De Fontbrune v. Wofsy

CourtDistrict Court, N.D. California
DecidedSeptember 12, 2019
Docket5:13-cv-05957
StatusUnknown

This text of De Fontbrune v. Wofsy (De Fontbrune v. Wofsy) is published on Counsel Stack Legal Research, covering District Court, N.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
De Fontbrune v. Wofsy, (N.D. Cal. 2019).

Opinion

1 2 3 4 5 UNITED STATES DISTRICT COURT 6 NORTHERN DISTRICT OF CALIFORNIA 7 SAN JOSE DIVISION 8 Vincent Sicre de Fontbrune; Loan Sicre de 9 Fontbrune; Adel Sicre de Fontbrune; Anais Case No. 5:13-cv-05957-EJD Sicre de Fontbrune, in their capacity as the 10 personal representatives of the Estate of ORDER GRANTING DEFENDANT’S Yves Sicre de Fontbrune, MOTION FOR SUMMARY 11 JUDGMENT; DENYING IN PART AND Plaintiffs, GRANTING IN PART PLAINTIFFS’ 12 CROSS-MOTION FOR SUMMARY v. JUDGMENT 13 Alan Wofsy, an individual; Alan Wofsy & Re: Dkt. Nos. 61, 63 14 Associates; Does 1 through 100, inclusive, 15 Defendants.

16 This case arises from French litigation over copyrights of photographs of the works of 17 Pablo Picasso. Yves Sicre de Fontbrune first sued Alan Wofsy and Alan Wofsy & Associates 18 (“Defendants”) in France in the late 1990s for publishing volumes of a book, The Picasso Project, 19 that reproduced copyright-protected photographs of Picasso’s works. In 2001, de Fontbrune 20 prevailed on the appeal of that suit, and the French court issued a French legal device, called an 21 astreinte, that would subject Defendants to damages for any further acts of infringement. About 22 ten years later, de Fontbrune discovered copies of The Picasso Project in a French bookstore and 23 initiated legal proceedings in France to liquidate the astreinte. Defendants did not appear in the 24 proceeding and contend that they were not properly served. In early 2012, the enforcement 25 division of the French trial court, the Juge de l’Exécution près le Tribunal de Grand Instance de 26 Paris (the “JEX”) granted an award of €2 million for de Fontbrune (the “2012 Judgment”). 27 Case No.: 5:13-cv-05957-EJD ORDER GRANTING DEFENDANT’S MOTION FOR SUMMARY JUDGMENT; DENYING 1 The next year, de Fontbrune brought suit against Defendants in the Superior Court of 2 Alameda County seeking recognition of the 2012 Judgment under California’s Uniform Foreign 3 Country Money Judgments Recognition Act (the “Recognition Act”). Defendants removed the 4 case to federal court. The court granted Defendants’ initial motion to dismiss, finding that the 5 astreinte was a “fine or other penalty” under the statute and therefore not appropriate for 6 recognition. Dkt. No. 27. De Fontbrune appealed the order, and the Ninth Circuit, finding that the 7 astreinte was not a fine or other penalty, vacated the dismissal order, reversed, and remanded. 8 Dkt. No. 33 (de Fontbrune v. Wofsy, 838 F.3d 992 (9th Cir. 2016), as amended on denial of reh’g 9 and reh’g en banc (Nov. 14, 2016)). While on appeal, de Fontbrune died. His wife and children 10 filed a motion to continue as his successors in interest, which the Ninth Circuit granted. Id. at 9 11 n.3.1 On remand, the case was reassigned to the undersigned. The parties have both moved for 12 summary judgment. For the reasons set forth below, the court grants Defendants’ motion, and 13 grants in part and denies in part Plaintiffs’ motion as to certain defenses raised by Defendants. 14 Federal jurisdiction arises from 28 U.S.C. § 1332(a) because Plaintiffs are citizens and 15 residents of France and Defendants are citizens and residents of California, and the amount in 16 controversy exceeds $75,000. 17 I. Factual Background 18 Beginning in 1932, Picasso’s friend Christian Zervos and his company Cahiers d’Art 19 compiled and published a series of photographs of Picasso’s art in the “Zervos Catalogue.” 20 Compl. (Dkt. No. 1-1) Ex. 2 at 3. The Zervos Catalogue comprises some 16,000 photographs of 21 Picasso’s work. Id. Plaintiffs acquired Cahiers d’Art and the rights to the Zervos Catalogue in 22 1979. Id.; Popović Decl. Ex. 7. In 1995, Wofsy began to publish a series of works reproducing 23 Picasso’s art called The Picasso Project. Mot. Wofsy Decl. (Dkt. No. 61-3) ¶¶ 6-8. In 1996, after 24 copies of two volumes of The Picasso Project were seized in France, Plaintiffs brought suit 25

26 1 For the sake of convenience, this order refers to de Frontbrune and his heirs collectively as “Plaintiffs.” 27 Case No.: 5:13-cv-05957-EJD ORDER GRANTING DEFENDANT’S MOTION FOR SUMMARY JUDGMENT; DENYING 1 against Defendants for copyright infringement (the “First Copyright Proceeding”). Id. ¶¶ 9-10; 2 Dkt. 70-22 at 1 (Fact 1).3 Defendants appeared in the First Copyright Proceeding. Dkt. 70-2 at 1 3 (Fact 2); Mot. Wofsy Ex. 7. Defendants prevailed at the trial court in 1998; Plaintiffs then 4 appealed. See Dkt. 70-2 at 1 (Fact 3). Defendants appeared in this appeal. Dkt. No. 70-14 at 9-10 5 (Additional Fact 2). On September 26, 2001, the Cour d’Appel de Paris issued a ruling reversing 6 the trial court’s ruling (the “2001 Judgment”). Dkt. 70-2 at 1 (Fact 3). The 2001 Judgment found 7 Defendants guilty of copyright infringement, awarded relief to Plaintiffs, and prohibited 8 Defendants from using the at-issue photographs subject to an astreinte of 10,000 francs per 9 violation. Dkt. 70-2 at 1 (Fact 4). The parties agree that generally an astreinte is transferrable. 10 Mot. Sirinelli Decl. (Dkt No. 61-5) ¶¶ 11-20; Cross-Mot. Serre Decl. (Dkt. No. 63-1) ¶ 18; see 11 infra § III.B. Defendants initiated an appeal of the 2001 Judgment to the Cour de Cassation, but 12 abandoned the appeal before it was decided. Dkt. No. 70-1 at 10 (Additional Fact 3); Wofsy Decl. 13 ¶ 12. In December of that year, Plaintiffs transferred away their rights to the copyrights 14 underlying the 2001 Judgment to the company Editions Cahiers d’Art. Dkt. 70-1 at 11-12 (Fact 15 26). 16 About ten years later, copies of The Picasso Project were found in a French bookstore. 17 Mot. Popović Decl. Ex. 3 at 3-5.5 On July 22, 2011, Plaintiffs began legal proceedings in France 18 to, among other things, enforce the astreinte against Defendants (the “Astreinte Proceeding”). See 19

20 2 Citations to “Dkt. No. 70-2” refer to Defendants’ Response Separate Statement in Opposition to 21 Plaintiffs’ Cross Motion For Summary Judgment. Plaintiffs did not file a reply separate statement in support of their cross motion for summary judgment. Pls. Reply (Dkt. No. 71) at 1 n.1. 22 3 Defendants object to this fact as “[d]isputed as unsupported by admissible evidence. . . .” Dkt. 70-2 at 1 (Pls.’ Fact 1). Defendant Wofsy’s declaration supports this fact, so it is not disputed. 23 Mot. Wofsy Decl. ¶ 10. Defendants purport to dispute several of Plaintiffs’ facts on the grounds that Plaintiffs’ cited evidence is inadmissible, while ignoring that Defendants’ own evidence 24 supports the facts in question. To the extent that their own evidence contradicts Defendants’ objections, those objections are overruled. 25 4 Citations to “Dkt. No. 70-1” refer to Defendants’ Reply Separate Statement in Support of Motion For Summary Judgment. 26 5 All citations and quotations to the record are the English language translations of French documents. 27 Case No.: 5:13-cv-05957-EJD ORDER GRANTING DEFENDANT’S MOTION FOR SUMMARY JUDGMENT; DENYING 1 generally id at 1-5. These proceedings took place before the JEX. Plaintiffs asserted that, in 2 violation of the 2001 Judgment, Defendants had continued to publish The Picasso Project. Id. at 3 3. The summons and complaint for the Astreinte Proceeding stated that the purchased copy 4 contained many hundreds of Plaintiffs’ photographs, and later that the “rights to [the photographs] 5 are the property of [Plaintiffs].” Id. at 3-4. The summons and complaint also stated that the 6 proceedings were “for the settlement of the non-compliance penalty” of the 2001 Judgment. Id. at 7 4. There is no evidence that Plaintiffs ever informed the JEX that they no longer owned the 8 copyrights underlying the astreinte. Dkt. 70-1 at 15 (Fact 30).

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