Bridgeport Music, Inc. v. Smith

714 F.3d 932, 85 Fed. R. Serv. 3d 613, 106 U.S.P.Q. 2d (BNA) 1640, 2013 WL 1811871, 2013 U.S. App. LEXIS 8869
CourtCourt of Appeals for the Sixth Circuit
DecidedMay 1, 2013
Docket12-1523
StatusPublished
Cited by39 cases

This text of 714 F.3d 932 (Bridgeport Music, Inc. v. Smith) is published on Counsel Stack Legal Research, covering Court of Appeals for the Sixth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Bridgeport Music, Inc. v. Smith, 714 F.3d 932, 85 Fed. R. Serv. 3d 613, 106 U.S.P.Q. 2d (BNA) 1640, 2013 WL 1811871, 2013 U.S. App. LEXIS 8869 (6th Cir. 2013).

Opinion

OPINION

SUHRHEINRICH, Circuit Judge.

I. Introduction

In 1974, songwriter, recording artist, producer, and performer Abrim Tilmon, Jr. (“Tilmon”), composed the song “You’re Getting a Little Too Smart (“Smart ”) 1 In 1976, Tilmon assigned all of his rights to the song to Plaintiff Bridgeport Music, Inc. (“Plaintiff’). In 1997, Defendant rapper Rashaam A. Smith a/k/a Esham A. Smith released the song “You & Me,” which, according to Plaintiffs Bridgeport, Southfield Music Inc., and Westbound Records, Inc. (“Plaintiffs”), unlawfully contained samples of the composition “Smart.” In 2003, Plaintiffs sued Defendants Esham Smith; Overture Music, LLC; Psychopathic Records, Inc.; Red Music-Distribution; Reel Life Productions, Inc.; and Scott Santos (“Defendants”) for copyright infringement. In 2004, Plaintiffs obtained default judgments against Defendants. In 2005, Plaintiffs recorded the judgments with the United States Copyright Office.

In 2011, Janyce Tilmon-Jones (“Tilmon-Jones”), Tilmon’s widow and a nonparty to this lawsuit, filed a motion under Federal Rule of Civil Procedure 60(b) in the action, asking the district court to set aside the default judgments because she, not Plaintiffs, was the legal owner of the copyright by operation of law at the time the lawsuit was filed. 2 The district court denied the motion, as well as her motion for reconsideration. Tilmon-Jones appeals both of those rulings. For the reasons discussed *935 below, we AFFIRM the judgment of the district court.

Plaintiffs have filed a motion for damages and costs pursuant to Fed. R.App. P. 38 and 28 U.S.C. § 1912, which we GRANT.

II. Background

A. The Song and the Claims

Tilmon wrote “Smart” in 1974 and it was registered with the United States Copyright Office on March 20, 1974. On March 31, 1976, Tilmon assigned his interest in “Smart,” along with other compositions, to Plaintiff Bridgeport. On November 4, 1998, Bridgeport filed a second copyright application for “Smart,” noting that it owned the work “[b]y written assignment.” On February 18, 2004, Bridgeport employee Jane Peterer filed a .copyright renewal form for “Smart,” claiming that she was the duly authorized agent of Tilmon-Jones. The registration fee was charged to Bridgeport’s account. The application lists the “Renewal Claimant” as “Janyee H. Tilmon.” According to Til-mon-Jones, however, she never authorized Bridgeport or its agents to be her agent.

On January 21, 2011, Tilmon’s estate filed a renewal application for “Smart” with the United States Copyright Office. This application was granted. It lists Til-mon-Jones and Tilmon’s two children as claimants to the copyright.

B. The Action Sub Judice: Bridgeport Music, Inc. v. Smith, No. 2:03-72211

In June 1997, Defendant rapper Ra-shaam A. Smith a/k/a Esham A. Smith released the song “You & Me ” on the album “Bruce Wayne: Gotham City 1987.” According to Plaintiffs, the song “You & Me ” unlawfully contained samples of the composition “Smart.”

1. The Default Judgments

On June 9, 2003, after the initial copyright ownership period had expired but prior to the expiration of the statutory limitations period, Plaintiffs sued Defendants in the Eastern District of Michigan for copyright infringement, asserting that the song “You & Me ” infringed the composition “Smart.” Bridgeport Music, Inc. v. Smith, No. 2:03-cv-72211 (E.D.Mich. June 9, 2003). This action was filed before Judge Borman (“Judge Borman” or “District Court”). Defendants did not'file an answer. On August 16, 2004, Judge Bor-man entered default judgments against Defendant Reel Life Productions and Smith. On March 9, 2005, the District Court granted Plaintiffs’ motion for attorney fees and entered judgment in favor of Plaintiffs and against Defendants. The default judgments required Defendants to pay certain sums to Bridgeport, and declared Plaintiffs “the 100% owner of the entirety of Defendant Reel Life Productions’ ownership interest in the copyright in the infringing compositions and sound recordings effective as of the date of the creation of the composition.” The default judgment against Smith declared Plaintiffs “the 100% owner of the entirety of Defendant Esham’s ownership interest in the copyright in the infringing compositions and sound recordings effective as of the date of the creation of the composition.” On March 11, 2005, Plaintiffs recorded the default judgment against Smith with the United States Copyright Office.

2. The Rule 60(b) Motion

On March 9, 2011, nearly seven years after Judge' Borman entered the default judgments, Tilmon-Jones, a nonparty to the original underlying action, filed a motion for relief pursuant to Fed.R.Civ.P. 60(b)(4), (5), and (6), asking Judge Borman to set aside the judgments on the grounds *936 that she was the, copyright owner at the time the lawsuit was filed, since the renewal copyright interest in “Smart” had reverted to her by operation of law as of January 1, 2003. Specifically, she argued that Plaintiffs lacked standing when they filed the lawsuit, rendering the judgments void.

On September 27, 2011, Judge Borman denied Tilmon-Jones’s Rule 60(b) motion, holding that Tilmon-Jones did not have standing because she had not shown that she was “strongly affected” by the judgment or made a strong showing that the default judgments were obtained by fraud. Judge Borman also noted that Tilmon-Jones was “fully able to sue Plaintiffs and have her rights to ‘Smart’ fully adjudicated,” since she had already filed a complaint, which was then pending before Judge Friedman. 3 Judge Borman therefore declined to address Tilmon-Jones’s arguments for vacating the default judgments under Rule 60(b) “because [Tilmon-Jones] lacks standing under the Rule.”

3.The Motion for Reconsideration

On October 11, 2011, Tilmon-Jones filed a motion for reconsideration. She raised a new argument, namely that she had standing to bring her motion under a “legal representative” theory, and again asserted that Plaintiffs did not have standing to bring the original action. On December 12, 2011, Judge Borman denied the motion for reconsideration, holding that Tilmon-Jones had waived the legal representative argument by failing to raise it in her initial Rule 60(b) motion or at oral argument.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
714 F.3d 932, 85 Fed. R. Serv. 3d 613, 106 U.S.P.Q. 2d (BNA) 1640, 2013 WL 1811871, 2013 U.S. App. LEXIS 8869, Counsel Stack Legal Research, https://law.counselstack.com/opinion/bridgeport-music-inc-v-smith-ca6-2013.