Barnes v. Glen Theatre, Inc.

501 U.S. 560, 111 S. Ct. 2456, 115 L. Ed. 2d 504, 1991 U.S. LEXIS 3633
Supreme Court of the United States·Decided June 21, 1991·No. 90-26·Published·Cited by 839 cases

Opinions

Chief Justice Rehnquist

announced the judgment of the Court and delivered an opinion, in which Justice O’Con-nor and Justice Kennedy join.

Respondents are two establishments in South Bend, Indiana, that wish to provide totally nude dancing as entertainment, and individual dancers who are employed at these [563]*563establishments. They claim that the First Amendment’s guarantee of freedom of expression prevents the State of Indiana from enforcing its public indecency law to prevent this form of dancing. We reject their claim.

The facts appear from the pleadings and findings of the District Court and are uncontested here. The Kitty Kat Lounge, Inc. (Kitty Kat), is located in the city of South Bend. It sells alcoholic beverages and presents “go-go dancing.” Its proprietor desires to present “totally nude dancing,” but an applicable Indiana statute regulating public nudity requires that the dancers wear “pasties” and “G-strings” when they dance. The dancers are not paid an hourly wage, but work on commission. They receive a 100 percent commission on the first $60 in drink sales during their performances. Darlene Miller, one of the respondents in the action, had worked at the Kitty Kat for about two years at the time this action was brought. Miller wishes to dance nude because she believes she would make more money doing so.

Respondent Glen Theatre, Inc., is an Indiana corporation with a place of business in South Bend. Its primary business is supplying so-called adult entertainment through written and printed materials, movie showings, and live entertainment at an enclosed “bookstore.” The live entertainment at the “bookstore” consists of nude and seminude performances and showings of the female body through glass panels. Customers sit in a booth and insert coins into a timing mechanism that permits them to observe the live nude and seminude dancers for a period of time. One of Glen Theatre’s dancers, Gayle Ann Marie Sutro, has danced, modeled, and acted professionally for more than 15 years, and in addition to her performances at the Glen Theatre, can be seen in a pornographic movie at a nearby theater. App. to Pet. for Cert. 131-133.

Respondents sued in the United States District Court for the Northern District of Indiana to enjoin the enforcement of the Indiana public indecency statute, Ind. Code § 35-45-4-1 [564]*564(1988), asserting that its prohibition against complete nudity in public places violated the First Amendment. The District Court originally granted respondents’ prayer for an injunction, finding that the statute was facially overbroad. The Court of Appeals for the Seventh Circuit reversed, deciding that previous litigation with respect to the statute in the Supreme Court of Indiana and this Court precluded the possibility of such a challenge,1 and remanded to the District Court in order for the plaintiffs to pursue their claim that the statute violated the First Amendment as applied to their dancing. Glen Theatre, Inc. v. Pearson, 802 F. 2d 287, 288-290 (1986). On remand, the District Court concluded that [565]*565“the type of dancing these plaintiffs wish to perform is not expressive activity protected by the Constitution of the United States,” and rendered judgment in favor of the defendants. Glen Theatre, Inc. v. Civil City of South Bend, 695 F. Supp. 414, 419 (1988). The case was again appealed to the Seventh Circuit, and a panel of that court reversed the District Court, holding that the nude dancing involved here was expressive conduct protected by the First Amendment. Miller v. Civil City of South Bend, 887 F. 2d 826 (1989). The Court of Appeals then heard the case en banc, and the court rendered a series of comprehensive and thoughtful opinions. The majority concluded that nonobscene nude dancing performed for entertainment is expression protected by the First Amendment, and that the public indecency statute was an improper infringement of that expressive activity because its purpose was to prevent the message of eroticism and sexuality conveyed by the dancers. Miller v. Civil City of South Bend, 904 F. 2d 1081 (1990). We granted certio-rari, 498 U. S. 807 (1990), and now hold that the Indiana statutory requirement that the dancers in the establishments involved in this case must wear pasties and G-strings does not violate the First Amendment.

Several of our cases contain language suggesting that nude dancing of the kind involved here is expressive conduct protected by the First Amendment. In Doran v. Salem Inn, Inc., 422 U. S. 922, 932 (1975), we said: “[A]lthough the customary ‘barroom’ type of nude dancing may involve only the barest minimum of protected expression, we recognized in California v. LaRue, 409 U. S. 109, 118 (1972), that this form of entertainment might be entitled to First and Fourteenth Amendment protection under some circumstances.” In Schad v. Mount Ephraim, 452 U. S. 61, 66 (1981), we said that “[fjurthermore, as the state courts in this case recognized, nude dancing is not without its First Amendment protections from official regulation” (citations omitted). These statements support the conclusion of the Court of Appeals [566]*566that nude dancing of the kind sought to be performed here is expressive conduct within the outer perimeters of the First Amendment, though we view it as only marginally so. This, of course, does not end our inquiry. We must determine the level of protection to be afforded to the expressive conduct at issue, and must determine whether the Indiana statute is an impermissible infringement of that protected activity.

Indiana, of course, has not banned nude dancing as such, but has proscribed public nudity across the board. The Supreme Court of Indiana has construed the Indiana statute to preclude nudity in what are essentially places of public accommodation such as the Glen Theatre and the Kitty Kat Lounge. In such places, respondents point out, minors are excluded and there are no nonconsenting viewers. Respondents contend that while the State may license establishments such as the ones involved here, and limit the geographical area in which they do business, it may not in any way limit the performance of the dances within them without violating the First Amendment. The petitioners contend, on the other hand, that Indiana’s restriction on nude dancing is a valid “time, place, or manner” restriction under cases such as Clark v. Community for Creative Non-Violence, 468 U. S. 288 (1984).

The “time, place, or manner” test was developed for evaluating restrictions on expression taking place on public property which had been dedicated as a “public forum,” Ward v. Rock Against Racism, 491 U. S. 781, 791 (1989), although we have on at least one occasion applied it to conduct occurring on private property. See Renton v. Playtime Theatres, Inc., 475 U. S. 41 (1986). In Clark we observed that this test has been interpreted to embody much the same standards as those set forth in United States v. O’Brien, 391 U. S. 367

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Barnes v. Glen Theatre, Inc., 501 U.S. 560, 111 S. Ct. 2456, 115 L. Ed. 2d 504, 1991 U.S. LEXIS 3633 (1991).

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