Altschuler v. Chubb National Insurance Company

District Court, D. Arizona·Decided March 8, 2024·No. 4:21-cv-00119·Unknown

Opinion

1 WO 2 3 4 5 6 IN THE UNITED STATES DISTRICT COURT 7 FOR THE DISTRICT OF ARIZONA

9 Douglas Altschuler, et al., No. CV-21-00119-TUC-DCB

10 Plaintiffs, AMENDED1 ORDER

11 v.

12 Defendant National Insurance Company,

13 Defendant. 14 15 The Court denies the Plaintiff’s Motion for Partial Summary Judgment, denies in 16 part and grants in part the Defendant’s Motion for Summary Judgment, and dismisses the 17 bad faith and punitive damage claims. 18 Summary Judgment: Standard of Review 19 Summary Judgment is appropriate only where there is no genuine issue as to any 20 material fact and the moving party is entitled to judgment as a matter of law. Fed. R. Civ. 21 P.56(c). It is not for the judge to determine the truth of a matter asserted, weigh the 22 evidence, or determine credibility, but only to determine whether there is a genuine issue 23 for trial. Anderson v. Liberty Lobby, 477 U.S. 242, 248 (1986). The movant carries the 24 burden of showing that there is no genuine issue of material fact, Celotex Corp. v. Catrett, 25 477 U.S. 317, 323 (1986); all reasonable doubt as to the existence of a genuine issue of fact 26 should be resolved against the moving party, Hector v. Wiens, 533 F.2d 429, 432 (9th Cir.

27 1 By separate order the Court grants Defendant’s Motion for Order Nunc Pro Tunc to correct clerical error in directive granting in part and denying in part Defendant’s Motion 28 for Summary Judgment to reflect the only remaining claim is breach of contract for denial of coverage for the loss of the Rolex watch. 1 1976). Where different inferences can be drawn, summary judgment is inappropriate. 2 Sankovich v. Life Ins. Co. of North Am., 638 F.2d 136, 140 (9th Cir. 1981). 3 Plaintiff seeks summary judgment in part for Defendant’s refusal to cover the theft 4 of artwork, an Andy Warhol and Keith Haring “Andy Mouse” silkscreen print. Defendant 5 asks the Court to find that Plaintiff’s insurance claims fail because he cannot establish an 6 entitlement to coverage under the Masterpiece (Chubb) Policy, effective date August 2, 7 2019, (the Policy) for the allegedly stolen artwork or alleged loss of a Rolex watch, and 8 even if he establishes coverage for the artwork and watch, he made fraudulent 9 misrepresentations and concealments warranting denial of the claims. The dispositive 10 motions hinge on whether Plaintiff owned the Andy Mouse artwork covered by the Policy 11 and whether the loss of the Rolex watch occurred within the coverage period of the Policy. 12 Plaintiff alleges he is an avid art collector, with an extensive art collection, and he 13 also acquired a watch collection. Plaintiff alleges that both covered items, the Andy Mouse 14 artwork, which is a set of four silkscreens, and the Rolex watch, were stored at his mother’s 15 home in Tucson, Arizona. The Andy Mouse artwork was allegedly discovered stolen in 16 December of 2019. The Rolex watch was discovered missing in February 2020. Defendant 17 denied coverage for both claims. 18 1. The Andy Mouse artwork 19 According to the Plaintiff in 1987, he purchased for $5,000 a set of four silkscreen 20 prints entitled “Andy Mouse” from the B1 Gallery in Santa Monica, with his then 21 girlfriend, Lisa McCollum. He has no receipt, but McCollum attests to this purchase, and 22 the B1 Gallery owner remembers it. A couple years later, Plaintiff asserts that for $10,000 23 he bought the same Andy Mouse artwork as an “artists proofs” (AP) screen print from the 24 artist, Keith Haring. There is no independent proof of this purchase. In 2002, he traded 25 one set to the James Corcoran Gallery for another piece of art. He kept both at his mother’s 26 home and insured them there. 27 In 2008, he insured the Andy Mouse artwork for the first time with AIG for 28 $250,000, with a property schedule declaration of “Andy Warhol ‘Andy Mouse’ 4 PCS.” 1 (P MPSJ, SOF, Ex. 20: Declarations (Doc. 171-2) at 414, 415.) To support this coverage, 2 the Plaintiff obtained a sight unseen 2008 valuation based on an Artnet review of recent 3 sales of various prior sales of numbered editions, including different pieces of the 4 numbered edition (NE) 3 of 30 (3/30) Andy Mouse print. Id., Ex. 21: Appraisal (Doc. 171- 5 2) at 425, 427, 430.) In 2014, Defendant issued coverage based on an appraisal performed 6 sight unseen for the artwork declared in the policy property schedule as “ARTS $250,000 7 ANDY WARHOL AND KEITH HARING ANDY MOUSE, 1986 COLOR 8 SILKSCREENS EDITION OF 30 38x38 INCHES.” (D MSJ, SOF, Ex. 5 (Doc. 169-1) at 9 64.) This property schedule description reflected the appraisal description of the property. 10 Id. at 70. In 2018, Plaintiff submitted an updated appraisal for the Andy Mouse artwork, 11 which identified the work being appraised as NE “3 of 30 (3/30),” and Defendant issued 12 coverage for $ 1.5 million, declared in the property schedule as “Andy Mouse, 1986 Color 13 Silkscreens Edition of 30 38x38 inches.” (D MSJ, SOF, Ex. 12: the Policy (Doc. 169-2) at 14 15.) Like all the previous appraisals, the 2018 appraisal was given without seeing the 15 artwork. Plaintiff attests that in 2018 he told the appraiser that he thought it could be the 16 3/30 NE Andy Mouse but was not certain about this. On January 17, 2020, the Plaintiff 17 filed a Property Loss Notice for theft of “Andy Mouse 1986.” (D MSJ, SOF, Ex. 17: Notice 18 (Doc. 169-2) at 52, 55.) He submitted a sworn Proof of Loss on May 28, 2020, indicating 19 the loss of “Andy Warhol and Keith Haring Andy Mouse, 1986 Color Silkscreens Edition 20 of 30 38 x 38 inches.” Id. at Ex. 16 (Doc. 169-2) at 32.) 21 Defendant denied the claim because Plaintiff could not show he owned the Andy 22 Mouse artwork NE 3 of 30. During the claim investigation it became apparent that this 23 print could not have been owned by the Plaintiff because “three of the four pieces” from 24 the NE 3/30 Andy Mouse artwork were actually auctioned piecemeal by various galleries 25 between 1996 and 2014. (D MSJ (Doc. 173) at 9.) In short, the 3/30 Andy Mouse artwork 26 (set of four silkscreens) had been broken up long before Plaintiff ever secured insurance 27 for this artwork or any time thereafter when he changed insurers from AIG to Defendant 28 in 2014 and increased coverage in 2018. As noted above, this fact was reported in the 2008 1 appraisal. 2 On October 6, 2020, Defendant conducted an Examination Under Oath (EUO) of 3 the Plaintiff, who attested that the stolen Andy Mouse screen print was the artwork acquired 4 from the B1 Gallery, which only sold NE prints, and he believed that the artwork traded to 5 the James Corcoran Gallery was the AP Andy Mouse screen print. 6 On December 15, 2020, Defendant denied the claim based on fraud by 7 misrepresentation because Plaintiff could not have owned Andy Mouse NE 3/30. 8 Defendant relied then, as it does now, on the fact that the 2018 appraisal identified the 9 property as “NE set 3 of 30” instead of the property schedule which in 2018 more broadly 10 described Andy Mouse “Edition of 30.” 11 Plaintiff argues the claim should have been paid based on proof of ownership of the 12 Andy Mouse “Screen Print” regardless of the edition number because he obtained the 13 appraisal in 2018 to increase coverage from $250,000 to $1.5 million after describing the 14 artwork as an Andy Mouse “Screen Print” and telling the appraiser “that he was uncertain 15 about whether it was an AP or a numbered edition, . . . [and] “guessed at “3/30.” (P Resp. 16 (Doc.

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