Everly v. Everly

CourtDistrict Court, M.D. Tennessee
DecidedJuly 22, 2020
Docket3:17-cv-01440
StatusUnknown

This text of Everly v. Everly (Everly v. Everly) is published on Counsel Stack Legal Research, covering District Court, M.D. Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Everly v. Everly, (M.D. Tenn. 2020).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE NASHVILLE DIVISION

ISAAC DONALD EVERLY, ) ) Plaintiff, ) ) v. ) Case No. 3:17-cv-01440 ) Judge Aleta A. Trauger PATRICE Y. EVERLY, PHILLIP J. ) EVERLY, CHRISTOPHER EVERLY, ) THE PHILLIP EVERLY FAMILY ) TRUST and EVERLY AND SONS ) MUSIC (BMI), ) ) Defendants. )

MEMORANDUM AND ORDER Before the court is a question regarding the scope of the Sixth Circuit’s remand. The court construes the defendants’ recently filed Brief (Doc. No. 63) on that issue as a motion for clarification as to the scope of remand as well as motion for leave to amend both the operative scheduling order and the defendants’ Answer. As set forth herein, the court will GRANT the motion for clarification and DENY the motion for leave to amend either the scheduling order or the Answer. I. BACKGROUND The Sixth Circuit reversed this court’s grant of summary judgment in favor of the plaintiff and remanded for further proceedings. The mandate issued on May 26, 2020, and this court promptly set a new trial date of November 3, 2020. (Doc. Nos. 55, 56.) Within a month of the issuance of the mandate, the defendants filed a Motion to Set a Telephonic Status Conference (Doc. No. 58) with the undersigned to discuss three issues that the parties have not been able to resolve among themselves: (1) the defendants’ position that the plaintiff could not “use the statute of limitations as a ‘sword’ to prevail on his affirmative claims” (id. at 1); (2) the defendants’ position that the proper accrual date for a copyright termination claim is the effective date of termination; and (3) the applicability of the statute of limitations to the plaintiff’s claims and whether the defendants needed, or would have the ability, to file a motion to

amend their answer to assert the statute of limitations as an affirmative defense. The plaintiff filed a Response, clarifying that, although he did not oppose the defendants’ request for a status conference, his position is that the first two issues referenced by the defendants have been “waived, which is why the Sixth Circuit refused to consider them on appeal,” and that the third issue— whether the statute of limitations bars the plaintiff’s claims—has also been waived, not having been raised before now. (Doc. No. 59, at 1.) The court conducted a telephone conference with the parties on June 30, 2020 and thereafter entered an Order directing the parties to brief the question raised by the defendants, specifically, the scope of issues to be considered following the remand. (Doc. No. 62.) The parties have now complied. The defendants’ Brief Regarding the Scope of Proceedings on Remand (Doc.

No. 63), in addition to addressing the question framed by the document’s title, requests leave to amend their Answer. As indicated above, the court construes this request as a motion, even though the Brief is not designated as such and the proposed amended pleading was not attached to the Brief. The plaintiff’s Response to Defendants’ Brief (Doc. No. 64), besides continuing to argue that the scope of the remand is narrow, opposes the defendants’ request for leave to amend the scheduling order in order to permit an amended Answer. II. SCOPE OF ISSUES ON REMAND The plaintiff moved for summary judgment on all three claims for declaratory relief set forth in the Complaint. The court granted summary judgment in favor of the plaintiff on Counts I and III, finding that he had “plainly and expressly repudiated Phil Everly’s claim to joint authorship of the Subject Compositions no later than 2011,” as a result of which the defendants’ counterclaim for a declaration that Phil Everly was an author of the Subject Compositions was time-barred, and the plaintiff was entitled to summary judgment on his claims of sole authorship. (Doc. No. 26, at 16; see also Order, Doc. No. 27.) The “Subject Compositions” included the songs Cathy’s Clown,

Sigh, Cry, Almost Die, and That’s Just Too Much. The court dismissed Count II as moot in light of the finding that the plaintiff was entitled to judgment in his favor on Counts I and III. The defendants sought reconsideration, raising two issues that they had not previously raised: (1) whether the plaintiff could use the statute of limitations as a “sword” rather than merely a “shield” and (2) whether the proper accrual date for a copyright termination claim is the effective date of termination. The court declined to consider the newly raised issues and denied the motion for reconsideration. The defendants appealed. In a footnote, the Sixth Circuit affirmed summary judgment in favor of the plaintiff with respect to his authorship claims to two of the Subject Compositions, Sigh, Cry, Almost Die and That’s Just Too Much, finding that the defendants had “forfeited any

argument” regarding these two compositions. Everly v. Everly, 958 F.3d 442, 448 n.6 (6th Cir. 2020). In addition, the appellate court declined to consider the same two issues the defendants had raised in the motion to reconsider, finding that the issues were waived for purposes of the appeal. See id. at 449 (“Defendants failed to raise the first and third arguments before their Rule 59(e) motion to reconsider. Accordingly, we do not consider them here.”). Turning its attention to the substantive issue on the basis of which this court had granted summary judgment, the Sixth Circuit found that a material factual dispute existed as to whether the plaintiff had expressly repudiated Phil Everly’s authorship of the composition Cathy’s Clown. It therefore “reverse[d] the district court’s grant of summary judgment and remand[ed] for further proceedings consistent with this opinion.” Id. at 459. “The basic tenet of the mandate rule is that a district court is bound to the scope of the remand issued by the court of appeals.” United States v. Campbell, 168 F.3d 263, 265 (6th Cir. 1999). Remands can be general or limited in scope. A limited remand, as its name suggests, limits

the district court’s authority on remand to the issue or issues remanded. Id. (citation omitted). “General remands, in contrast, give district courts authority to address all matters as long as remaining consistent with the remand.” Id. “A limited remand must convey clearly the intent to limit the scope of the district court’s review.” Id. at 267. Thus, to impose a limited remand, the “appellate court must sufficiently outline the procedure the district court is to follow. The chain of intended events should be articulated with particularity. . . . The language used to limit the remand should be, in effect, unmistakable.” Id. at 268. “In the absence of an explicit limitation, the remand order is presumptively a general one.” In re Purdy, 870 F.3d 436, 444 (6th Cir. 2017) (quoting Owner-Operator Indep. Drivers Assoc. v. Comerica Bank, 562 F. App’x 312, 331 (6th Cir. 2014)).

The language used by the Sixth Circuit in this case dictates a conclusion that the remand was general, as the court stated only that it reversed and remanded for further proceedings consistent with its opinion. See Purdy, 870 F.3d at 444 (“We required only that further proceedings be consistent with our opinion. We therefore conclude that the remand was general . . . .”). Consistent with that opinion, the defendants can no longer litigate the authorship of Sigh, Cry, Almost Die or That’s Just Too Much. Otherwise, however, all claims at issue in the Complaint and Counterclaim remain pending, effectively without limitation. Accord Wright & Miller, 10A Fed. Prac. & Proc. Civ.

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Cite This Page — Counsel Stack

Bluebook (online)
Everly v. Everly, Counsel Stack Legal Research, https://law.counselstack.com/opinion/everly-v-everly-tnmd-2020.