Assemblage Entertainment PVT. LTD. v. 41 Entertainment, LLC

CourtDistrict Court, D. Connecticut
DecidedSeptember 29, 2025
Docket3:24-cv-01841
StatusUnknown

This text of Assemblage Entertainment PVT. LTD. v. 41 Entertainment, LLC (Assemblage Entertainment PVT. LTD. v. 41 Entertainment, LLC) is published on Counsel Stack Legal Research, covering District Court, D. Connecticut primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Assemblage Entertainment PVT. LTD. v. 41 Entertainment, LLC, (D. Conn. 2025).

Opinion

UNITED STATES DISTRICT COURT DISTRICT OF CONNECTICUT ASSEMBLAGE ENTERTAINMENT ) 3:24-CV-01841 (SVN) PVT. LTD., ) Plaintiff, ) ) v. ) ) 41 ENTERTAINMENT, LLC and ) September 29, 2025 SMASH ANIMATION, LLC, Defendants. RULING AND ORDER ON DEFENDANTS’ PARTIAL MOTION TO DISMISS Sarala V. Nagala, United States District Judge. In this business dispute, Plaintiff Assemblage Entertainment Pvt. Ltd., a graphics design studio, alleges that Defendants 41 Entertainment, LLC (“41E”) and SMASH Animation, LLC (“SMASH”), failed to honor the terms of a contract between the parties by not fully compensating Plaintiff for its work on developing and creating episodes for Defendants’ cartoon series. Plaintiff’s complaint alleges seven counts, two of which are relevant for this partial motion to dismiss: Count VI, a promissory estoppel claim; and Count VII, a quantum meruit/unjust enrichment claim. Plaintiff also asserts a prayer for declaratory judgment relief in connection with Count VII. Defendants have moved to dismiss Counts VI and VII under Federal Rule of Civil Procedure 12(b)(6), as well as to dismiss or, in the alternative, to strike Plaintiff’s request for declaratory judgment under Federal Rule of Civil Procedure 12(f). For the reasons explained below, the Court GRANTS Defendants’ motion to dismiss, and will afford Plaintiff leave to amend its complaint. I. FACTUAL BACKGROUND Plaintiff’s complaint, ECF No. 1, alleges the following facts, which are taken as true for the purposes of a motion to dismiss. Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009). Plaintiff provides “world-class, award-winning creative engineering and computer- generated imagery [“CGI”] services and products to the world’s leading digital entertainment

studios.” Compl., ECF No. 1 ¶ 8. Defendant 41E is “an animation company engaged in the creation, production, distribution, marketing and licensing of animated childrens’ [sic] television programs, series and films,” founded by Allen Bohbot. Id. ¶ 9. Bohbot also formed Defendant SMASH, the production and distribution company for S.M.A.S.H., a children’s animated cartoon series centered on a German summer camp. Id. ¶ 10. On or about June 4, 2021, Plaintiff and SMASH entered into a production agreement (the “PA”) for the production of twenty-two episodes comprising Season 1 of S.M.A.S.H at a cost of $1,650,000, paid out in accordance with specified milestones. Id. ¶ 12; PA, Ex. A, ECF No. 1-2 at 2–17. Pursuant to the PA, Plaintiff was responsible for delivering a total of 190 computer-

generated assets for Season 1. ECF No. 1 ¶ 13; ECF No. 1-2 ¶ 2.5. While these assets were developed for Season 1, they were “foundational,” allowing them to “be reused, repurposed, and adapted for future episodes and subsequent seasons,” reducing overall production costs and development periods over time. ECF No. 1 ¶ 18. Pursuant to Article III of the PA, SMASH could also exercise an option to commission twenty-six further episodes for season two of S.M.A.S.H., “on the same terms and conditions as those for Season 1, for a production price of $1,570,416 and an aggregate computer-generated asset count of 330 assets for Seasons 1 and 2. Id. ¶¶ 17, 43; ECF No. 1-2 ¶ 3.1. The PA does not specify any method(s) by which this option must be exercised, but provided that Season 2 would be delivered by November of 2022 if SMASH exercised the option to proceed with Season 2 no later than November of 2021. ECF No. 1-2 ¶ 3.1(iii). Assemblage commenced work on Season 1 production, in accordance with “a customary, industry-standard sequence of structured stages, each involving multiple review points requiring the Defendants’ approval before advancing to the next phase[,]” as contemplated under the PA.

ECF No. 1 ¶ 20; ECF No. 1-2 ¶ 2.2. While not a party to the PA, Defendant 41E, the alleged alter ego of SMASH, “remained actively involved and exercised substantial control over each production phase, underscoring its role as the true operational leader[.]” ECF No. 1 ¶¶ 4, 32. With production underway, Plaintiff received requests from Defendants for additional Season 1 assets totaling a production of 373 assets for Season 1 alone—nearly double what was originally contemplated under the PA. Id. ¶ 33. Plaintiff agreed to these requests and “proceeded to produce” the additional assets. Id. Defendants thereafter refused to compensate Plaintiff for producing these additional assets, claiming that they were not formally authorized. Id. ¶ 37. On December 15, 2021, Defendants, through Bohbot and 41E’s Brand Assurance and

Production Manager Francisco Ureña, instructed Assemblage to commence work on Season 2, and provided Assemblage with the necessary materials and schedules for review. Id. ¶ 39–40; Ureña E-Mail, Ex. B, ECF No. 1-3 at 2. Specifically, Ureña stated 41E would “be ready to start reviewing and approve S2 materials . . . 10 January 2022,” and hoped “work can be done during [41E’s] traditional break.” ECF No. 1-3 at 2. On December 22, Bohbot also contacted Plaintiff regarding Season 2 production, referencing issues with the quality of files received from Plaintiff and inquiring if Plaintiff “want[ed] to accept this email confirmation from [Bohbot] and start modeling all designs for S2 or wait until January when new [sic] can formalize and deliver a number of board packages[.]” Bohbot E-Mail, Ex. C, ECF No. 1-4 at 2. Plaintiff replied on December 30, to confirm it could improve the “process and results of the workflow,” would “begin the modeling of the S2 assets” and could “pick up pace in January once [41E is] back from the break to formalize this.” Id. at 3. Plaintiff “immediately committed additional resources to commence work on Season 2,” while simultaneously continuing production on Season 1. ECF No. 1 ¶ 42. Plaintiff alleges the

parties understood that “details governing the production of Season 2, including the production schedule and payment milestones, would be set forth in a further amendment of the [PA].” Id. ¶ 44. Throughout early 2022, Plaintiff “received and implemented instructions from the Defendants” about Season 2 productions and, by the spring, had “performed extensive work on Season 2”—which Defendants were aware of—in order to meet the first Season 2 milestone in July 2022. Id. ¶¶ 45–47. Despite Defendants’ repeated assurances, Plaintiff had “still not received a formal payment schedule” for Season 2 work. Id. ¶ 46. During this period, Bohbot “repeatedly promised to execute an Amendment to finalize the production schedule for Season 2.” Id. ¶ 55. In April 2022, Plaintiff made its first payment request for work on Season 2, which Bohbot

responded to first by noting “Defendants’ financial challenges,” and later, on April 19, by directing Plaintiff to “temporarily halt further work on Season 2 until Season 1 was finalized in June.” Id. ¶¶ 56–57. Over the next several months, Plaintiff made requests for further payments related to both Seasons 1 and 2, which Defendants had not yet made. Id. ¶¶ 58, 60. On October 20, 2022, Bohbot claimed that Defendants “had neither anticipated nor approved the additional assets produced for Season 1,” nor “formally commissioned” Season 2 production “due to the absence of a finalized payment schedule,” and “flatly rejected the Defendants’ responsibility to pay [Plaintiff].” Id. ¶ 69–70. To date, Plaintiff has produced “a total of 373 CG assets for Season 1 and 190 CG assets for Season 2,” well above the “combined cap of 330 assets specified in the [PA].” Id. ¶ 74.

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Bluebook (online)
Assemblage Entertainment PVT. LTD. v. 41 Entertainment, LLC, Counsel Stack Legal Research, https://law.counselstack.com/opinion/assemblage-entertainment-pvt-ltd-v-41-entertainment-llc-ctd-2025.