Daniel Marino v. Usher

673 F. App'x 125
CourtCourt of Appeals for the Third Circuit
DecidedDecember 8, 2016
Docket15-2270, 15-2359
StatusUnpublished
Cited by6 cases

This text of 673 F. App'x 125 (Daniel Marino v. Usher) is published on Counsel Stack Legal Research, covering Court of Appeals for the Third Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Daniel Marino v. Usher, 673 F. App'x 125 (3d Cir. 2016).

Opinion

OPINION *

MCKEE, Chief Judge.

Songwriter Daniel Marino appeals the district court’s grant of summary judgment in favor of the defendants in his copyright infringement suit. 1 The district court found that, because Marino had jointly created the song Club Girl, later developed into the derivative work Bad Girl and used by popular musician Usher, Marino’s infringement claims must fail. Marino’s attorney, Francis Malofiy, also appeals the district court’s order imposing sanctions against him in the amount of $28,266.54 for contacting an unrepresented defendant in the copyright suit, in violation of Rule 4.3 of the Pennsylvania Rules of Professional Conduct. For the reasons that follow, we will affirm both orders.

I.

In its opinion granting summary judgment in favor of the defendants, the district court reiterated what it terms the defendants’ “complete and meritorious defense,” that Marino’s claims must fail because Club Girl was jointly created by Marino, Guice, and Barton. The district court correctly held that co-authors of a joint work are each entitled to undivided ownership and that the joint owner of a copyright cannot sue his co-owner for infringement. 2 The court reasoned that, *128 without direct infringement, there can be no vicarious infringement, hence the derivative song, Bad Girl, did not infringe on Marino’s rights. The district court also concluded that Guice and Barton conveyed a valid nonexclusive license for the song to the other defendants.

Moreover, in rejecting Marino’s contrary claims, the court stated that Marino’s argument was so without merit as to be “absurd and contrary to law.” 3 The district court dismissed Marino’s state law claims without prejudice, noting that' all of his federal claims had been disposed of and declining to exercise supplemental jurisdiction. Marino appeals.

The district court also imposed sanctions against Malofiy in the amount of $28,266.54 for contacting unrepresented defendant Guice, in violation of Rule 4.3 of the Pennsylvania Rules of Professional Conduct. 4 Malofiy appeals, and both appeals have been consolidated.

II. 5

We review de novo the district court’s grant of summary judgment under Rule 56, 6 as well as its dismissals under Rule 12(c). 7 To determine whether the district court properly granted summary judgment, we employ the same analysis as the district court to determine whether any genuine disputes of material fact exist, while considering all evidence and all reasonable inferences in favor of the non-moving party. 8 In, reviewing a judgment on the pleadings under Rule 12(c), “we must view the facts presented in the pleadings and the inferences to be drawn therefrom in the light most favorable to the nonmov-ing party.” 9 We review findings of fact for clear error, and “due regard shall be given to the opportunity of the trial court to judge the credibility of the witnesses.” 10 We review a district court’s decision on attorney’s fees and costs for abuse of discretion. 11

III.

In addition to his federal copyright claims, Marino’s amended complaint contained state law claims for creation of a constructive trust (Count IV) and for an accounting (Count V). Marino argues that the district court erred in dismissing those claims “sua sponte.” However, the record reveals that the district court dismissed the constructive trust and accounting claims after defendants had submitted a motion to dismiss and that the' issue had *129 been fully briefed by both parties. 12

Under § 301 of the Copyright Act, a state law claim may be preempted if it creates rights “equivalent” to the exclusive rights within the scope of copyright. 13 That section also provides that state law is expressly preempted where the elements of the claim at issue are the same as those required for an infringement claim under § 106. 14 By contrast, “if a state cause of action requires an extra element, beyond mere copying, preparation of derivative works, performance, distribution or display, then ... federal law will not preempt the state action.” 15

Here, the district court correctly applied the express preemption test in § 301(a). 16 Because Marino based his constructive trust claim on monies generated by the alleged infringement, the district court concluded that the first element is satisfied, and we agree. The second element is satisfied because Marino’s constructive trust and copyright claims arise from the same conduct. 17 Accordingly, the district court correctly dismissed Marino’s constructive trust claim.

Marino’s accounting claims are similarly preempted by the Copyright Act. Marino demanded an accounting of monies received from the alleged infringement. The claim is, by its very nature, based on the same conduct alleged in the infringement claim, and Márino has failed to allege any additional elements. 18 The district court therefore correctly found that Mari-no’s accounting claim was preempted.

Marino next argues that the district court improperly determined that Club Girl was jointly owned because the trio had a preexisting oral agreement allotting credit and revenue for the works that they created. By his own admission, Mari-no did not make this argument until the vast majority of defendants had been granted summary judgment. 19 As the district court correctly explained, this argument comes several years too late and is deemed waived. 20 Thus, for the reasons repeatedly explained by the district court, we conclude that the district court correctly found that Club Girl is a jointly owned work. 21

*130 Marino next contends that, because he was never credited or paid for his contribution to Club Girl, he did not give an implied license for the song’s use. Nonexclusive licenses may be granted orally, in writing, or impliedly through conduct. 22

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Bluebook (online)
673 F. App'x 125, Counsel Stack Legal Research, https://law.counselstack.com/opinion/daniel-marino-v-usher-ca3-2016.