Artigues v. California Department of Employment

259 Cal. App. 2d 409, 66 Cal. Rptr. 390, 1968 Cal. App. LEXIS 1984
CourtCalifornia Court of Appeal
DecidedFebruary 26, 1968
DocketCiv. 24558
StatusPublished
Cited by3 cases

This text of 259 Cal. App. 2d 409 (Artigues v. California Department of Employment) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Artigues v. California Department of Employment, 259 Cal. App. 2d 409, 66 Cal. Rptr. 390, 1968 Cal. App. LEXIS 1984 (Cal. Ct. App. 1968).

Opinion

ELKINGTON, J.

The California Department of Employment and the California Unemployment Insurance Appeals Board appeal from a judgment of the superior court in administrative mandamus proceedings taken pursuant to Code of Civil Procedure section 1094.5. The judgment reversed decisions denying certain unemployment insurance benefits to respondents.

The trial court took no testimony. The ease was tried on the record of the administrative proceedings.

Since the benefits provided by the Unemployment Insurance Act are “property rights within the meaning of the term as used in the cases requiring a trial de novo” the superior court was required to exercise its independent judgment on the evidence. (Thomas v. California Emp. Stabilization Com., 39 Cal.2d 501, 504 [247 P.2d 561].) Accordingly, our task on this appeal is to determine whether, disregarding all contrary evidence, there is substantial evidence in support of the trial court’s findings. (Moran v. Board of Medical Examiners, 32 Cal.2d 301, 308 [196 P.2d 20]; 3 Witkin, Cal. Procedure (1954) p. 2489.) We therefore set forth the facts as they were asserted, admitted, or uneontroverted by respondents below.

Respondents are motion picture projectionists who work in San Francisco theaters. They are members of Local 162 of the International Alliance of Theatrical Stage Employees and Motion Picture Operators (hereinafter referred to as the “union”). The San Francisco Theater Owners Association (hereinafter referred to as the “association”) had represented San Francisco theater owners, in their relations with the union, for many years prior to the dispute with which we are here concerned.

For several years the union’s members had been working under a series of verbal agreements. Negotiations for a written contract were started in June 1963 when a negotiating committee was selected by the union. The theaters, including the Coronet Theater, were represented by the Association. At the outset of negotiations the union was told which theaters were represented by the association. At that time every theater in San Francisco was so represented and written letters of such authorization had been furnished the union. Thereafter, one of the theaters (the Victorian), changed ownership and *412 withdrew from the association; 'the iihion was so notified on November 4,1964.

Without any success the respective groups had met and negotiated until November 10, 1964. On that date the union by a vote of its members rejected an offer of the employer association.

On November 12 the authorized union negotiating committee again met with the association. The union representatives stated that a request had been made of 11 the international for strike sanction” which had not yet been received. The association was told “that there could be no guaranty of manning the booths beyond November 13, 1964. ” The union committee was advised that “if one booth closed, it would be considered a strike against all of the employers who were represented by the group.” The association upon being asked which theaters it represented responded by saying they were the same as announced the preceding year when the negotiations started. The union had been notified a week before of the change of ownership and withdrawal of the Victorian. The union files which apparently contained such information were in the union office.

On the evening of November 13, 1964, three men came to the Coronet Theater. They were the president, 1 the business manager 2 and a member of the negotiating committee of the union. The president and business manager had been elected by the union membership during the preceding month. They presented a bargaining agreement to the theater manager and demanded that he sign it. The theater manager having no authority to deal with the union, the chairman of the association’s bargaining committee was summoned to the theater. The three men said to the chairman, “unless this document is signed right now, we are going to strike the theater.” They were told, “If you strike this theater, you will close every theater in the City of San Francisco.” The men walked into the projection room and told the projectionists to leave. Asked why he walked out, one of the projectionists (who was called as a witness by respondents) testified that if the business *413 manager “comes in and tells you” to shut down the switches and walk out, “That’s the law. That is it.” His testimony, which was uncontradicted, continued, “We have an understanding that if we have instructions from the business manager or president, we take their orders. They are the ones responsible for the conduct and operation of the union; and when we get orders from them, we do it. ’ ’ At the time of the hearing this witness was himself business manager of Local 162. He further testified that the business manager has authority to tell a union member not to go into a projection booth.

Later, on the evening of November 13, a meeting of the theater owners was held. As a result of that meeting all San Francisco theaters, except the Victorian, were closed.

On November 14 the union was notified by the employers’ association that the theaters it represented would be reopened when “there is no picketing at any of them and whenever every one of them is provided with the operating personnel it needs. ’ ’

Two days later an authorized representative of Local 162 notified the chairman of the association in writing as follows: “Dear Mr. Levin: This will formally notify you on behalf of Local 162 that the lock-out is being protested and the projectionists at each of the theaters which locked them out stand ready and willing to man the booths immediately on call of the employers.” (Italics added.) The union at no time (prior to the settlement of the entire dispute) offered to allow the projectionists to return to the Coronet Theater without the signing of an individual contract for that theater.

None of the respondents testified as to the issues at the hearing below.

The dispute between the theater owners and the union was settled January 5, 1965 with a contract negotiated by the association for its members. Respondents (who do not include the Coronet Theater projectionists) thereafter claimed unemployment insurance benefits for the period of their unemployment while the theaters were closed.

The Department of Employment after a hearing denied such benefits, concluding that the lockout was a direct and foreseeable result of a selective strike by the union, and that the claimants as members of the unión were chargeable with responsibility for the strike within the purport of the unemployment insurance laws. The Unemployment ' Insurance Appeals Board affirmed the decision of the department. The *414 administrative mandamus proceedings which resulted in this appeal followed.

Unemployment Insurance Code section 1262 provides-.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Ahnne v. Department of Labor & Industrial Relations
489 P.2d 1397 (Hawaii Supreme Court, 1971)
Bixby v. Pierno
481 P.2d 242 (California Supreme Court, 1971)

Cite This Page — Counsel Stack

Bluebook (online)
259 Cal. App. 2d 409, 66 Cal. Rptr. 390, 1968 Cal. App. LEXIS 1984, Counsel Stack Legal Research, https://law.counselstack.com/opinion/artigues-v-california-department-of-employment-calctapp-1968.