beethoven.com LLC v. Librarian of Congress, American Federation of Television and Radio Artists, Intervenors

394 F.3d 939, 364 U.S. App. D.C. 295
Court of Appeals for the D.C. Circuit·Decided February 4, 2005·No. 02-1244, 02-1247, 02-1249, 02-1246, 02-1248·Published·Cited by 78 cases

Opinion

Opinion for the Court filed by Circuit Judge SENTELLE.

SENTELLE, Circuit Judge.

Three groups of Petitioners seek review of a final rule issued by Respondent Librarian of Congress (“Librarian”), setting copyright license rates for webcasters. See Determination of Reasonable Rates and Terms for the Digital Performance of Sound Recordings and Ephemeral Recordings, 67 Fed. Reg. 45,240 (July 8, 2002) (“Final Rule”). The Librarian’s decision was based on proceedings before a Copyright Arbitration Royalty Panel (“CARP”). One group of Non-Participant Petitioners-Intervenors (“Non-Participants”) did not participate formally in the CARP proceed *942 ings, but challenges the rates set by the Librarian based on the CARP’s recommendations. The Non-Participants also argue that the CARP process itself was flawed because it excluded small webcast-ers and those who could not afford arbitration fees, violating their rights to due process and freedom of expression. The Non-Participants include Beethoven.com and three other entities who seek to join or intervene in this case, as well as one, Education Information Corporation (“EIC”) that only seeks- to intervene. A second group of Petitioners — copyright owners and performers that include the Recording Industry Association of America (“RIAA”) and other industry groups (jointly, “Owners”) — argue that the Librarian set rates arbitrarily low by not adequately considering past agreements he had on the record. The third group of Participant Licensee Petitioners includes (1) radio broadcasters who simulcast via radio and internet (“Simulcasters”) and (2) internet webcasters who broadcast solely over the internet (“Webcasters”) (jointly, “Broadcasters”). These Broadcasters, who were parties to the CARP proceedings, claim that the Librarian’s rates were arbitrary, contending that rates should be lowered because they were not based on real market factors. Respondent Librarian attacks the standing of the Non-Participants, while defending his rate determinations. Because we hold that the ■ NonParticipants have no standing and seek to intervene only to impermissibly raise new issues, we dismiss their petition for review and do not permit intervention. As to the issues properly before us, raised by the Owners and Broadcasters, we find no reversible error and therefore deny their petitions for review. The Owners’ challenge to the payment date set by the Librarian is moot.

I. Background

A. Statutory Background

Since the enactment of the Digital Performance Right in Sound Recordings Act of 1995, Pub. L. No. 104-39 (amending 17 U.S.C. §§ 106 & 114), copyright owners have had exclusive rights in performances of their works by digital audio transmission. The Digital Millennium Copyright Act of 1998 (“DMCA”), Pub. L. No. 105-304 (amending scattered sections of 17 U.S.C.), expanded copyright protection to non-subscription “webcasting” and created a statutory license in performances by webcast. 17 U.S.C. § 114(f)(2). The DMCA creates a six-month negotiation period for copyright owners and statutory licensees to privately determine rates and fees for these licenses. Id. § 114(f)(2)(A). If no agreement is reached at that time, the Librarian convenes a CARP to set rates and terms “that most clearly represent the rates and terms that would have been negotiated in the marketplace between a willing buyer and a willing seller.” Id. § 114(f)(2)(B). The CARP decision is to be based on “economic, competitive and programming information presented by the parties,” including

(i) whether use of the service may substitute for or may promote the sales of phonorecords or otherwise may interfere with or may enhance the sound recording copyright owner’s other streams of revenue from its sound recordings; and
(ii) the relative roles of the copyright owner and the transmitting entity in the copyrighted work and the service made available to the public with respect to relative creative contribution, technological contribution, capital investment, cost, and risk.

Id. The same standards are to be used to determine the statutory license rate for “ephemeral recordings,” the temporary copies necessary to facilitate the transmis *943 sion of sound recordings during internet broadcasting. Id. § 112(e).

Any person entitled to a statutory license may become a party to the CARP rate-setting proceedings by submitting “relevant information and proposals” to the CARP. 17 U.S.C. § 802(c). Parties are entitled to discovery, presentation of evidence and witnesses, and a formal trial-type hearing before an arbitrator. 37 C.F.R. §§ 251.41, 251.43, 251.45. The CARP then acts on the basis of the written record and precedent from the Copyright Royalty Tribunal, other CARP decisions, and the Librarian. Costs of the arbitration are imposed on the parties to the CARP proceeding, with the CARP determining the allocation of costs among the parties. 17 U.S.C. § 802(c).

Within 90 days after receiving the CARP report, the Librarian must either adopt or reject its determination, adopting it unless the rates and terms are “arbitrary or contrary to the applicable provisions” of the statute. 17 U.S.C. § 802(f). If the Librarian rejects the report he may set a fee based on the record before the CARP. Id. “[A]ny aggrieved party who would be bound by the determination” may challenge the Librarian’s decision before this Court. Id. § 802(g). This Court then has jurisdiction to “modify or vacate a decision of the Librarian only if it finds, on the basis of the record before the Librarian, that the Librarian acted in an arbitrary manner.” Id.

B. The CARP and the Librarian’s Decision

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beethoven.com LLC v. Librarian of Congress, American Federation of Television and Radio Artists, Intervenors, 394 F.3d 939, 364 U.S. App. D.C. 295 (D.C. Cir. 2005).

394 F.3d 939 (beethoven.com LLC v. Librarian of Congress, American Federation of Television and Radio Artists, Intervenors) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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