Broadcast Music, Inc. v. Perry L. Hirsch and Marc R. Staenberg v. United States

104 F.3d 1163, 97 Daily Journal DAR 585, 41 U.S.P.Q. 2d (BNA) 1373, 97 Cal. Daily Op. Serv. 359, 79 A.F.T.R.2d (RIA) 551, 1997 U.S. App. LEXIS 579, 1997 WL 11618
CourtCourt of Appeals for the Ninth Circuit
DecidedJanuary 15, 1997
Docket95-56144, 95-56185
StatusPublished
Cited by19 cases

This text of 104 F.3d 1163 (Broadcast Music, Inc. v. Perry L. Hirsch and Marc R. Staenberg v. United States) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Broadcast Music, Inc. v. Perry L. Hirsch and Marc R. Staenberg v. United States, 104 F.3d 1163, 97 Daily Journal DAR 585, 41 U.S.P.Q. 2d (BNA) 1373, 97 Cal. Daily Op. Serv. 359, 79 A.F.T.R.2d (RIA) 551, 1997 U.S. App. LEXIS 579, 1997 WL 11618 (9th Cir. 1997).

Opinion

SCHWARZER, Senior District Judge.

The question we decide in this case is whether a federal tax lien takes priority over prior unrecorded assignments of the taxpayer’s rights to receive royalty income from the performance of a copyrighted work.

Broadcast Music, Inc. (“BMI”) licenses the public performance rights in copyrighted musical compositions. It collects and pays royalties arising from licensed public performances of copyrighted compositions. Ronald Miller is a songwriter to whom BMI paid royalties derived from his compositions. To satisfy debts Miller owed appellants Staen-berg and Hirsch, he executed assignments to them in 1989 of future royalties and directed BMI to pay Staenberg and Hirseh directly. Before the debts were satisfied, however, the Internal Revenue Service (“IRS”) assessed deficiencies against Miller, and in 1992, 1993 and 1994 the IRS recorded notices of tax liens against his royalty income. The IRS served BMI with notices of levy, whereupon BMI filed this interpleader action to resolve the conflicting claims to Miller’s royalty income.

The district court granted the govemment’s motion for summary judgment, holding: (1) while a tax lien is a transfer under the Copyright Act (“the Act”), 17 U.S.C. § 101, the IRS was excused from having to record its liens by 26 U.S.C. § 6323(f)(5); (2) the assignments to Staenberg and Hirsch were subject to the recording rules of the Act; and (3) Staenberg and Hirsch, having failed to record their assignments under the Act, failed to perfect their interests, resulting in the IRS liens’ priming their claim. Staen-berg and Hirseh appeal from the judgment.

L JURISDICTION AND STANDARD OF REVIEW

The district court had jurisdiction under 28 U.S.C. § 1331. See Commercial Nat’l Bank of Chicago v. Demos, 18 F.3d 485, 489 n. 6 (7th Cir.1994) (priority of tax liens under 26 U.S.C. § 6323 is a federal question). We have appellate jurisdiction pursuant to 28 U.S.C. § 1291.

We review the district court’s grant of summary judgment de novo. Zuill v. Shanahan, 80 F.3d 1366, 1368 (9th Cir.1996). We must determine whether the evidence, viewed in a light most favorable to the non-moving parties, presents any genuine issues of material fact and whether the district court correctly applied the law. Summary judgment is proper only if no material factual issues exist for trial. Warren v. City of Carlsbad, 58 F.3d 439, 441 (9th Cir.1995), cert. denied, — U.S. -, 116 S.Ct. 1261, 134 L.Ed.2d 209 (1996). We may affirm on any ground supported by the record. Reynolds v. County of San Diego, 84 F.3d 1162, 1166 (9th Cir.1996).

II. APPLICATION OF THE COPYRIGHT ACT

Under the Act, “[a]s between two conflicting transfers, the one executed first prevails if it is recorded, in the manner required to give constructive notice under subsection (e)_” 17 U.S.C. § 205(d). Staen-berg and Hirseh’s assignments were never *1166 recorded with the Copyright Office. The IRS tax liens, however, did not have to be recorded to be perfected. 26 U.S.C. §§ 6322, 6323(f)(5) (stating that a tax lien is perfected upon assessment). Thus, the first question is whether the assignments to Hirsch and to Staenberg were transfers subject to the re-cordation rules of the Act (i.e., whether they were a “transfer of copyright ownership or other -document pertaining to a copyright,” 17 U.S.C. § 205(a)). If they were, the failure to record them prevents them from priming the later IRS liens.

The Act defines “transfer of copyright ownership” as “an assignment, mortgage, exclusive license, or any other conveyance, alienation, or hypothecation of a copyright or of any of the exclusive rights comprised in a copyright....” 17 U.S.C. § 101. The assignments on their face did not transfer any interest in a copyright or in any of the exclusive rights comprised in a copyright. See Papa’s-June Music, Inc. v. McLean, 921 F.Supp. 1154, 1160 (S.D.N.Y.1996) (an agreement concerning royalties is not a “transfer of copyright ownership” under the Act). Indeed, the government admits as much in its Statement of Genuine Issues in Opposition to Hirseh’s Motion for Summary Judgment, where it states that “[t]he Hirsch Assignments are not assignments of copyrights or of interests in copyrights.” Although the government made no such admission with respect to Staenberg, it otherwise makes no distinction between the interests of Staen-berg and those of Hirsch. Thus, the Staen-berg assignment must be treated in the same way as Hirsch’s.

That Miller may have been a beneficial owner of copyrights, as the government argues, is irrelevant to determining whether a transfer occurred according to sections 101, 201(d), or 205(d) of the Act. See 17 U.S.C. §§ 101, 201(d), 205(d) (discussing transfer of ownership). Beneficial ownership arises by virtue of section 501(b) for the purpose of enabling an author or composer to protect his economic interest in a copyright that has been transferred. See Cortner v. Israel, 732 F.2d 267, 271 (2d Cir.1984). Beneficial ownership is a standing doctrine that does not determine the scope or substance of rights under a copyright. Regardless of whether beneficial ownership may somehow have passed to Staenberg and Hirsch, the assignments did not amount to “transfers of copyright' owner ship.”

Nor are the assignments “other documents pertaining to a copyright” within the meaning of section 205(a), which defines the scope of potentially recordable documents under the Act. See 17 U.S.C. § 205(a). The Copyright Office’s regulations define a document pertaining to a copyright as one that “has a direct or indirect relationship to the existence, scope, duration, or identification of a copyright, or to the ownership, division, allocation, licensing, transfer, or exercise of rights under a copyright.” 37 C.F.R. § 201.4(a)(2).

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104 F.3d 1163, 97 Daily Journal DAR 585, 41 U.S.P.Q. 2d (BNA) 1373, 97 Cal. Daily Op. Serv. 359, 79 A.F.T.R.2d (RIA) 551, 1997 U.S. App. LEXIS 579, 1997 WL 11618, Counsel Stack Legal Research, https://law.counselstack.com/opinion/broadcast-music-inc-v-perry-l-hirsch-and-marc-r-staenberg-v-united-ca9-1997.