Chiba v. Greenwald

67 Cal. Rptr. 3d 86, 156 Cal. App. 4th 71, 2007 Cal. App. LEXIS 1716
CourtCalifornia Court of Appeal
DecidedOctober 16, 2007
DocketB193173
StatusPublished
Cited by9 cases

This text of 67 Cal. Rptr. 3d 86 (Chiba v. Greenwald) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Chiba v. Greenwald, 67 Cal. Rptr. 3d 86, 156 Cal. App. 4th 71, 2007 Cal. App. LEXIS 1716 (Cal. Ct. App. 2007).

Opinions

Opinion

ZELON, J.

FACTUAL BACKGROUND AND PROCEDURAL HISTORY

During the summer of 1999, plaintiff and appellant Jennifer Chiba began a romantic relationship with singer and songwriter Elliot Smith (also known as Steven Paul Smith). On August 26, 2002, Chiba moved in with Smith. The couple lived together until Smith died intestate on October 21, 2003. The probate court appointed defendant and respondent Marta Greenwald administrator of Smith’s estate.

I. THE COMPLAINT

On July 30, 2004, Chiba sued Greenwald for breach of oral contract, quantum meruit, declaratory relief and constructive trust.

[75]*75The complaint alleged that Chiba and Smith entered into an oral agreement in August 2002. Chiba and Smith allegedly agreed to “live together, cohabitate and combine their efforts and earnings,” “share equally any and all property accumulated as a result of their efforts whether individual or combined,” and “hold themselves out to the public as husband and wife.” The complaint claimed Smith promised to provide for Chiba’s “financial needs and support for the rest of her life” in exchange for her domestic services as his “homemaker, housekeeper, cook, secretary, bookkeeper and financial counselor,” “forego[ing] any independent career opportunities.”

In a separate paragraph, the complaint also alleged that Chiba had agreed to be Smith’s “manager and agent for the purposes of arranging [his] booking and scheduling [his] appearances for musical performances” and to carry out “the preparation and production of [his] album” in exchange for “15% of the proceeds earned and received.”

Chiba claimed Greenwald breached the agreement by refusing to pay her for performing her contracted services. Chiba attached to her complaint a creditor’s claim in excess of $1 million for the contracted services she rendered to Smith and for the proceeds from his compositions, performances and albums.

II. CHIBA’S DEPOSITION TESTIMONY

In her deposition of September 29, 2004, Chiba testified that her agreement with Smith provided she would be his “manager” and “agent” responsible for “booking” and “scheduling” his “appearances for musical performances.” Chiba confirmed that the agreement provided she would be “specifically entitled to 15 percent of the proceeds earned and received” on all of Smith’s “performances” and “album sales.” Chiba also stated that she actually procured venues and negotiated performance fees for Smith in New York and Los Angeles.

IH. THE FIRST AMENDED COMPLAINT

On November 1, 2004, Chiba filed her first amended complaint, in which she omitted in its entirety the paragraph detailing her role and rate of commission as Smith’s manager and agent. Instead, she added the terms “manager and agent” to the list of her duties as homemaker, housekeeper, cook, secretary, bookkeeper and financial counselor.

[76]*76IV. REFERRAL TO THE LABOR COMMISSIONER

On December 3, 2004, Greenwald moved to stay the action and refer the matter to the Labor Commissioner to resolve whether the contract involved the services of a licensed talent agency with respect to the TAA. The trial court granted the motion on January 10, 2005.

On November 16, 2005, the Labor Commissioner determined that Chiba and Smith had entered into one integrated agreement that included the performance of “unlawful procurement activities ‘mixed in’ with activities for which a [talent agency] license was not required.” According to the Labor Commissioner, the fact that “Chiba ha[d] abandoned her prior claim for commissions for her procurement activities [was] essentially irrelevant to the validity and enforceability of the alleged oral agreement between her and Smith.” Because Chiba was not a licensed talent agency, the Labor Commissioner found the oral agreement was “void from its inception, in its entirety” and that Chiba had no enforceable rights.

V. TRIAL DE NOVO

On March 27, 2006, the trial court lifted the stay, granted Chiba’s request for a trial de novo from the Labor Commissioner’s ruling, and consolidated the trial de novo into the existing case.

In its minute order, the court determined that Greenwald’s demurrer to the first amended complaint would be treated as a motion for judgment on the pleadings. The court found Chiba had pled inconsistently the tasks she allegedly performed for Smith in the complaint and first amended complaint. It judicially estopped Chiba from pleading that “she acted as [Smith’s] manager and agent for the purposes of arranging the booking and scheduling appearances for musical performances,” and then “omitfting] these allegations in a subsequent complaint to avoid the legal consequences of these acts.” The court gave Chiba leave to amend to correct her inconsistent pleadings.

VI. THE SECOND AMENDED COMPLAINT

On April 28, 2006, Chiba filed her second amended complaint, the operative complaint, which divided her agreement with Smith into two separate parts; (1) the cohabitation agreement; and (2) the recording management agreement.

The cohabitation agreement consisted solely of Chiba’s promise to be Smith’s homemaker, housekeeper, cook, secretary, bookkeeper and financial [77]*77counselor, forgoing any independent career opportunities. In consideration, Smith agreed to provide for all of Chiba’s financial needs and support for the rest of her life.

The recording management agreement consisted solely of Chiba’s promise to be Smith’s manager and agent for the purposes of arranging his booking and scheduling his appearances for musical performances, and to prepare and produce his albums. In consideration, Smith agreed to give Chiba 15 percent of the proceeds.

In her second amended complaint, Chiba conceded that she had not been and was not licensed as a talent agency, and was unaware that licensure was required under the TAA. She further expressly conceded that her lack of a talent agency license rendered the recording management agreement “void and unenforceable.” In addition, Chiba pled that she would not seek to enforce any of her rights under the recording management agreement. Instead, she sought to sever the recording management agreement and to pursue all her remedies only under the cohabitation agreement.

VII. DEMURRER TO THE SECOND AMENDED COMPLAINT

On June 5, 2006, the trial court sustained Greenwald’s demurrer to the second amended complaint without leave to amend.

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Chiba v. Greenwald
67 Cal. Rptr. 3d 86 (California Court of Appeal, 2007)

Cite This Page — Counsel Stack

Bluebook (online)
67 Cal. Rptr. 3d 86, 156 Cal. App. 4th 71, 2007 Cal. App. LEXIS 1716, Counsel Stack Legal Research, https://law.counselstack.com/opinion/chiba-v-greenwald-calctapp-2007.