlow Gallery entered into an agreement to split the proceeds of any sale. Doc. 273-11 at 49-50. Around the same time, Fletcher contacted Sotheby’s for an auction estimate and received the following response:

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