CRANE v. MAYORKAS

CourtDistrict Court, E.D. Pennsylvania
DecidedApril 12, 2024
Docket2:22-cv-04650
StatusUnknown

This text of CRANE v. MAYORKAS (CRANE v. MAYORKAS) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
CRANE v. MAYORKAS, (E.D. Pa. 2024).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE EASTERN DISTRICT OF PENNSYLVANIA

MELISSA CRANE : CIVIL ACTION : v. : NO. 22-4650 : ALEJANDRO MAYORKAS :

MEMORANDUM

MURPHY, J. April 12, 2024

In our chambers, my clerks and I have seen a lot of interesting things behind the lawyers on the computer screen. Car interiors, courthouse hallways, messy bedrooms, palm trees, oceans, Legos, intriguing books, cats and dogs, a garage once, and all sorts of artwork — even a self-portrait of an artist painting his wife, who turned out to be ancestors of the lawyer.1 You might even find a couple revealing items behind me on those calls. Usually, it’s a harmless way to make a connection in this disconnected world. But there is plenty of art that ought not to be looming over work meetings. This case started because an employee of FEMA was bothered by a painting of a partially unclothed African woman that she saw in her supervisor’s videoconference background. And things escalated from there into hostile workplace and retaliation allegations. The case cannot survive summary judgment. We needn’t be art critics. Pivotally, Ms. Crane did not timely exhaust her claims with the Equal Opportunity Employment Commission. The EEOC requires federal employees to contact the agency within 45 days of actions taken against them that are prohibited by Title VII. Of what remains of her case, Ms. Crane failed to adduce any evidence suggesting that the reasons for the supposedly adverse actions are

1 Charles Wilson Peale’s “Self-Portrait with Angelica and Portrait of Rachel” — worth a look. pretextual. Therefore, we grant summary judgment in favor of the government. I. Background2 The Federal Emergency Management Agency (FEMA) hired Melissa Crane on May 4, 2017. DI 37-2 ¶ 3. Ms. Crane worked as a FEMA reservist. Id. FEMA deploys reservists on an

on-call basis to help with disaster relief. Id. ¶ 2; see id. ¶ 1. Reservists “hold time-limited intermittent appointments.” Id. ¶ 2. FEMA deployed Ms. Crane in September 2020 to assist with recovery efforts from a tropical storm in Louisiana. Id. ¶ 5. At the time, Ms. Crane worked remotely because of the COVID-19 pandemic. Id. ¶ 6. She had several supervisors on the Louisiana recovery project, including Antonio Rowland. See id. ¶¶ 7-13. Like Ms. Crane, Mr. Rowland worked remotely. Id. ¶ 15. Ms. Crane and Mr. Rowland attended “daily team meetings involving approximately 30 employees.” Id. ¶ 21. The team meetings were held virtually. See id. ¶ 18. During virtual meetings, Ms. Crane noticed a painting visible on the wall behind Mr.

Rowland. See id. ¶¶ 18, 21-22. She interpreted it “as an oil painting depicting an African woman carrying a basket over her head.” Id. ¶ 22. “[T]he woman’s abdomen and a portion of her lower breasts are visible.” Id. ¶ 19. The painting is pictured below:

2 The facts in our background section come from (i) the undisputed material facts submitted by the government, see DI 23, and (ii) to the extent a genuine dispute of material fact exists, Ms. Crane’s version of the fact, see DI 37-2. Ms. Crane submitted a few extra facts that the government responded to. See id. ¶¶ 126-28. We accept her version as true. 2 a ca. Se Ss ee

rc OP APR Perce DI 28-1 Ex. I. The screenshot below shows how Mr. Rowland’s? painting appeared to Ms. Crane:

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> Mr. Rowland and his wife collect art like the painting in question and “have various pieces of African art throughout their house.” DI 37-2 § 17. Mr. Rowland “is African American and his wife is Nigerian.” Jd. § 16.

E.g., id. Ex. J (painting boxed in yellow); see DI 37-2 ¶ 20. Ms. Crane objected to Mr. Rowland having the painting visible. See DI 37-2 ¶ 28. On October 16, 2020, she told Erin Densford — one of her supervisors — that, “from [her] perspective,” the painting was “distracting, insensitive, and not appropriate for a professional

environment.” Id.; see id. ¶ 26. Ms. Crane’s email did not say that she was being harassed or discriminated against because of her sex. Id. ¶ 31. Ms. Densford responded that she would “mull over the best approach” to resolve the issue. Id. ¶ 33.4 A few weeks later, Ms. Crane contacted another FEMA supervisor — Tonia Pence — about Mr. Rowland’s painting. See id. ¶ 38. Ms. Crane said that Ms. Densford had “not responded with proposed solutions” to her concerns about the painting. DI 28-1 Ex. L. Ms. Crane explained that she may not be “seeing the whole image or misinterpreting the context of th[e] artwork,” but she still found the painting inappropriate. Id. Ms. Pence agreed with Ms. Crane — saying that she “appreciate[d] someone other than” herself noticing the painting. Id.; see also DI 37-3 Ex. VV at 22 (ECF) (Ms. Pence testifying that she did not understand Ms.

Crane’s complaint to be about sexual harassment, but the painting “was not what you would want in your professional office setting, especially captured on a camera”). The same day, Mr. Rowland informed two FEMA employees, including Ms. Densford, that he removed and replaced the painting. See DI 28-1 Ex. N. Mr. Rowland said he “really was not conscious of the” painting, and “it [was] not [his] intention for any of the art pieces in [his]

4 Ms. Crane did not complain directly to Mr. Rowland out of fear of retaliation. See id. ¶ 27. She did not mention sexual harassment or discrimination in her complaint to Ms. Densford. Id. ¶ 31. 4 home to be viewed as offensive to anyone.” Id. Ms. Crane later learned that Mr. Rowland removed the painting. See id. Ex. L. Mr. Rowland “never made any sexual advances on or sexually explicit comments to [Ms.] Crane,” nor did he ever “physically threaten[] her.” DI 37-2 ¶ 37.

Shortly after her initial complaint about the painting, Ms. Crane contacted Ms. Densford about a different FEMA work opportunity located in Hawaii. See id. ¶ 44; DI 28-1 Ex. Q. The Hawaii position would have different work, but Ms. Crane would keep the same “compensation, grade level, [and] job title.” DI 37-2 ¶ 46. Unlike her position on the Louisiana project, she would not be a team leader on the Hawaii project. See id. ¶ 47. Ms. Densford told Ms. Crane that she could not release her from the Louisiana project. DI 28-1 Ex. Q; see DI 37-2 ¶ 51.5 Ms. Densford said the Louisiana project was the “most complicated recovery” FEMA had at the time, and she could not “take away someone so skilled.” DI 28-1 Ex. Q; see DI 37-2 ¶¶ 52-53. The Louisiana project needed Ms. Crane because she “was one of only seven” qualified individuals. DI 37-2 ¶ 52.

A few months later, in January 2021, FEMA promoted Mr. Rowland — whose painting Ms. Crane had complained about. See id. ¶ 54. The promotion upset Ms. Crane. Id. ¶ 55. Frustrated, Ms. Crane emailed three FEMA employees about “recent work environment violations” by Mr. Rowland. See DI 29-1 Ex. S. Ms. Crane said that promoting Mr. Rowland

5 FEMA uses a deployment tracking system (DTS) to “redeploy” its reservists. DI 37-2 ¶ 48. DTS “ensure[s] an equal opportunity for all employees to work on deployments.” Id. ¶ 49. Ms. Crane did not recall whether she ever submitted her reassignment request through DTS. Id. ¶ 50.

5 sent the wrong message about FEMA’s workplace culture after (1) Mr. Rowland had “displayed adult, sexually explicit content” during meetings, and (2) FEMA mishandled her complaint about the painting. Id. Ms. Crane’s complaint was referred to FEMA’s Office of Professional Responsibility. DI 37-2 ¶ 58.

In March 2021, Ms. Crane requested “retroactive credit” for a FEMA training course that she attended six years prior. See id. ¶¶ 59-60. Ms. Crane said that she did not receive credit for the training course because she “was only an ‘observer’ due to [her] grade level.” DI 29-1 Ex. U.

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CRANE v. MAYORKAS, Counsel Stack Legal Research, https://law.counselstack.com/opinion/crane-v-mayorkas-paed-2024.