Digidesign, Inc. v. United States

44 F. Supp. 3d 1366, 2015 CIT 6, 36 I.T.R.D. (BNA) 1652, 2015 Ct. Intl. Trade LEXIS 7, 2015 WL 265650
CourtUnited States Court of International Trade
DecidedJanuary 22, 2015
DocketSlip Op. 15-6; Court 08-00331
StatusPublished
Cited by4 cases

This text of 44 F. Supp. 3d 1366 (Digidesign, Inc. v. United States) is published on Counsel Stack Legal Research, covering United States Court of International Trade primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Digidesign, Inc. v. United States, 44 F. Supp. 3d 1366, 2015 CIT 6, 36 I.T.R.D. (BNA) 1652, 2015 Ct. Intl. Trade LEXIS 7, 2015 WL 265650 (cit 2015).

Opinion

OPINION

BARZILAY, Senior Judge:

This case is before the court on cross-motions for summary judgment. Plaintiff Digidesign, Inc. (“Digidesign”), challenges the decision of Defendant U.S. Customs and Border Protection (“Customs”) denying Digidesign’s protest of Customs’ classification of its Control 24 and 002 Factory consoles within the Harmonized Tariff Schedule of the United States (“HTSUS”). Customs classified the merchandise as “electrical machines and apparatus, having individual functions, not specified or included elsewhere in this chapter; parts thereof: Other machines and apparatus: Other: Other: Other: Other” under subheading 8543.89.96 (and later under 8543.89.97 and still later under 8543.70.96) of the HTSUS, all of which carry a 2.6% ad valorem duty. 1 Digidesign contends that the merchandise is properly classified as units of automatic data processing (“ADP”) machines under HTSUS Heading 8471. Digidesign suggests classification under two alternative subheadings, 8471.60.10 and 8471.80.90 of the HTSUS, both of which carry a 0% ad valorem duty. The court has jurisdiction pursuant to 28 U.S.C. § 1581(a). For the reasons set forth below, Digidesign’s motion for summary judgment is denied and Customs’ motion is granted.

I. STANDARD OF REVIEW

The court reviews Customs’ protest decisions de novo. 28 U.S.C. § 2640(a)(1). USCIT Rule 56 permits summary judgment when “there is no genuine issue as to any material fact....” USCIT R. 56(c); see also Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 248, 106 S.Ct. 2505, 91 L.Ed.2d 202 (1986). In considering whether material facts are in dispute, the evidence must be considered in a light most favorable to the non-moving party, drawing all reasonable inferences in its favor, as well as all doubts over factual issues. See Adickes v. S.H. Kress & Co., 398 U.S. 144, 157, 90 S.Ct. 1598, 26 L.Ed.2d 142 (1970); Anderson, 477 U.S. at 253-54, 106 S.Ct. 2505.

A classification decision involves two steps. The first addresses the proper meaning of the relevant tariff provisions, a question of law. See Faus Group, Inc. v. United States, 581 F.3d 1369, 1371-72 (Fed.Cir.2009) (citing Orlando Food Corp. v. United States, 140 F.3d 1437, 1439 (Fed. Cir.1998)). ' The second step determines the nature of the imported merchandise and is a question of fact. See id. When there is no factual dispute regarding the merchandise, the resolution of the classification issue turns on the first step, determining the proper meaning and scope of the relevant tariff provisions. See Carl Zeiss, Inc. v. United States, 195 F.3d 1375, *1369 1378 (Fed.Cir.1999); Bausch & Lomb, Inc. v. United States, 148 F.3d 1363, 1365-66 (Fed.Cir.1998).

Although the court accords deference to Customs’ classification rulings relative to their “power to persuade,” United States v. Mead Corp., 533 U.S. 218, 235, 121 S.Ct. 2164, 150 L.Ed.2d 292 (2001) (citing Skidmore v. Swift & Co., 323 U.S. 134, 140, 65 S.Ct. 161, 89 L.Ed. 124 (1944)), the court has “an independent responsibility to decide the legal issue of the proper meaning and scope of HTSUS terms.” Warner-Lambert Co. v. United States, 407 F.3d 1207, 1209 (Fed.Cir.2005) (citing Rocknel Fastener, Inc. v. United States, 267 F.3d 1354, 1358 (Fed.Cir.2001)).

II. UNDISPUTED FACTS

The following facts are not in dispute. The subject merchandise consists of two types of machines: (1) the Control 24 and (2) the 002 Factory (also known as the 002 Controller). Digidesign entered the subject merchandise between May 2005 and March 2007. The Control 24 and 002 Factory are frequently referred to as “control surfaces” because they allow the user to edit, mix, and otherwise manipulate music in digital format on the computer’s hard drive with the switches, faders, and knobs located on the consoles. The Control 24 and 002 Factory are sold through professional audio and musical instrument retailers, and used by professionals in the audio industry for recording and editing music. Both machines can be connected to a computer (PC or Mac) by means of (1) an Ethernet cable in the case of the Control 24 and (2) a Fire Wire cable in the case of the 002 Factory. Presumably, this host computer has been loaded with Pro Tools®, Digidesign’s proprietary digital audio software system.

No digital recording, editing, or mixing occurs on the Control 24 itself; the console controls those functions on the host computer only. Music and sound are manipulated or recorded on the host computer through a separate unit (an audio interface unit) that converts the Control 24’s analog signals into digital signals that can be processed by the host computer. 2 When the user presses a key, uses a fader, or turns a knob on the Control 24, an electrical signal is sent through the Ethernet cable providing instructions to the Pro Tools® software running on the host computer. The Control 24, therefore, is able to deliver data in a form (code or signals) that can be used by an ADP system.

The Control 24 includes 16 premium microphone preamps, a line sub-mixer, and a control room monitoring section, which are non-data processing functions. These functions can be used on a stand-alone basis, operating unassisted by the host computer, regardless of whether the Control 24 is connected to Pro Tools® or routed to destinations other than Pro Tools®. The Control 24’s microphone preamps offer 16 channels of input, which can be routed through the Control 24 to Pro Tools® for recording. The preamps allow the user to adjust the level of the analog signal before it is fed into the audio interface unit for conversion into a digital signal for use in Pro Tools®. The Control 24’s preamps can also be routed to destinations other than Pro Tools®.

The line sub-mixer of the Control 24 is an independent, eight channel sub-mixer. It takes signals from up to eight sources and mixes them down to two output sources. For instance, the source of the *1370

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44 F. Supp. 3d 1366, 2015 CIT 6, 36 I.T.R.D. (BNA) 1652, 2015 Ct. Intl. Trade LEXIS 7, 2015 WL 265650, Counsel Stack Legal Research, https://law.counselstack.com/opinion/digidesign-inc-v-united-states-cit-2015.