Cuccioli v. Jekyll & Hyde Neue Metropol Bremen Theater Produktion GmbH & Co.

150 F. Supp. 2d 566, 2001 WL 741750
CourtDistrict Court, S.D. New York
DecidedJuly 2, 2001
Docket00 Civ.1995(LAK)
StatusPublished
Cited by13 cases

This text of 150 F. Supp. 2d 566 (Cuccioli v. Jekyll & Hyde Neue Metropol Bremen Theater Produktion GmbH & Co.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Cuccioli v. Jekyll & Hyde Neue Metropol Bremen Theater Produktion GmbH & Co., 150 F. Supp. 2d 566, 2001 WL 741750 (S.D.N.Y. 2001).

Opinion

MEMORANDUM OPINION (Corrected)

KAPLAN, District Judge.

Plaintiff, the star of the New York production of the musical, Jekyll & Hyde, here sues the producer of the German production for violation of Sections 50 and 51 of the New York Civil Rights Law. He contends that the German producer is using his likeness on merchandise and other materials in violation of the statute. The matter is before the Court on cross motions for summary judgment. The two main issues at this stage are whether there is any genuine issue of material fact regarding the exercise of personal jurisdiction over the defendant and whether the New York Civil Rights Law has extraterritorial effect.

I

The following facts are undisputed. 1 The plaintiff appeared in the eponymous role(s) in the Houston, off-Broadway, and Broadway productions of the musical Jekyll & Hyde from 1995 to 1999. The defendant, a German company, is in the business of theatrical productions and related endeavors. Its principal place of business is Bremen, Germany. Following negotiations in New York, Music Theatre International (“MTI”), Wildhorn Productions, Inc. (“WPI”), and Stage and Screen Music, Inc. (“SSMI”), licensed the defendant to produce Jekyll & Hyde in Germany, Austria, and Switzerland. 2

This dispute dates back at least to 1998. On March 20, 1998, the defendant received a fax from MTI stating that “[p]er my voice mail message, PACE 3 has signed off on the use of the title treatment for Jekyll & Hyde.” 4 The parties disagree concerning whether this approved defendant’s title treatment only or the logo as a whole. 5 In any case, defendant’s musical and art director wrote to the plaintiff in August 1998, enclosing samples of merchandise and stating that “our logo is a combination of the tour logo (red and black) and the Broadway logo. If you have a closer look at it, you will see that the face is yours! So I thought it a nice idea to get you some samples of it ...” So much for good intentions.

During the following month, plaintiffs management firm demanded that defendant cease and desist from this use of plaintiffs image. The parties agree that the defendant never obtained written consent from the plaintiff to use his likeness.

The German production of Jekyll & Hyde premiered on February 19, 1999, a month after plaintiffs final appearance in *569 the Broadway production. 6 In March 1999, defendant signed an agreement with Polydor Records, GmbH, to release a compact disc of its German-language cast recording of Jekyll & Hyde. The logo containing plaintiffs image appears on the CD itself, on the back of the package liner, and on pages of the liner that offer other merchandise featuring the disputed image. The parties agree that this CD made its way to New York consumers through at least one sale off defendant’s web site, <www.jekyll-hyde.de>, and several sales through local record stores, 7 although there is no evidence that defendant was responsible for the CD reaching the local stores.

Plaintiff brought this action in March 2000, premising subject matter jurisdiction on diversity or, more properly, alienage. The amended complaint alleges use of the plaintiffs image in violation of New York Civil Rights Law Sections 50 and 51 and requests compensatory and exemplary damages as well as injunctive relief. Defendant has interposed five affirmative defenses: lack of personal jurisdiction, the statute of limitations, lack of subject matter jurisdiction based on the alleged insufficiency of the minimum amount in controversy, failure to state a claim upon which relief may be granted, and forum non conveniens. 8

On September 21, 2000, following discovery, plaintiff moved for summary judgment and to dismiss defendant’s affirmative defenses. Defendant cross-moved for summary judgment dismissing the complaint on the ground that it fails to state a claim upon which relief may be granted. It argues that its use of plaintiffs likeness outside New York is not reached by the New York Civil Rights Law, that plaintiff cannot establish any injury from any use of his likeness in New York, and that the Court lacks jurisdiction over defendant’s person. It seeks dismissal of plaintiffs prayer for an injunction on the ground of mootness.

II.

A. Personal Jurisdiction

Plaintiff moves for summary judgment dismissing the affirmative defenses, one of which is that the Court lacks personal jurisdiction over the defendant. Ultimately, of course, the burden of pleading and proving facts justifying the exercise of personal jurisdiction over the defendant lies with the plaintiff. 9 In order to prevail on the motion to dismiss the defense at this stage of the proceeding, moreover, plaintiff must show that there is “no genuine issue as to any material fact on the jurisdictional question.” 10 In looking to the affidavits and other materials, courts “ ‘must resolve all ambiguities and draw all reasonable inferences in favor of the party against whom summary judgment is sought.’ 11 In other words, resolution of the personal jurisdiction defense must await trial unless plaintiff has established on this motion that jurisdiction over defendant exists even *570 if any factual disputes were resolved in defendant’s favor.

Plaintiff argues that he has satisfied three alternative bases for the exercise of personal jurisdiction in this case under New York’s long-arm statute, 12 Section 302 of New York’s Civil Practice Law and Rules (“CPLR”). He asserts that defendant has transacted business in New York and that there is a direct relationship between that conduct and his cause of action. 13 He contends that his claim arises out of defendant’s commission of a tortious act within the state. 14 In any case, he argues that defendant committed a tor-tious act outside the state that caused injury to the plaintiff within the state and that defendant either “regularly does or solicits business, or engages in any other persistent course of conduct, or derives substantial revenue from goods used or consumed or services rendered, in the state,” or “expects or should reasonably expect the act to have consequences in the state and derives substantial revenue from interstate or international commerce.” 15

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Bluebook (online)
150 F. Supp. 2d 566, 2001 WL 741750, Counsel Stack Legal Research, https://law.counselstack.com/opinion/cuccioli-v-jekyll-hyde-neue-metropol-bremen-theater-produktion-gmbh-nysd-2001.