Dimensional Music Publishing, LLC v. Kersey Ex Rel. Estate of Kersey

448 F. Supp. 2d 643, 2006 U.S. Dist. LEXIS 61334, 2006 WL 2458565
CourtDistrict Court, E.D. Pennsylvania
DecidedAugust 25, 2006
DocketCivil Action 05-6437
StatusPublished
Cited by9 cases

This text of 448 F. Supp. 2d 643 (Dimensional Music Publishing, LLC v. Kersey Ex Rel. Estate of Kersey) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Dimensional Music Publishing, LLC v. Kersey Ex Rel. Estate of Kersey, 448 F. Supp. 2d 643, 2006 U.S. Dist. LEXIS 61334, 2006 WL 2458565 (E.D. Pa. 2006).

Opinion

MEMORANDUM

DUBOIS, District Judge.

I. INTRODUCTION

This lawsuit involves the rights to the song “Disco Inferno” (hereinafter “the Composition”). Plaintiff, a limited liability company engaged in music publishing, filed suit seeking a declaratory judgment that, under the provisions of an assignment made in 1977, it is the exclusive owner of all rights in the Composition, including the Composition’s renewal rights. Compl. ¶ 3. In the event that the Court *646 finds that .plaintiff is not the exclusive owner of the renewal rights in the Composition, plaintiff alleges legal malpractice by-defendant Paul, Weiss, Rifkind, Wharton & Garrison, LLP (hereinafter “Paul Weiss”), which represented plaintiff in acquiring the Composition. 1 Id. ¶ 5. Defendant Paul Weiss has filed a Motion to Dismiss or Stay This Action. For the reasons below, the Court denies defendant’s Motion to Dismiss, but grants its Motion to Stay, subject to the requirement that Paul Weiss participate in all discovery in plaintiffs case against the Kersey defendants which relates to its potential malpractice liability.

II. BACKGROUND

A. The Composition At Issue

The following facts are taken from plaintiffs Complaint as well as affidavits submitted by both parties. 2

The Composition was written by two Philadelphia songwriters, Tyrone Kersey and Leroy Green (“Green”). Id. On January 24, 1977, Kersey and Green entered into an Agreement of Sale (hereinafter “the 1977 Agreement”) with Golden Fleece Music (“Golden Fleece”) and Six Strings Music (“Six Strings”) to sell the Composition’s “title, words and music ... and the right to secure copyright therein throughout the entire world, and to have and to hold the said copyright and all rights of whatsoever nature thereunder existing, now known or hereafter to become known.” Id. ¶ 20. Golden Fleece and Six Strings then assigned all rights in the Composition to Six Strings on March 2, 1978. Id. ¶ 26. More than twenty years later, on February 16, 2001, Six Strings sold all of its rights, title and interest in the Composition, expressly including its renewal rights, to DreamWorks Music Publishing LLC (“DreamWorks”). Id. ¶ 27. Finally, on November 5, 2004, DreamWorks sold most of its music publishing catalog, including the Composition, to plaintiff for the sum of $ 42.8 million. 3 Id. ¶¶ 43, 53.

In August 2005, after plaintiff acquired the DreamWorks catalog, defendant Stein-berg Business and Music Advisory Services sent a letter to plaintiff on behalf of the Kersey Estate (“the Estate”), 4 assert *647 ing that the 1977 Agreement did not transfer Kersey’s renewal rights in the Composition to Six Strings and Golden Fleece, and that the Estate owned Kersey’s 50% interest in the renewal rights of the Composition. 5 Id. ¶¶ 3, 58. Plaintiff then filed this Complaint on December 15, 2005 against Antoinette Kersey, Kersey’s sister and executrix of his estate; Kisha Kersey, Kersey’s daughter and heir; David J. Steinberg and Steinberg Business and Music Advisory Services, Inc. (hereinafter “the Steinberg defendants”); and Paul Weiss. The Complaint sought a declaratory judgment against Antoinette and Kisha Kersey (hereinafter “the Kersey defendants”) and the Steinberg defendants that plaintiff is the exclusive owner of all rights, including the renewal rights, in the Composition. 6 Pleading in the alternative, plaintiff asserts a claim of legal malpractice against defendant Paul Weiss on the ground that the firm negligently represented plaintiff in the DreamWorks transaction.

B. Procedural History

Shortly after filing the Complaint, plaintiff filed a motion for partial summary judgment against the Kersey defendants on the legal question of the vesting of the Composition’s renewal rights. On June 23, 2006, the Court issued a Memorandum and Order granting plaintiffs motion for partial summary judgment on this limited question. Dimensional Music Publ’g, LLC v. Kersey, 435 F.Supp.2d 452 (E.D.Pa.2006). The Court ruled that, assuming that Kersey validly transferred his renewal rights to plaintiffs predecessors in interest through the 1977 Agreement, the renewal rights to the Composition legally vested in plaintiff because plaintiff filed the application for renewal rights on January 5, 2005, when Kersey was still alive. Id. at 462. 7 Plaintiffs remaining claim against the Kersey defendants — the claim arising out of the transfer of renewal rights to the Composition in the 1977 Agreement — is ongoing.

Should plaintiff lose its claim against the Kersey defendants, plaintiff named Paul Weiss as a defendant, on the ground that if it did not obtain “all right, title and interest in the Composition, particularly the 50% interest in the Renewal Rights that originally were owned by Tyrone G. Kersey ... this failure was the direct and proximate result of professional negligence — legal malpractice — by the co-defendant [Paul Weiss].” Compl. ¶ 5. This negligence included, but was not limited *648 to, defendant’s “failure to ask for and obtain, and/or its failure to realize the significance of and report on” the 1977 Agreement and the Green February 2001 Agreement (see footnote 5 infra). 8 Id. ¶ 75. As a “proximate and direct” result of defendant’s negligence, plaintiff alleges it sustained damages including (but not limited to) overpayment for the Dream-Works catalog, lost profits from exploitation of 50% of the Composition’s renewal rights, attorneys’ fees paid to defendant, costs expended in evaluating the Kersey estate claim for copyright, and the loss of any profit from any subsequent re-sale of the Composition. 9 Id. ¶ 76.

C. Plaintiffs Relationship With Defendant Paul Weiss

The exact relationship between plaintiff and defendant Paul Weiss is contested. The Court will outline each party’s explanation of the relationship.

1. Plaintiffs Explanation

According to the Complaint, “certain entities,” with financing “proposed to be provided by plaintiff,” sought to acquire DreamWorks’s music publishing assets in July 2004. Compl. ¶ 40. These entities “engaged Paul Weiss to represent them in connection with the proposed acquisition.” Id. ¶ 41. The scope of this engagement included a “legal due diligence investigation of the copyright ownership rights” of the compositions in the DreamWorks catalog. Id.

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448 F. Supp. 2d 643, 2006 U.S. Dist. LEXIS 61334, 2006 WL 2458565, Counsel Stack Legal Research, https://law.counselstack.com/opinion/dimensional-music-publishing-llc-v-kersey-ex-rel-estate-of-kersey-paed-2006.