Architectural Body Research Found. v. Reversible Destiny Found.
This text of 335 F. Supp. 3d 621 (Architectural Body Research Found. v. Reversible Destiny Found.) is published on Counsel Stack Legal Research, covering District Court, S.D. Illinois primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.
Opinion
ALISON J. NATHAN, District Judge:
On November 14, 2017, the Defendants filed a motion to dismiss Plaintiff's complaint for lack of subject matter jurisdiction. Dkt. 19. On August 27, 2018, Magistrate Judge Barbara Moses recommended that this Court dismiss all of Plaintiff's claims. Dkt. 62. Plaintiff filed objections on September 7, 2018. Dkt. 65. Defendants responded to these objections on September 20, 2018. Dkt. 66.
The Court reviews de nova the portions of the Report and Recommendation to which timely objections were made. See, e.g. , Beller v. Astrue , No. 12 CV 5112 VB,
SO ORDERED.
REPORT AND RECOMMENDATION TO THE HONORABLE ALISON J. NATHAN
BARBARA MOSES, United States Magistrate Judge.
The primary issue in this case is whether plaintiff Architectural Body Research Foundation (ABRF) or the estate of Madeline Gins (the Estate) is the rightful owner *626of a "conceptual work of art" created by Gins, who died in January 2014, and her husband Shusaku Arakawa, who predeceased her. Gins's will, which was admitted to probate in February 2014, leaves the bulk of her estate - including the disputed work, if it was hers to bequeath - to defendant Reversible Destiny Foundation, Inc. (RDF). In this action, filed in October 2017, ABRF sues RDF, the Estate, and its executors, seeking orders requiring the "immediate[ ] return" of the work, a declaration that ABRF is its "sole and exclusive owner," and damages for copyright infringement. The copyright claim furnishes the sole independent basis for subject matter jurisdiction in this Court.
Now before the Court is defendants' motion, made pursuant to Fed. R. Civ. P. 12(b)(1), to dismiss all of ABRF's claims for lack of subject matter jurisdiction. (Dkt. No. 19.) Defendants rely on the "probate exception," which "precludes federal courts from endeavoring to dispose of property that is in the custody of a state probate court." Marshall v. Marshall ,
1. DISMISS all claims against the Estate, pursuant to Fed. R. Civ. P. 17(b), for lack of capacity to be sued;
2. GRANT defendants' Rule 12(b)(1) motion with respect to plaintiff's conversion, replevin, and declaratory judgment claims, and DISMISS these claims WITHOUT PREJUDICE; and
3. GRANT the Rule 12(b)(1) motion with respect to plaintiff's copyright infringement claim, and DISMISS that claim WITHOUT PREJUDICE; or, in the alternative,
4. DISMISS the copyright infringement claim WITHOUT PREJUDICE pursuant to Fed. R. Civ. P. 12(b)(6), for failure to state a claim upon which relief can be granted, and grant plaintiff leave to amend within 30 days.
I. BACKGROUND
A. The Mechanism of Meaning
The work in dispute is one of two major versions or "editions" of an ambitious project, created by Arakawa and Gins over several decades, entitled The Mechanism of Meaning . Each edition comprises approximately 80 painted panels and other elements, see Compl. (Dkt. No. 1) ¶¶ 2, 5, 16-17, and each evolved over time. See id. ¶¶ 16-17, 42-43.
More than 30 years ago, in 1987, the artists executed a Deed of Gift (Deed) to ABRF, a non-profit foundation formed by them that year.1 The Deed, annexed to the Complaint as Exhibit 1 (Dkt. No 1-1), transferred to ABRF "all right, title, and possession, including literary rights including copyright," to the works "more fully described in Schedule A." Schedule A, in turn, identified the property being transferred as "The Mechanism of Meaning," and went on to describe, in some detail, 82 individual painted panels, each of them 5 feet 8 inches by 8 feet. Id. at ECF page 3. The Deed did not mention the existence of more than one edition of the property being gifted. Nor did it list any physical components of the gift other than the panels described on Exhibit A, even though The Mechanism of Meaning was an "ongoing work," Compl. ¶ 16, which existed "in different mediums, including a series of publications, drawings and paintings." Id.
*627In 1989, ABRF sold one edition of The Mechanism of Meaning (referred to herein as the Sezon Edition) to the Saison Foundation, acting on behalf of what is now known as the Sezon Museum of Modern Art in Japan, for $3 million. Compl. ¶¶ 5, 17. According to the Sales Agreement between ABRF and the Saison Foundation, signed by Gins, ABRF conveyed "1 set of the 'Mechanism of Meaning,' " including "81 paintings, 45 drawings, and 1 architectural model." Compl. Ex. 7. The Sezon Edition, completed in 1988, was "the second of the two large editions" of The Mechanism of Meaning created by Arakawa and Gins. Compl. ¶¶ 17, 40-42.
At issue here is the ownership of the other "iconic" edition of The Mechanism of Meaning , see Compl. ¶ 5, which remained in the artists' possession and is now, according to defendants, an asset of Gins's Estate (referred to herein as the Estate Edition). During their lifetimes, Arakawa and Gins continued to modify the Estate Edition and treated it, at least for some purposes, as their personal property, including the associated intellectual property. For example, the couple personally loaned the Estate Edition to the Guggenheim Museum (Guggenheim) in 1996, for an exhibition which opened in 1997. The Loan Agreement, which ran between the artists and the museum, described the loaned work as "The Mechanism of Meaning (84 paintings)" and did not mention ABRF. See Declaration of Ronald D. Spencer, Esq. (Dkt. No.
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ALISON J. NATHAN, District Judge:
On November 14, 2017, the Defendants filed a motion to dismiss Plaintiff's complaint for lack of subject matter jurisdiction. Dkt. 19. On August 27, 2018, Magistrate Judge Barbara Moses recommended that this Court dismiss all of Plaintiff's claims. Dkt. 62. Plaintiff filed objections on September 7, 2018. Dkt. 65. Defendants responded to these objections on September 20, 2018. Dkt. 66.
The Court reviews de nova the portions of the Report and Recommendation to which timely objections were made. See, e.g. , Beller v. Astrue , No. 12 CV 5112 VB,
SO ORDERED.
REPORT AND RECOMMENDATION TO THE HONORABLE ALISON J. NATHAN
BARBARA MOSES, United States Magistrate Judge.
The primary issue in this case is whether plaintiff Architectural Body Research Foundation (ABRF) or the estate of Madeline Gins (the Estate) is the rightful owner *626of a "conceptual work of art" created by Gins, who died in January 2014, and her husband Shusaku Arakawa, who predeceased her. Gins's will, which was admitted to probate in February 2014, leaves the bulk of her estate - including the disputed work, if it was hers to bequeath - to defendant Reversible Destiny Foundation, Inc. (RDF). In this action, filed in October 2017, ABRF sues RDF, the Estate, and its executors, seeking orders requiring the "immediate[ ] return" of the work, a declaration that ABRF is its "sole and exclusive owner," and damages for copyright infringement. The copyright claim furnishes the sole independent basis for subject matter jurisdiction in this Court.
Now before the Court is defendants' motion, made pursuant to Fed. R. Civ. P. 12(b)(1), to dismiss all of ABRF's claims for lack of subject matter jurisdiction. (Dkt. No. 19.) Defendants rely on the "probate exception," which "precludes federal courts from endeavoring to dispose of property that is in the custody of a state probate court." Marshall v. Marshall ,
1. DISMISS all claims against the Estate, pursuant to Fed. R. Civ. P. 17(b), for lack of capacity to be sued;
2. GRANT defendants' Rule 12(b)(1) motion with respect to plaintiff's conversion, replevin, and declaratory judgment claims, and DISMISS these claims WITHOUT PREJUDICE; and
3. GRANT the Rule 12(b)(1) motion with respect to plaintiff's copyright infringement claim, and DISMISS that claim WITHOUT PREJUDICE; or, in the alternative,
4. DISMISS the copyright infringement claim WITHOUT PREJUDICE pursuant to Fed. R. Civ. P. 12(b)(6), for failure to state a claim upon which relief can be granted, and grant plaintiff leave to amend within 30 days.
I. BACKGROUND
A. The Mechanism of Meaning
The work in dispute is one of two major versions or "editions" of an ambitious project, created by Arakawa and Gins over several decades, entitled The Mechanism of Meaning . Each edition comprises approximately 80 painted panels and other elements, see Compl. (Dkt. No. 1) ¶¶ 2, 5, 16-17, and each evolved over time. See id. ¶¶ 16-17, 42-43.
More than 30 years ago, in 1987, the artists executed a Deed of Gift (Deed) to ABRF, a non-profit foundation formed by them that year.1 The Deed, annexed to the Complaint as Exhibit 1 (Dkt. No 1-1), transferred to ABRF "all right, title, and possession, including literary rights including copyright," to the works "more fully described in Schedule A." Schedule A, in turn, identified the property being transferred as "The Mechanism of Meaning," and went on to describe, in some detail, 82 individual painted panels, each of them 5 feet 8 inches by 8 feet. Id. at ECF page 3. The Deed did not mention the existence of more than one edition of the property being gifted. Nor did it list any physical components of the gift other than the panels described on Exhibit A, even though The Mechanism of Meaning was an "ongoing work," Compl. ¶ 16, which existed "in different mediums, including a series of publications, drawings and paintings." Id.
*627In 1989, ABRF sold one edition of The Mechanism of Meaning (referred to herein as the Sezon Edition) to the Saison Foundation, acting on behalf of what is now known as the Sezon Museum of Modern Art in Japan, for $3 million. Compl. ¶¶ 5, 17. According to the Sales Agreement between ABRF and the Saison Foundation, signed by Gins, ABRF conveyed "1 set of the 'Mechanism of Meaning,' " including "81 paintings, 45 drawings, and 1 architectural model." Compl. Ex. 7. The Sezon Edition, completed in 1988, was "the second of the two large editions" of The Mechanism of Meaning created by Arakawa and Gins. Compl. ¶¶ 17, 40-42.
At issue here is the ownership of the other "iconic" edition of The Mechanism of Meaning , see Compl. ¶ 5, which remained in the artists' possession and is now, according to defendants, an asset of Gins's Estate (referred to herein as the Estate Edition). During their lifetimes, Arakawa and Gins continued to modify the Estate Edition and treated it, at least for some purposes, as their personal property, including the associated intellectual property. For example, the couple personally loaned the Estate Edition to the Guggenheim Museum (Guggenheim) in 1996, for an exhibition which opened in 1997. The Loan Agreement, which ran between the artists and the museum, described the loaned work as "The Mechanism of Meaning (84 paintings)" and did not mention ABRF. See Declaration of Ronald D. Spencer, Esq. (Dkt. No. 20), ¶¶ 21-23 & Ex. G. The Guggenheim catalog for the exhibition listed - and included images of - 82 "panels," all from "the artists' collection." Id. Ex. G, Ex. H, at ECF pages 2 ("all works are in the artists' collection"), 4-56 (images of panels), 57-58 (list of panels). The last two panels "dat[ed] from 1996." Id. at ECF page 57. The catalog also included the notation: "All Arakawa and Madeline Gins works ©1997 Arakawa and Madeline Gins." Id. at ECF page 2.2
Although ABRF was exempt from income tax, it was required to file both federal and state informational returns. Most of the returns were signed by Gins and/or Arakawa. None of them listed any edition of The Mechanism of Meaning (or, for that matter, any other artwork) as part of ABRF's assets. Nor was there any mention of the sale of the Sezon Edition in 1988. See, e.g. , Declaration of David R. Baum (Dkt. No. 42), Ex. 4 (federal and state return for 1988); id. Ex. 5 (federal return for 1989, the year in which the Sezon Edition was sold); Spencer Decl. ¶¶ 29-32 & Exs. I-L (federal and state returns for 2005 and 2006).
Beginning with the 1997 returns, ABRF reported, in its attached "Statement of Program Service Accomplishments," that the Guggenheim had exhibited "models and drawings of the Foundation's work." See, e.g. , Baum Decl. Ex. 1 (portions of federal return for 1997); Spencer Decl. Ex. J (federal return for 2005). These Statements did not mention the paintings, which (at least according to the Guggenheim catalog) were the heart of The Mechanism of Meaning - and belonged to the artists themselves.
B. Death of the Artists
Arakawa died intestate on May 12, 2010. Compl. ¶ 5; Spencer Decl. ¶ 33. Thereafter, *628acting in her capacity as his administrator, Gins signed estate tax returns reporting that Arakawa owned artwork valued at more than $27 million at the time of his death, including "Mechanism of Meaning Paintings" appraised at $4,980,000 by the firm of O'Toole-Ewald Art Associates, Inc. (O'Toole-Ewald). Spencer Decl. ¶¶ 34-37 & Exs. M-N.
Gins died testate on January 8, 2014. Compl. ¶ 5. On February 27, 2014, her will was admitted to probate in the Surrogate's Court for the County of New York, which issued letters testamentary appointing defendants Ronald Spencer, Michael Govan, and Stephen Gins as her executors. Compl. ¶¶ 8-11, 27; see also Spencer Decl. ¶¶ 4-5 & Ex. B; Reply Declaration of Ronald D. Spencer, Esq. (Dkt. No. 45), Ex. A. Spencer is an attorney at Carter Ledyard & Milburn LLC, Compl. ¶ 9, who began representing Gins in 2010. Transcript of Deposition of Ronald D. Spencer, Esq. (Spencer Dep. Tr.) (Dkt. No. 42-10), at 20:12-17. Govan was the organizer of the 1997 Guggenheim exhibition, see Spencer Decl. Ex. H, at ECF page 2, and is now the director of the Los Angeles Museum of Art. Compl. ¶ 10. Stephen Gins is a brother of Madeline Gins. Id. ¶ 11.
At the time of her death, Gins resided in a townhouse at 124 West Houston Street in Manhattan, which also served as the couple's long-time studio and art storage space. See Spencer Decl. ¶¶ 10-11; Declaration of Johanna Post (Dkt. No. 27), ¶ 7; Spencer Dep. Tr. at 128:10-130:24. ABRF's offices were located in the same building for "many years," but were "shut down in 2008," Post Decl. ¶¶ 6-7, for reasons described below.
Sometime in 2014, Gins's executors caused her extensive art collection - including the Estate Edition of The Mechanism of Meaning - to be removed from the townhouse and placed in a climate-controlled art storage facility, where it remains today. Spencer Decl. ¶¶ 11-13, 19, & Exs. C-D. There is no evidence that the Estate Edition was segregated or labeled in any way that suggested it was not Gins's personal property. According to Spencer, the works in the townhouse "sometimes" bore labels, but the labels "didn't identify who owned the work." Spencer Dep. Tr. at 130:10-20.
On April 8, 2015, the Estate filed a List of Assets-Inventory (Inventory) in the Surrogate's Court, reporting that the Estate included $9,642,934 in "Miscellaneous & Trust Property" consisting of "Artwork created by the decedent, her deceased spouse Shusaku Arakawa, and others." Reply Declaration of Judith M. Wallace, Esq. (Dk. No. 47), Ex. B, at 1, 9. The $9.6 million figure was based on an appraisal by O'Toole-Ewald, dated March 26, 2015, which the Estate did not file in the Surrogate's Court but did produce in this action. Wallace Reply Decl. Ex. C. According to the appraisal, the fair market value of "Mechanism of Meaning Paintings" was $4,980,000 "before blockage discount," and $1,245,000 "after blockage discount." Id at 22.3
Gins's will provided for three cash bequests and "left the balance of her estate *629to RDF." Compl. ¶ 27. RDF was formed by Arakawa and Gins in March 2010, shortly before Arakawa's death, "as a new foundation to promote the work and philosophy of Arakawa and Gins that focused on architectural design as a tool to extend life, and to explore how not to die." Id. ¶ 22.
The formation of RDF was not prompted entirely by the artists' evolving philosophic interests. ABRF had invested significant funds, over at least two decades, with Bernard Madoff Investment Securities, LLC. Compl. ¶¶ 3, 20-21. In late 2008, ABRF learned that its Madoff accounts were "worthless." Id. ¶ 21. This forced ABRF to "dramatically scale[ ] back its work," id. ¶ 3, and shut down its office at 124 West Houston Street. Post Decl. ¶¶ 6-7. See also Spencer Reply Decl. Ex. B (email from Post stating that "Arakawa and Madeline closed the office that was operating under ABRF in December 2008 after the Madoff scandal broke"). Worse yet, the trustee appointed to recover funds for the benefit of Madoff victims asserted a "claw-back" claim against ABRF, to which it had "no meaningful defense." Compl. ¶ 25. Thus, "the new foundation was also formed due to a concern that ABRF's future would be negatively impacted, if not terminated, by any judgment recovered by the Trustee." Id. ¶ 4.
During their lifetimes, Arakawa and Gins, together with nonparty Momoyo Homma, served as directors of both of the foundations they created: plaintiff ABRF and defendant RDF. Compl. ¶¶ 23, 29. After the artists' deaths, Homma remained as a director of both foundations but control otherwise diverged. Homma appointed Johanna Post and her husband Andrew MacNair (both long-term associates of the artists) to the ABRF board. Id. ¶¶ 30-32; see also Post Decl. ¶ 5. The RDF board now includes Homma; defendants Spencer and Govan, and nonparty Alexandra Munroe, a senior curator at the Guggenheim. Compl. ¶¶ 9-10; Declaration of Judith M. Wallace, Esq. (Dkt. No. 21), Ex. A, at 9:16-10:18.
On October 7, 2015, ABRF director MacNair wrote an email, addressed to the executors of the Estate, stating, "It appears that the Estate of Madeline Gins has possession of assets that belong to ABRF, Inc.," referencing The Mechanism of Meaning . Compl. ¶ 40 & Ex. 5. MacNair requested "a return of ABRF assets in the current inventory of the Estate of Madeline Gins." Id. The Estate rejected the request. See id. ¶¶ 40-43. Two years later, on October 10, 2017, ARBF filed this action.
C. Plaintiff's Claims
ABRF's contention, in a nutshell, is that when Arakawa and Gins gifted The Mechanism of Meaning to ABRF in 1987, they intended to transfer all right, title and interest to each and every edition of the work, past and future, as well as all associated copyrights. See, e.g. , Compl. ¶ 18 ("The Deed of Gift was drafted to gift the entirety of The Mechanism of Meaning in all of its forms, stages, and editions to ABRF."). Because the language of the 1987 Deed is less than clear on this point, ABRF also relies on the post-gift conduct of the donors. Plaintiff notes, for example, that the Sezon Edition, as sold in 1989, included not only 81 "paintings" (roughly corresponding to the 82 panels listed on Exhibit A to the 1987 Deed of Gift) but also "45 drawings and 1 architectural model," suggesting that ABRF owned more than the panels listed on Exhibit A. See Compl. ¶ 43. Therefore, according to ABRF, the Estate Edition did not belong to Arakawa at his death, nor to Gins at her death. By the same token, ABRF contends, the Estate Edition is not now rightfully *630owned by her Estate, and cannot be bequeathed to RDF. Id. ¶¶ 38-43.
In this action, ABRF alleges a federal claim for copyright infringement pursuant to
In its declaratory judgment claim, plaintiff seeks a judgment declaring that it "is the sole and exclusive owner of The Mechanism of Meaning in its entirety." Compl. at 19.
In its state law claims for conversion and replevin, plaintiff alleges that defendants "refused to respond in writing" to MacNair's October 2015 demand and thereafter "refused to return the [Mechanism of Meaning ] to ABRF." Compl. ¶¶ 61, 65. Plaintiff does not allege that Gins committed any wrongdoing in 2011, when - as Arakawa's administrator - she signed estate tax returns stating that he owned the Estate Edition at his death. See Spencer Decl. ¶¶ 34-37 & Ex. M.4 Nor does it allege that her executors engaged in misconduct in 2014, when they arranged for her art collection to be packed and stored. With respect to both state law claims, ABRF seeks the "return" of the property "in its entirety," see Compl. ¶ 5, including "all physical works and intellectual property," together with an accounting of any sales or licenses, "any appropriate compensatory damages," and punitive damages.
D. The Motion to Dismiss
Defendants filed their motion, pursuant to Fed. R. Civ. P. 12(b)(1), on November 14, 2017. They argue that the Estate Edition of The Mechanism of Meaning , "although nominally held by the executors, is effectively in the custody and control of the Surrogate's Court," because the executors are "judicial appointees" acting pursuant to a decree of the Surrogate's Court and under its jurisdiction. Def. Mem. of Law (Def. Mem.) (Dkt. No. 22), at 2. Therefore, defendants argue, ABRF must challenge the Estate's ownership of the Estate Edition, if at all, in a turnover proceeding in the Surrogate's Court. Def. Mem. at 19.
Defendants supported their motion with the declaration of defendant Spencer, who described the course of the Surrogate's Court proceedings to date, attached various probate-related documents, and explained the status and whereabouts of the Estate Edition. Spencer Decl. ¶¶ 3-14. Spencer did not claim to have personal knowledge of the intent of Arakawa and Gins at the time of the gift. However, he marshaled various documents, including *631many of the tax and estate administration records discussed above, in support of defendants' contentions on the merits; namely, that only the Sezon Edition was gifted to ABRF by means of the 1987 Deed; that the Estate Edition was Gins's personal property at her death; and therefore that it is now properly included among the assets of her Estate. See
In its opposition papers, ABRF argued that the Estate Edition cannot be "in the custody of a state probate court," Marshall ,
E. Jurisdictional Discovery and Supplemental Submissions
At the initial case management conference on December 14, 2017, I stayed discovery pending the outcome of the instant motion (then only partially briefed), with two exceptions. First, I permitted ABRF to access and inspect certain boxes of documents that were removed from the Gins townhouse by the executors but that arguably belonged to (or at least contained documents relevant to) ABRF. See Order Regarding Jurisdictional Discovery, issued on December 20, 2017 (Dec. 20 Order) (Dkt. No. 29), at 6-7. Second, I permitted ABRF to take the deposition of defendant Spencer, "limited to jurisdictional issues." Id. at 7, 10.
In order to focus the jurisdictional discovery efficiently, I cautioned the parties: "[T]he jurisdictional question is whether plaintiff's claims, if pursued in this forum, would interfere with the 'administration of a decedent's estate' or dispose of property 'that is in the custody of a state probate court.' Marshall ,
Following discovery, I gave the parties a schedule for supplemental briefing on the motion to dismiss. (Dkt. No. 34.) On April 2, 2018, plaintiff filed its Supplemental Memorandum of Law (Pl. Supp. Mem.) (Dkt. No. 40), along with the declaration of its counsel, David R. Baum, which in turn attaches various tax documents filed by ABRF from 1988 to 2013 and the transcript of the Spencer deposition. See Baum Decl. Exs. 1-10. Notwithstanding the Court's caution, plaintiff also submitted two additional declarations going primarily to the dispute over the ownership of the *632artwork rather than the jurisdictional question.5
On May 4, 2018, defendants filed their reply memorandum and reply declarations. I heard oral argument on May 23, 2018, at which time I struck an unauthorized sur-reply memorandum filed by plaintiff and took the jurisdictional motion under submission. See Tr. of May 23, 2018 Oral Arg. (Oral Arg. Tr.) (Dkt. No. 60), at 68:2.
F. The Probate Action
There is no serious disagreement about the status of the probate proceeding. As noted above, Gins's will was admitted to probate and letters testamentary were issued in early 2014. The executors filed an Inventory in 2015, see Wallace Reply Decl. Ex. B, which does not list The Mechanism of Meaning by name but does correspond to an underlying appraisal of all of Gins's artwork. That appraisal includes the Estate Edition and values it at $4,980,000 "before blockage discount" and $1,245,000 "after blockage discount." Id. Ex. C, at 22. Spencer confirmed at deposition that the Surrogate's Court has not taken any affirmative action with respect to the Estate Edition - and likely lacks any knowledge of its existence, since it is not referred to by name in Gins's will, nor in any other document filed in the Surrogate's Court. Spencer Dep. Tr. at 42:23-43:5, 61:13-18, 123:11-13; see also Oral Arg. Tr. at 36:18-36:21.
Spencer further confirmed, at deposition, that no final accounting has been prepared in the probate proceeding and that most of the personal property and financial assets of the Estate have yet to be distributed - including the Estate Edition of the Mechanism of Meaning . Spencer Dep. Tr. at 40:12-41:4; see also Spencer Decl. ¶¶ 6-9; Wallace Reply Decl. Ex. C at 1. Thus, no interest in the disputed artwork "has been transferred to [RDF]," Spencer Decl. ¶¶ 7, 10, and no "action been taken in the Surrogate's Court" to convey it to RDF (or anyone else). Spencer Dep. Tr. at 41:5-41:10.6 The executors have not informed the Surrogate's Court of ABRF's claim to the Estate Edition. Id. at 41:16-42:17. Nor has ABRF itself made any effort to resolve the ownership issue in Surrogate's Court. See Oral Arg. Tr. at 65:16-66:7. The townhouse at 124 West Houston Street has been sold. Id. at 11:19-21. According to defendants' counsel, that transaction did not require permission from the Surrogate's Court, but - like all Estate transactions - will at some point "be recorded in the accounting, intermediate or final accounting, of the estate." Id. at 30:20-31:4.
*633II. APPLICABLE LAW
A. The Rule 12(b)(1) Standard
"A case is properly dismissed for lack of subject matter jurisdiction under Rule 12(b)(1) when the district court lacks the statutory or constitutional power to adjudicate it." Makarova v. United States ,
B. The Probate Exception
In Markham v. Allen ,
Sixty years later, in Marshall , the Court characterized the Markham formulation as "enigmatic," noting in particular that "[l]ower federal courts have puzzled over the meaning of the words 'interfere with the probate proceedings.' "
The probate exception reserves to state probate courts the probate or annulment of a will and the administration of a decedent's estate; it also precludes federal courts from endeavoring to dispose of property that is in the custody of a state probate court. But it does not bar federal courts from adjudicating matters outside those confines and otherwise within federal jurisdiction.
Id. at 311-12,
In Lefkowitz , our Circuit explained that Marshall preserves federal jurisdiction where its exercise "will result in a judgment that does not dispose of property in the custody of a state probate court, even though the judgment may be intertwined with and binding on those state proceedings."
The plaintiff in Lefkowitz , who had already spent "many years" litigating issues arising out of the administration of her parents' estates, filed a hodge-podge of estate-related claims against the executor *634of those estates and others, alleging (for example) that the executor was "guilty of conversion because it 'wrongfully withheld [Estate] funds from plaintiff.' "
Faced with a motion to dismiss on the basis of the probate exception, a district court must satisfy itself that subject matter jurisdiction "otherwise lies," Lefkowitz ,
III. ANALYSIS
A. The Estate Is Not a Proper Party Defendant
Under Fed. R. Civ. P. 17(b)(3), the Estate's capacity to sue or be sued is governed by New York law. See Wilmington Tr., Nat'l Ass'n v. Estate of McClendon ,
B. Jurisdiction "Otherwise Lies"
This Court's subject matter jurisdiction rests entirely on the federal question raised by plaintiff's Copyright Act claim. See
In my view, plaintiff's copyright infringement claim is facially defective. Among other things it fails to allege that the copyrights upon which it sues have been registered. See Part III(G), infra. However, such a defect is not jurisdictional. Reed Elsevier, Inc. v. Muchnick ,
C. Plaintiff Does Not Ask this Court to Conduct any "Purely Probate Matter"
Because plaintiff does not ask this Court to "probate a will or administer an estate directly," Lefkowitz ,
D. The Estate Edition is in the Custody of the Surrogate's Court
The threshold question, under the second prong of the Lefkowitz test, is whether the disputed property is in the "custody" or under the "control" of the state probate court." Lefkowitz ,
The parties agree, as they must, that the Estate Edition is in the possession of the Gins Estate and under the control of her executors, who - pursuant to the letters testamentary granted to them by the Surrogate's Court - arranged for the physical artwork to be appraised, inventoried, and secured in a climate-controlled art storage facility along with the rest of Gins's art collection. See Compl. Ex. 5 (October 7, 2015 letter from ABRF to executors noting that the Estate has "possession" of the work and asking for its "return" from the "current inventory of the Estate of Madeline Gins"). Indeed, plaintiff's conversion and replevin claims - by definition - cannot be pursued against the Estate unless it has "possession" of the disputed property.7 If and to the extent the Estate "engaged in improper licensing activity" related to images of The Mechanism of Meaning, see Compl. ¶ 45, that activity was also conducted by Gins's executors in their capacity as such, thus demonstrating their control over any allegedly infringed copyrights.
The parties also agree (or at least ABRF does not disagree) that it could litigate its claim to the Estate Edition (including its associated intellectual property) by initiating a turnover proceeding in the Surrogate's Court. See
Nonetheless, ABRF contends that the Estate Edition is not within the custody of the Surrogate's Court because that court has not "taken any affirmative action regarding the property," and may not even know that it exists. Pl. Supp. Mem. at 5-6. Plaintiff's argument proves too much. None of the individual works in the possession of the Estate are described in the Inventory filed with the Surrogate's Court. See Wallace Reply Decl. Ex. B, at 9 (listing, as a single item, $9,642,934 worth of "[a]rtwork" created by Gins, Arakawa, or "others"). Moreover, although the Gins home was separately listed on the Inventory (along with various securities and bank accounts), it does not appear that the Surrogate's Court has taken any "affirmative action" with respect to any of those assets either. See Spencer Decl. Ex. A (Surrogate's Minutes as of November 2, 2017). Thus, plaintiff's logic would lead to the unsettling conclusion that none of Gins's assets are within the custody of the probate court charged with administering her Estate.
More fundamentally, the distinction that ABRF seeks to draw - between assets that are in the possession of the Estate and assets that are in the custody or control of the Surrogate's Court - is simply not meaningful in the context of ongoing probate proceedings. When the court-appointed executors of an estate take possession of property on its behalf, that property is deemed to be within the custody of the court that authorized them to do so. See Byers v. McAuley ,
Abercrombie v. Andrew College ,
*637
Prior to Murphy's death, her niece, Abercrombie, sought to be appointed her guardian - apparently so that she could pursue an action in Murphy's name to invalidate the deed and inherit the property. That action was filed in a state court of general jurisdiction, then removed to federal court by Andrew College. After Murphy's death, Abercrombie became administratrix of her estate, and promptly sought to "divest this Court of jurisdiction" by filing a "shady Petition" in Surrogate's Court that purported to list the townhouse as an asset of the estate without mentioning the recorded deed - or even the fact that Abercrombie had previously filed suit against Andrew College, outside of the probate court, in an effort to annul that deed.
Judge Karas refused to be divested, holding that the townhouse was not in the custody of the Surrogate's Court and therefore that the probate exception did not apply. As part of his analysis, Judge Karas noted that in the case before him, unlike Byers , there was no evidence "that the Surrogate's Court has taken any affirmative action regarding the Property."
Here, by way of contrast, the disputed property is not real estate. The Estate Edition is personal property, capable of being physically possessed, and it "remained in [Gins's] full possession until her death." Abercrombie ,
ABRF asks this Court to "say otherwise" here and now, arguing that the documentary evidence it has amassed as to ABRF's entitlement to the Estate Edition is so "conclusive[ ]," "indisputable," and "irrefutable" that there is "absolutely no basis in law for the probate court to assert custody or control over the work." Pl. Supp. Mem. at 2; see also id. at 5 ("[T]here is no credible dispute that ABRF, and not the Estate, owns the work."). In fact, there is a credible dispute.9 But even if the evidence *638were as one-sided as ABRF contends, I would decline its invitation to put the cart before the horse.
Many probate exception cases include claims (like ABRF's) that an estate has wrongful possession of property rightfully owned by the plaintiff. In Lefkowitz , for example, plaintiff sought "declaratory relief by way of a judgment that certain assets of the Marsh estates 'are plaintiff's property.' "
E. Plaintiff's Conversion, Replevin, and Declaratory Judgment Claims Should Be Dismissed under the Probate Exception
Having determined that the Estate Edition (including associated copyrights) is a res within the custody or under the control of the Surrogate's Court, I now consider whether any or all of plaintiff's claims seek to "dispose" of that property. Marshall ,
In Mandell v. Dolloff ,
Plaintiff relies on Genecin v. Genecin ,
As to its declaratory judgment claim, ABRF argues that it "merely seeks a determination of ownership," which would not "interfere" with the probate court proceedings, Pl. Mem. at 13, "save to the extent that the state court is bound by the judgment to recognize the right adjudicated by the federal court." Pl. Supp. Mem. at 8 (quoting Ashton v. Josephine Bay Paul & C. Michael Paul Found., Inc. ,
ABRF asks this Court to declare that it "is the sole and exclusive owner of The Mechanism of Meaning in its entirety." Compl. at 19. Such a judgment would, as a legal matter, wholly dispose of specific property in the custody of a state probate court, Lefkowitz ,
My recommendation as to the declaratory judgment claim is further informed by the Declaratory Judgment Act, 28 U.S.C. 2201(a), which "by its express terms vests a district court with discretion to determine whether it will exert jurisdiction over a proposed declaratory action or not." Dow Jones & Co. v. Harrods Ltd. ,
F. Plaintiff's Copyright Claim Should Be Dismissed under the Probate Exception
Plaintiff's copyright infringement claim presents somewhat different considerations. Like the claims that survived in Marshall and Lefkowitz , it is an in personam claim, in which ABRF principally seeks damages against RDF (for its publication of images of the Mechanism of Meaning ) and against the defendant executors (for their "improper licensing activity" to nonparties). See Compl. ¶¶ 44-45, 53. In personam claims for damages are ordinarily permitted to proceed in federal court (assuming an otherwise adequate jurisdictional basis), so long as the damages sought would not, in effect, require the disgorgement of specific property in the possession of the Estate. See, e.g. , Marshall ,
The remedies available under the Copyright Act include injunctions to prevent or restrain infringement, impoundment of unauthorized copies, actual or statutory damages, and attorneys' fees and costs. See
However, before ABRF can collect copyright infringement damages, it must establish all of the ordinary elements of copyright infringement, including "that the plaintiff owns the copyrights" and "that the copyrights have been registered in accordance with the statute." Gattoni v. Tibi, LLC ,
"The Copyright Act makes a certificate of registration from the U.S. Register of Copyrights prima facie evidence of the valid ownership of a copyright." Rogers v. Koons ,
ABRF does not allege, and likely cannot allege, that it holds a certificate of registration in its own name as to any of the copyrights on which it sues.12 Rather, it claims title to "all intellectual property rights" in The Mechanism of Meaning , including copyrights, Compl. ¶ 2, by means of the same 1987 Deed under which it also claims title to the "material objects in which the work is embodied," that is, the paintings and any other physical components of the Estate Edition. See id. ¶¶ 2, 15; Pl. Mem. at 23-24; Rubin Decl. ¶¶ 7-8. As a practical matter, therefore, ABRF seeks to establish the same "chain of title" with respect to both the copyrights and the paintings.
Moreover, as discussed above, the allegedly infringed copyrights, like the paintings, are at present in the possession of the Estate, and thus within the custody and control of the Surrogate's Court. Indeed, the record contains several assertions of copyright ownership by the artists (after 1987) and by the Estate (after Gins's death), see, e.g. , Spencer Decl. Exs. G-H; Compl. ¶¶ 44-47 & Exs. 6, 8-9, but no countervailing evidence of any such assertion, or any other use or attempted use of the copyrights, by ARBF. And while a copyright, unlike a painting, cannot be kept in a warehouse, plaintiff has repeatedly alleged - for purposes of its conversion and replevin claims - that the Estate now has possession of what ABRF calls the "Deed of Gift Property," including "all physical works and intellectual property associated with the copyrights." Compl. at 19-20. See also Pl. Mem. at 23 (asserting that it is the rightful owner of the copyrights but that defendants "wrongfully appropriate[ed] ... that property").
Since the copyrights are presently in the possession of the Estate, and hence within the custody of the Surrogate's Court, this Court cannot grant relief on ABRF's infringement claims without adjudicating its claim to ownership of "property that remains under the control of the state courts," which is forbidden by Lefkowitz ,
G. Alternatively, the Copyright Claim Should Be Dismissed For Failure to State a Claim
Even if it is not barred by the probate exception, ABRF's Copyright Act claim is facially defective. As noted above, a copyright infringement plaintiff must allege, among other things, "that the copyrights have been registered in accordance with the statute." Gattoni ,
In this Circuit, moreover, "a pending application does not suffice." Muench Photography, Inc. v. Houghton Mifflin Harcourt Pub. Co. ,
*644In Reed Elsev i er , the Supreme Court expressly left open the question whether "district courts may or should enforce [ § 411(a) ] sua sponte by dismissing copyright infringement claims involving unregistered works."
Here, as in Patrick Collins and Eng , the plaintiff fails to allege either that it holds a certificate of registration in its own name, or facts demonstrating a "chain of title" to a registration in the name of another, Arista Records ,
The defect is not only plain from the face of the Complaint; it goes to the one cause of action on which plaintiff's assertion of federal jurisdiction hangs. Moreover, since ABRF has only identified one registered copyright relevant to this action - for a book published in 1978 - it is unclear whether ABRF can plead facts sufficient to establish standing to sue for the infringement alleged in this action, which consists principally of the display of website images of the painted panels that make up either the Sezon Edition or the Estate Edition. See Compl. ¶¶ 44-47. Both editions continued to evolve into the 1980s, see Compl. ¶¶ 17, 42, and two new panels were apparently created as late as 1996. See Spencer Decl. Ex. H, at ECF page 57.14
I therefore recommend, respectfully, that if ABRF's copyright claim is not dismissed pursuant to Rule 12(b)(1), it be dismissed sua sponte pursuant to Rule 12(b)(6), without prejudice, and that plaintiff be given leave to amend within 30 days of that dismissal.15 I recognize that the parties have not briefed the sufficiency of *645plaintiff's pleading, which in other circumstances could make an order to show cause more appropriate. Should plaintiff wish to stand on its current pleading, however, it will have the opportunity to make substantially the same showing during the objection period provided by
IV. CONCLUSION
For the foregoing reasons, I respectfully recommend that Your Honor DISMISS all claims against the Estate pursuant to Fed. R. Civ. P. 17(b) ; DISMISS plaintiff's conversion, replevin, and declaratory judgment claims WITHOUT PREJUDICE pursuant to Rule 12(b)(1) ; and DISMISS plaintiff's copyright infringement claim WITHOUT PREJUDICE pursuant to Rule 12(b)(1) or, in the alternative, pursuant to Rule 12(b)(6).
Related
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335 F. Supp. 3d 621, Counsel Stack Legal Research, https://law.counselstack.com/opinion/architectural-body-research-found-v-reversible-destiny-found-ilsd-2018.