De Fontbrune v. Wofsy

District Court, N.D. California·Decided September 12, 2019·No. 5:13-cv-05957·Unknown

Opinion

Vincent Sicre de Fontbrune; Loan Sicre de Fontbrune; Adel Sicre de Fontbrune; Anais Case No. 5:13-cv-05957-EJD Sicre de Fontbrune, in their capacity as the personal representatives of the Estate of ORDER GRANTING DEFENDANT’S Yves Sicre de Fontbrune, MOTION FOR SUMMARY JUDGMENT; DENYING IN PART AND Plaintiffs, GRANTING IN PART PLAINTIFFS’ CROSS-MOTION FOR SUMMARY v. JUDGMENT Alan Wofsy, an individual; Alan Wofsy & Re: Dkt. Nos. 61, 63 Associates; Does 1 through 100, inclusive, Defendants.

This case arises from French litigation over copyrights of photographs of the works of Pablo Picasso. Yves Sicre de Fontbrune first sued Alan Wofsy and Alan Wofsy & Associates (“Defendants”) in France in the late 1990s for publishing volumes of a book, The Picasso Project, that reproduced copyright-protected photographs of Picasso’s works. In 2001, de Fontbrune prevailed on the appeal of that suit, and the French court issued a French legal device, called an astreinte, that would subject Defendants to damages for any further acts of infringement. About ten years later, de Fontbrune discovered copies of The Picasso Project in a French bookstore and initiated legal proceedings in France to liquidate the astreinte. Defendants did not appear in the proceeding and contend that they were not properly served. In early 2012, the enforcement division of the French trial court, the Juge de l’Exécution près le Tribunal de Grand Instance de Paris (the “JEX”) granted an award of €2 million for de Fontbrune (the “2012 Judgment”). Case No.: 5:13-cv-05957-EJD ORDER GRANTING DEFENDANT’S MOTION FOR SUMMARY JUDGMENT; DENYING The next year, de Fontbrune brought suit against Defendants in the Superior Court of Alameda County seeking recognition of the 2012 Judgment under California’s Uniform Foreign Country Money Judgments Recognition Act (the “Recognition Act”). Defendants removed the case to federal court. The court granted Defendants’ initial motion to dismiss, finding that the astreinte was a “fine or other penalty” under the statute and therefore not appropriate for recognition. Dkt. No. 27. De Fontbrune appealed the order, and the Ninth Circuit, finding that the astreinte was not a fine or other penalty, vacated the dismissal order, reversed, and remanded. Dkt. No. 33 (de Fontbrune v. Wofsy, 838 F.3d 992 (9th Cir. 2016), as amended on denial of reh’g and reh’g en banc (Nov. 14, 2016)). While on appeal, de Fontbrune died. His wife and children filed a motion to continue as his successors in interest, which the Ninth Circuit granted. Id. at 9 n.3.1 On remand, the case was reassigned to the undersigned. The parties have both moved for summary judgment. For the reasons set forth below, the court grants Defendants’ motion, and grants in part and denies in part Plaintiffs’ motion as to certain defenses raised by Defendants. Federal jurisdiction arises from 28 U.S.C. § 1332(a) because Plaintiffs are citizens and residents of France and Defendants are citizens and residents of California, and the amount in controversy exceeds $75,000. I. Factual Background Beginning in 1932, Picasso’s friend Christian Zervos and his company Cahiers d’Art compiled and published a series of photographs of Picasso’s art in the “Zervos Catalogue.” Compl. (Dkt. No. 1-1) Ex. 2 at 3. The Zervos Catalogue comprises some 16,000 photographs of Picasso’s work. Id. Plaintiffs acquired Cahiers d’Art and the rights to the Zervos Catalogue in 1979. Id.; Popović Decl. Ex. 7. In 1995, Wofsy began to publish a series of works reproducing Picasso’s art called The Picasso Project. Mot. Wofsy Decl. (Dkt. No. 61-3) ¶¶ 6-8. In 1996, after copies of two volumes of The Picasso Project were seized in France, Plaintiffs brought suit

1 For the sake of convenience, this order refers to de Frontbrune and his heirs collectively as “Plaintiffs.” Case No.: 5:13-cv-05957-EJD ORDER GRANTING DEFENDANT’S MOTION FOR SUMMARY JUDGMENT; DENYING against Defendants for copyright infringement (the “First Copyright Proceeding”). Id. ¶¶ 9-10; Dkt. 70-22 at 1 (Fact 1).3 Defendants appeared in the First Copyright Proceeding. Dkt. 70-2 at 1 (Fact 2); Mot. Wofsy Ex. 7. Defendants prevailed at the trial court in 1998; Plaintiffs then appealed. See Dkt. 70-2 at 1 (Fact 3). Defendants appeared in this appeal. Dkt. No. 70-14 at 9-10 (Additional Fact 2). On September 26, 2001, the Cour d’Appel de Paris issued a ruling reversing the trial court’s ruling (the “2001 Judgment”). Dkt. 70-2 at 1 (Fact 3). The 2001 Judgment found Defendants guilty of copyright infringement, awarded relief to Plaintiffs, and prohibited Defendants from using the at-issue photographs subject to an astreinte of 10,000 francs per violation. Dkt. 70-2 at 1 (Fact 4). The parties agree that generally an astreinte is transferrable. Mot. Sirinelli Decl. (Dkt No. 61-5) ¶¶ 11-20; Cross-Mot. Serre Decl. (Dkt. No. 63-1) ¶ 18; see infra § III.B. Defendants initiated an appeal of the 2001 Judgment to the Cour de Cassation, but abandoned the appeal before it was decided. Dkt. No. 70-1 at 10 (Additional Fact 3); Wofsy Decl. ¶ 12. In December of that year, Plaintiffs transferred away their rights to the copyrights underlying the 2001 Judgment to the company Editions Cahiers d’Art. Dkt. 70-1 at 11-12 (Fact 26). About ten years later, copies of The Picasso Project were found in a French bookstore. Mot. Popović Decl. Ex. 3 at 3-5.5 On July 22, 2011, Plaintiffs began legal proceedings in France to, among other things, enforce the astreinte against Defendants (the “Astreinte Proceeding”). See

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