American Graphophone Co. v. Gimbel Bros.

234 F. 361, 1916 U.S. Dist. LEXIS 1478
CourtDistrict Court, S.D. New York
DecidedJune 2, 1916
DocketNo. 199
StatusPublished
Cited by10 cases

This text of 234 F. 361 (American Graphophone Co. v. Gimbel Bros.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
American Graphophone Co. v. Gimbel Bros., 234 F. 361, 1916 U.S. Dist. LEXIS 1478 (S.D.N.Y. 1916).

Opinion

THOMAS, District Judge.

[1] This case arises on a final hearing of a bill in equity on pleadings and proofs, charging the defendant with infringement of letters patent of the United States No. 714,651, dated November 25, 1902, for a new and useful improvement in recording and reproducing sounds. The patentee in his specification states that the invention relates to the art of recording and reproducing sounds, and that its object is to obtain complete and accurate records and reproductions of articulate speech and of all other sounds, practically the same in volume and tone-color as tire original sounds. The pat-entee then goes on to state that it has long been realized by those skilled in the art that the best reproductions of sound obtained by the method patented by Bell & Taiuter in 1886, and now in general use, besides being very small in volume compared with the original sounds, differed therefrom in character to a greater or less degree, and that these differences have been recognized as of two principal sorts: First, the absence of components characterizing the original sounds (especial[362]*362ly noticeable in closed sounds, aspirates, sibilants, and high-pitched sounds); and, second, the presence of foreign sounds or characters. The latter difficulty has been attributed to various causes, generally to so-called “false vibrations,” but after every effort to overcome these difficulties, and to eliminate false vibrations, the characteristic differences stated above, distinguishing the reproduced from the original sounds, still remained very strongly marked, and that the complete result of sound reproduction involves two operations: First, the making of the record; and, second, the reproduction of the recorded sound. Rater on in his specification the patentee says (page 3, lines 105, et seq., and page 4, lines 1 to 12 inclusive):

“In the practical making of sound-records prior to the present invention, the record tablets have usually been in the form of cylinders of wax-like material, about one-half decimeter in diameter, revolving at about one hundred and ten revolutions per minute, giving a surface speed to the tablet of about one hundred and seventy-five decimeters, in round numbers. By the present invention the surface speed of the tablet is such as to give the revolving diaphragm perfect freedom of vibration without any damping effect due to the contact of the undulation with the heel of the stylus. The requisite surface speed might be attained by increasing the number of revolutions per minute given to cylinders one-half decimeter in diameter, or thereabout, as heretofore employed. There are practical objections to this, however, and it is therefore preferable to drive the cylindrical tablet at the same number of revolutions viz., about one hundred and ten per minute, and to so increase the diameter of the tablet as to secure the requisite surface speed, and it has been found that a cylinder about one and one-fourth (1.25) decimeters in diameter will attain a sufficient surface speed when revolved at the rate mentioned. Obviously the same results might be obtained by increasing the number of revolutions and making the diameter less than one and one-fourth (1.25) decimeters or by decreasing the number of revolutions and increasing the diameter of the tablet, and such changes would come within the scope of this invention, the .essential feature of which is that the surface speed must be such as to permit the diaphragm to make its full sweep without any contact between the heel of the recording-style and the crests of the undulations.”

The patent contains seven claims and the charge of infringement is restricted to claims 3, 5, and 6, which are as follows:

“3. The method of forming a sound-record which consists in placing a vibratory cutting-style in contact with a tablet, causing said style to vibrate in a plane approximately perpendicular to the surface of the tablet by impressing sonorous vibrations thereon, and simultaneously moving said tablet at such a speed that sounds requiring one minute in their production form a record approximately forty-four meters in length.”
“5. A sound-record consisting of a tablet of wax or wax-like material having an undulatory sound-grodve cut or engraved therein, said undulations being of great and varying amplitude and having long, gentle, easy slopes, thereby giving reproductions sensibly equal in volume to the original sounds.
“6. A sound-record consisting of a tablet having a sound-groove with undulations of varying depth, said undulations being of such lengths that sounds occupying one minute in their production form a record approximately forty-four meters in length.”

The charge of infringement relates to art composition disks known in the market as “Pathe,” “Rex,” and “Keen-o-phone,” containing vertically undulating spiral curves, successively reproduced at increasing speed, the records being formed by molding the soft impression from a matrix with the aid of hydraulic pressure and hardening the molten products. The defendant purchased its records in the open [363]*363market ready made, and without any knowledge on its part as to how they were made, and no evidence has been introduced, other than a claimed inference or conjecture, as to the complete process by which these records were made, although there is some evidence that the different records were made by different operations; and no evidence has been offered to connect the defendant, either directly or indirectly, with the manufacture of the records. The defenses are noninfringement, nonpatentability, and anticipation. The application for the patent was filed on December 5, 1898, and contained seven claims, as follows:

“1. The method of forming a sound-record which consists in placing a vibratory recording-style in contact with a record tablet and simultaneously impressing sonorous vibrations upon the style and imparting movement to the tablet with a surface speed sufficient to cause the style to form in the tablet undulations with long gentle slopes as contradistinguished from short, abrupt undulations, substantially as described.
“2. The method of forming a sound-record which consists in placing a vibratory cutting-style in contact with a record tablet, impressing sonorous vibrations upon the style, and simultaneously moving the tablet relative to the style with a surface speed sufficient to prevent the heel of the style from, making contact with the undulations, substantially as described.
“3. The method of forming a sound-record which consists in placing a vibratory cutting-style in contact with a wax or wax-like record tablet at a small angle with the tangent at the point of contact and simultaneously impressing sonorous vibrations upon the style and moving the tablet with a minimum surface speed of about 44 meters per minute, substantially as described.
“4. The method of forming a sound-record which consists in placing a vibratory cutting-style in contact with a suitable tablet, impressing sonorous vibrations upon the stylo and decreasing the resistance offered by the tablet to the cutting action of the style by imparting a high surface speed to the tablet, and thereby cutting long, deep undulations in the record-groove, substantially as described.
“5.

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Cite This Page — Counsel Stack

Bluebook (online)
234 F. 361, 1916 U.S. Dist. LEXIS 1478, Counsel Stack Legal Research, https://law.counselstack.com/opinion/american-graphophone-co-v-gimbel-bros-nysd-1916.