Altschuler v. Chubb National Insurance Company

District Court, D. Arizona·Decided March 8, 2024·No. 4:21-cv-00119·Unknown

Opinion

WO

Douglas Altschuler, et al., No. CV-21-00119-TUC-DCB

Plaintiffs, AMENDED1 ORDER

v.

Defendant National Insurance Company,

Defendant. The Court denies the Plaintiff’s Motion for Partial Summary Judgment, denies in part and grants in part the Defendant’s Motion for Summary Judgment, and dismisses the bad faith and punitive damage claims. Summary Judgment: Standard of Review Summary Judgment is appropriate only where there is no genuine issue as to any material fact and the moving party is entitled to judgment as a matter of law. Fed. R. Civ. P.56(c). It is not for the judge to determine the truth of a matter asserted, weigh the evidence, or determine credibility, but only to determine whether there is a genuine issue for trial. Anderson v. Liberty Lobby, 477 U.S. 242, 248 (1986). The movant carries the burden of showing that there is no genuine issue of material fact, Celotex Corp. v. Catrett, 477 U.S. 317, 323 (1986); all reasonable doubt as to the existence of a genuine issue of fact should be resolved against the moving party, Hector v. Wiens, 533 F.2d 429, 432 (9th Cir.

1 By separate order the Court grants Defendant’s Motion for Order Nunc Pro Tunc to correct clerical error in directive granting in part and denying in part Defendant’s Motion for Summary Judgment to reflect the only remaining claim is breach of contract for denial of coverage for the loss of the Rolex watch. 1976). Where different inferences can be drawn, summary judgment is inappropriate. Sankovich v. Life Ins. Co. of North Am., 638 F.2d 136, 140 (9th Cir. 1981). Plaintiff seeks summary judgment in part for Defendant’s refusal to cover the theft of artwork, an Andy Warhol and Keith Haring “Andy Mouse” silkscreen print. Defendant asks the Court to find that Plaintiff’s insurance claims fail because he cannot establish an entitlement to coverage under the Masterpiece (Chubb) Policy, effective date August 2, 2019, (the Policy) for the allegedly stolen artwork or alleged loss of a Rolex watch, and even if he establishes coverage for the artwork and watch, he made fraudulent misrepresentations and concealments warranting denial of the claims. The dispositive motions hinge on whether Plaintiff owned the Andy Mouse artwork covered by the Policy and whether the loss of the Rolex watch occurred within the coverage period of the Policy. Plaintiff alleges he is an avid art collector, with an extensive art collection, and he also acquired a watch collection. Plaintiff alleges that both covered items, the Andy Mouse artwork, which is a set of four silkscreens, and the Rolex watch, were stored at his mother’s home in Tucson, Arizona. The Andy Mouse artwork was allegedly discovered stolen in December of 2019. The Rolex watch was discovered missing in February 2020. Defendant denied coverage for both claims. 1. The Andy Mouse artwork According to the Plaintiff in 1987, he purchased for $5,000 a set of four silkscreen prints entitled “Andy Mouse” from the B1 Gallery in Santa Monica, with his then girlfriend, Lisa McCollum. He has no receipt, but McCollum attests to this purchase, and the B1 Gallery owner remembers it. A couple years later, Plaintiff asserts that for $10,000 he bought the same Andy Mouse artwork as an “artists proofs” (AP) screen print from the artist, Keith Haring. There is no independent proof of this purchase. In 2002, he traded one set to the James Corcoran Gallery for another piece of art. He kept both at his mother’s home and insured them there. In 2008, he insured the Andy Mouse artwork for the first time with AIG for $250,000, with a property schedule declaration of “Andy Warhol ‘Andy Mouse’ 4 PCS.” (P MPSJ, SOF, Ex. 20: Declarations (Doc. 171-2) at 414, 415.) To support this coverage, the Plaintiff obtained a sight unseen 2008 valuation based on an Artnet review of recent sales of various prior sales of numbered editions, including different pieces of the numbered edition (NE) 3 of 30 (3/30) Andy Mouse print. Id., Ex. 21: Appraisal (Doc. 171- 2) at 425, 427, 430.) In 2014, Defendant issued coverage based on an appraisal performed sight unseen for the artwork declared in the policy property schedule as “ARTS $250,000 ANDY WARHOL AND KEITH HARING ANDY MOUSE, 1986 COLOR SILKSCREENS EDITION OF 30 38x38 INCHES.” (D MSJ, SOF, Ex. 5 (Doc. 169-1) at 64.) This property schedule description reflected the appraisal description of the property. Id. at 70. In 2018, Plaintiff submitted an updated appraisal for the Andy Mouse artwork, which identified the work being appraised as NE “3 of 30 (3/30),” and Defendant issued coverage for $ 1.5 million, declared in the property schedule as “Andy Mouse, 1986 Color Silkscreens Edition of 30 38x38 inches.” (D MSJ, SOF, Ex. 12: the Policy (Doc. 169-2) at 15.) Like all the previous appraisals, the 2018 appraisal was given without seeing the artwork. Plaintiff attests that in 2018 he told the appraiser that he thought it could be the 3/30 NE Andy Mouse but was not certain about this. On January 17, 2020, the Plaintiff filed a Property Loss Notice for theft of “Andy Mouse 1986.” (D MSJ, SOF, Ex. 17: Notice (Doc. 169-2) at 52, 55.) He submitted a sworn Proof of Loss on May 28, 2020, indicating the loss of “Andy Warhol and Keith Haring Andy Mouse, 1986 Color Silkscreens Edition of 30 38 x 38 inches.” Id. at Ex. 16 (Doc. 169-2) at 32.) Defendant denied the claim because Plaintiff could not show he owned the Andy Mouse artwork NE 3 of 30. During the claim investigation it became apparent that this print could not have been owned by the Plaintiff because “three of the four pieces” from the NE 3/30 Andy Mouse artwork were actually auctioned piecemeal by various galleries between 1996 and 2014. (D MSJ (Doc. 173) at 9.) In short, the 3/30 Andy Mouse artwork (set of four silkscreens) had been broken up long before Plaintiff ever secured insurance for this artwork or any time thereafter when he changed insurers from AIG to Defendant in 2014 and increased coverage in 2018. As noted above, this fact was reported in the 2008 appraisal. On October 6, 2020, Defendant conducted an Examination Under Oath (EUO) of the Plaintiff, who attested that the stolen Andy Mouse screen print was the artwork acquired from the B1 Gallery, which only sold NE prints, and he believed that the artwork traded to the James Corcoran Gallery was the AP Andy Mouse screen print. On December 15, 2020, Defendant denied the claim based on fraud by misrepresentation because Plaintiff could not have owned Andy Mouse NE 3/30. Defendant relied then, as it does now, on the fact that the 2018 appraisal identified the property as “NE set 3 of 30” instead of the property schedule which in 2018 more broadly described Andy Mouse “Edition of 30.” Plaintiff argues the claim should have been paid based on proof of ownership of the Andy Mouse “Screen Print” regardless of the edition number because he obtained the appraisal in 2018 to increase coverage from $250,000 to $1.5 million after describing the artwork as an Andy Mouse “Screen Print” and telling the appraiser “that he was uncertain about whether it was an AP or a numbered edition, . . . [and] “guessed at “3/30.” (P Resp. (Doc. 193) at 7.) Plaintiff ignores that evidence he told the Defendant he did not know what screen print he owned creates a material issue of fact precluding summary judgment because an insurer may challenge claims which are fairly debatable. Tr

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