American Federation of Musicians v. Skodam Films, LLC

313 F.R.D. 39, 2015 U.S. Dist. LEXIS 162091, 2015 WL 7771078
CourtDistrict Court, N.D. Texas
DecidedDecember 3, 2015
DocketNo. 3:15-mc-122-M-BN
StatusPublished
Cited by23 cases

This text of 313 F.R.D. 39 (American Federation of Musicians v. Skodam Films, LLC) is published on Counsel Stack Legal Research, covering District Court, N.D. Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
American Federation of Musicians v. Skodam Films, LLC, 313 F.R.D. 39, 2015 U.S. Dist. LEXIS 162091, 2015 WL 7771078 (N.D. Tex. 2015).

Opinion

MEMORANDUM OPINION AND ORDER

DAVID L. HORAN, UNITED STATES MAGISTRATE JUDGE

Plaintiff American Federation of Musicians of the United States and Canada (“AFM”) has filed an Expedited Motion to Compel Skodam Films, LLC to Comply with Properly Served Subpoena. See Dkt. No. 1. United States District Judge Barbara M.G. Lynn has referred this motion to the undersigned United States magistrate judge for determination. See Dkt. No. 4. SKODAM Films, LLC (“Skodam”), the target of the subpoena, has filed a response, see Dkt. No. 9, and AFM filed a reply in support of its motion, see Dkt. No. 23. The Court held oral argument on the motion on December 3, 2015. See Dkt. No. 24.

The Court now GRANTS in part and DENIES in part AFM’s Expedited Motion to Compel Skodam Films, LLC to Comply with Properly Served Subpoena [Dkt. No. 1] for the reasons and to the extent explained below.

Background

On October 5, 2015, AFM served a subpoena duces tecum (the “Subpoena”) on non-party SKODAM Films, LLC in the case styled American Federation of Musicians v. Paramount Pictures Corporation, No. 2:15-cv-04302-DMG-PJW, in the United States District Court for the Central District of California (the “Litigation”). See Dkt. No. 3 at App’x 2-47. The Subpoena was served on Skodam’s registered agent in Dallas, Texas. See id. at App’x 1. There is no dispute that [41]*41service of the subpoena was proper. See Dkt. No. 1 at 1; Dkt. No. 10 at 6 n.l.

The Litigation involves AFM’s claim that Defendant Paramount Pictures Corporation (“Paramount”), an employer signatory to a collective bargaining agreement with AFM (the “Agreement”), breached the Agreement when it produced the forthcoming movie Same Kind of Different as Me (the “Movie”) in the United States but did not score the movie in the United States or Canada pursuant to the terms of the Agreement. See generally Dkt. No. 3 at App’x 48-63. In the Litigation, AFM is suing Paramount under Section 301 of the Labor-Management Relations Act, 29 U.S.C. § 185, and alleges that the Agreement sets out wage and benefit terms for all musicians “employed by the Producer,” one of which is that “[a]ll theatrical motion pictures produced by the Producer in the United States or Canada, if scored, shall be scored in the United States of Canada” pursuant to the terms of the Agreement. Dkt. No. 2 at 2 (quoting Dkt. No. 3 at App’x 48-54). AFM alleges that Paramount is a party to the Agreement and that Paramount is a “Producer” of the Movie and, specifically, that Paramount continually has held itself out as having produced the Movie and that Paramount willfully breached the Agreement by failing to score the Movie in the United States or Canada — even though, while production was ongoing, AFM contacted Paramount to ensure that the Movie would be scored under the terms of the Agreement. See id.

Paramount’s primary defense to this claim is that it is not responsible for the fact that the Movie was not scored in accordance with the Agreement because it did not produce the Movie and that Skodam was the only producer of the movie. See id. at 2-3; Dkt. No. 3 at App’x 57-59; see also Dkt. No. 9 at 1 (“AFM has sued Paramount Pictures Corporation (‘Paramount’) in California. The lawsuit involves the movie Same Kind of Different as Me (‘the Movie’). [Skodam], who is not a party to the lawsuit, produced the Movie. Nonetheless, AFM alleges in its suit that that the Movie was produced by Paramount and that the scoring for the Movie was not done in accordance with the terms of a collecfive bargaining agreement to which AFM and Paramount are parties.”); Dkt. No. 10 at 5 (“AFM’s lawsuit is premised on the argument that Paramount produced Same Kind of Different as Me. In reality, [Skodam], not Paramount, produced the Movie, which was filmed predominantly in Mississippi, where [Skodam]’s principal office and counsel are located.”). “Paramount also admits that it has certain rights to distribute” the Movie and that it and Skodam “share an interest in the copyright pursuant to the parties’ distribution agreement for the motion picture.” Dkt. No. 2 at 3 (internal quotation marks omitted).

AFM asserts that, to test this non-producer defense, it served the Subpoena on Skodam, with 51 requests seeking production of documents relating to the production of the Movie; Skodam’s organizational structure; and the relationship between Skodam, Paramount, and certain other entities and individuals involved in the production of the Movie. See Dkt. No. 1 at 2; see also Dkt. No. 2 at 3-4.

On October 22, 2014, Skodam served objections to the Subpoena. See Dkt. No. 3 at App’x 97-98. Specifically, Skodam’s counsel sent a letter to AFM’s counsel “raising] the following objections to the Subpoena pursuant to Federal Rule of Civil Procedure 45”:

1. The Subpoena does not allow a reasonable time to comply.
2. The Subpoena is unduly burdensome.
3. The cost of compliance with the Subpoena will impose an undue burden and expense on [the Movie].
4. The Subpoena is overly broad and calls for production of documents that are irrelevant to the claims and defenses raised in the [Litigation] or duplicative to documents that -will be obtained from the parties to the [Litigation].
5. The Subpoena is vague and ambiguous.
6. The Subpoena seeks the production of documents that are protected by the work product doctrine or the attorney-client privilege.
7. The Subpoena seeks the production of documents that are otherwise privi[42]*42leged, confidential, proprietary, trade secrets, or contain sensitive information.

Id. at App’x 97.

AFM’s counsel and Skodam’s counsel then exchanged correspondence and conducted a telephone conference regarding Skodam’s objections but did not reach an agreement. See id. at App’x 82-84, 93-107; Dkt. No. 2 at 4-6.

AFM moves this Court for an order compelling production of all requested documents. See Dkt. No. 1 at 2. Specifically, AFM requests that, because Skodam served objections to the Subpoena pursuant to Rule 45(d)(2)(B), the Court issue an order compelling production of the documents requested in the Subpoena pursuant to Rule 45(d)(2)(B)(i). See Dkt. No. 2 at 6; see also Dkt. No. 23 at 10.

AFM further notes that, “[bjecause the Subpoena was served on October 5 and [Skodam] did not serve its objections on AFM until October 22, those objections were untimely.” Dkt. No. 2 at 6 n.l (citing Fed. R. Civ. P. 45(d)(2)(B) (requiring that objections “be served before the earlier of the time specified for compliance or 14 days after the subpoena is served”); citation omitted). But AFM explains that, “for purposes of this motion, AFM treats [Skodam’s] objections as if they were timely filed.” Id.

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313 F.R.D. 39, 2015 U.S. Dist. LEXIS 162091, 2015 WL 7771078, Counsel Stack Legal Research, https://law.counselstack.com/opinion/american-federation-of-musicians-v-skodam-films-llc-txnd-2015.