Brandon Barnes v. U.S. Bank National Association

CourtCourt of Appeals of Tennessee
DecidedJanuary 18, 2017
DocketM2016-00980-COA-R3-CV
StatusPublished

This text of Brandon Barnes v. U.S. Bank National Association (Brandon Barnes v. U.S. Bank National Association) is published on Counsel Stack Legal Research, covering Court of Appeals of Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Brandon Barnes v. U.S. Bank National Association, (Tenn. Ct. App. 2017).

Opinion

IN THE COURT OF APPEALS OF TENNESSEE AT NASHVILLE November 2, 2016 Session

BRANDON BARNES v. U.S. BANK NATIONAL ASSOCIATION

Appeal from the Circuit Court for Davidson County No. 15C2873 Thomas W. Brothers, Judge ___________________________________

No. M2016-00980-COA-R3-CV – Filed January 18, 2017 ___________________________________

A musician/composer borrowed money from a bank and assigned performance royalties as collateral. He later filed for bankruptcy, and his debt to the bank was discharged. The bank, however, continued to collect royalties during the pendency of the bankruptcy case. The musician/composer filed suit against the bank seeking recovery of the royalties collected by the bank after the filing of the bankruptcy petition based on theories of unjust enrichment and conversion. The musician/composer also sought damages from the bank for violation of the automatic stay of 11 U.S.C. § 362. The bank moved to dismiss the case for failure to state a claim upon which relief can be granted. The trial court granted the motion. Because it lacked subject matter jurisdiction over the claims, we vacate the decision of the trial court. Tenn. R. App. P. 3 Appeal as of Right; Judgment of the Circuit Court Vacated and Case Remanded

W. NEAL MCBRAYER, J., delivered the opinion of the court, in which FRANK G. CLEMENT, JR., P.J., M.S., and RICHARD H. DINKINS, J., joined.

Price Hugh Carroll (Argued), Carrollton, Georgia, and Robert P. Noell, Knoxville, Tennessee, for the appellant, Brandon Barnes.

Janet Strevel Hayes (Argued), Knoxville, Tennessee, and Mary Beth Haltom White, Nashville, Tennessee, for the appellee, U.S. Bank National Association. OPINION

I.

Because this case was decided on a motion to dismiss for failure to state a claim upon which relief can be granted, we accept the following allegations pertinent to this appeal as true. See, e.g., Doe v. Sundquist, 2 S.W.3d 919, 922 (Tenn. 1999). Plaintiff Brandon Barnes is a musician and composer. Prior to July 21, 2006, Mr. Barnes regularly received royalties through the American Society of Composers, Authors and Publishers, which is commonly known by the acronym “ASCAP.”1

On July 21, 2006, Mr. Barnes borrowed $106,969 from U.S. Bank National Association. As part of his loan, Mr. Barnes granted a security interest in all of his

rights to payment from ASCAP (or any successor thereto or assign thereof) arising under or related in any and all of [Mr. Barnes‟] affiliation agreements or other contracts with ASCAP . . . referenced by such entity as under, or included as part of, account no. 2153 and any and all replacements or substitutions of and for such contracts and any and all replacements, substitutions and renumberings of such account, and all proceeds of the foregoing.

U.S. Bank filed a financing statement in Alabama on February 2, 2007.

Mr. Barnes filed a petition for relief under Chapter 7 of Title 11 of the United States Code (the “Bankruptcy Code”), on May 22, 2009, in the Northern District of Alabama. Mr. Barnes included his debt to U.S. Bank on his bankruptcy schedules, and U.S. Bank received notice of the bankruptcy filing. The United States Bankruptcy Court for the Northern District of Alabama granted Mr. Barnes a bankruptcy discharge on August 19, 2009. See 11 U.S.C.A. § 727 (2016).

1 ASCAP is one of three performing rights organizations in the United States. Meredith Corp. v. SESAC LLC, 1 F. Supp. 3d 180, 185 (S.D.N.Y. 2014).

Its function is to coordinate the licensing of copyrighted musical works, and the distribution of royalties . . . . ASCAP members grant ASCAP the non-exclusive right to license non-dramatic public performances of their music. ASCAP licenses these works on behalf of the copyright holders to a broad array of music users, including television networks, radio stations, digital music services, colleges, restaurants, and many other venues in which music is performed.

In re Pandora Media, Inc., 6 F. Supp. 3d 317, 322 (S.D.N.Y. 2014), aff’d sub nom. Pandora Media, Inc. v. Am. Soc. of Composers, Authors & Publishers, 785 F.3d 73 (2d Cir. 2015) (footnote omitted).

2 U.S. Bank continued to collect royalties from ASCAP during the pendency of Mr. Barnes‟s bankruptcy case and after he received his discharge. The royalties relate to works created pre-petition. Mr. Barnes demanded that U.S. Bank return to him all royalties earned after the bankruptcy petition date plus interest, but U.S. Bank refused.

On July 30, 2015, Mr. Barnes filed suit against U.S. Bank in the Circuit Court of Davidson County, Tennessee, seeking recovery of the royalties. U.S. Bank met the complaint with a motion to dismiss for failure to state a claim upon which relief can be granted. Mr. Barnes filed a response to the motion to dismiss and an amended complaint. U.S. Bank asserted that Mr. Barnes‟s amended complaint also failed to state a claim.

Following a hearing on U.S. Bank‟s motion to dismiss, the trial court ordered Mr. Barnes to file a more definite statement of his claims. The result of the court‟s order was Mr. Barnes‟s second amended complaint. The second amended complaint contained four counts. First, Mr. Barnes asserted that it was inequitable for U.S. Bank to retain royalties paid after the filing of his bankruptcy petition and, as a result, U.S. Bank was unjustly enriched in the amount of the royalty payments. Second, Mr. Barnes asserted that, by receiving and retaining royalties during the pendency of his bankruptcy case, U.S. Bank violated the automatic stay of 11 U.S.C. § 362. Third, Mr. Barnes asserted that, by retaining royalties, U.S. Bank had converted property owned by Mr. Barnes. Finally, Mr. Barnes asserted that U.S. Bank‟s actions were malicious, intentional, fraudulent, or reckless, entitling him to punitive damages.

U.S. Bank argued that the second amended complaint also failed to state a claim. In addition, U.S. Bank argued that Mr. Barnes had not complied with the court‟s request for a more definite statement. According to the bank, the second amended complaint did not specifically allege whether any of the royalties were earned on works created post- petition. U.S. Bank also faulted the complaint for not identifying the amount of royalty payments arising from post-petition works that Mr. Barnes sought to recover.

The trial court granted U.S. Bank‟s motion and dismissed the case with prejudice. The court first concluded that royalties earned on songs written prior to the petition date were subject to the security interest of U.S. Bank, irrespective of whether the royalty payments were made post-petition. The court then concluded that Mr. Barnes failed to state a claim upon which relief could be granted because he did not allege any of the royalties he sought to recover derived from works created after the filing of his bankruptcy petition. Because the dismissal was based on failure to state a claim, the court determined that U.S. Bank was entitled to an award of “all reasonable and necessary litigation costs.” See Tenn. Code Ann. § 20-12-119(c) (Supp. 2016).

II.

3 Before reaching the issue of whether the trial properly dismissed Mr.

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