Alexander Graham-Sult v. Nicholas Clainos
Opinion
FILED
NOT FOR PUBLICATION
DEC 13 2017
UNITED STATES COURT OF APPEALS MOLLY C. DWYER, CLERK U.S. COURT OF APPEALS
FOR THE NINTH CIRCUIT
ALEXANDER GRAHAM-SULT; No. 15-17204 DAVID GRAHAM, D.C. No. 4:10-cv-04877-CW Plaintiffs-Appellants,
v. MEMORANDUM*
NICHOLAS P. CLAINOS, an individual; BILL GRAHAM ARCHIVES LLC, DBA Wolfgang’s Vault; NORTON LLC, a limited liability company; WILLIAM E. SAGAN, an individual,
Defendants-Appellees.
ALEXANDER GRAHAM-SULT; Nos. 16-16768 DAVID GRAHAM, 16-17083
Plaintiffs-Appellants, D.C. No. 4:10-cv-04877-CW v.
BILL GRAHAM ARCHIVES LLC, DBA Wolfgang’s Vault; NORTON LLC, a limited liability company; WILLIAM E. SAGAN, an individual,
*
This disposition is not appropriate for publication and is not precedent except as provided by Ninth Circuit Rule 36-3.
Defendants-Appellees.
Appeal from the United States District Court for the Northern District of California Claudia Wilken, District Judge, Presiding
Argued and Submitted November 14, 2017 San Francisco, California
Before: RAWLINSON and BYBEE, Circuit Judges, and SMITH,** Chief District Judge.
Plaintiffs Alexander Graham-Sult and David Graham are sons of the late rock-and-roll concert promoter Bill Graham and beneficiaries of his will. Plaintiffs allege that certain intellectual and tangible property belonged to Graham personally, as opposed to his companies, and thus should have passed to them after his death. They assert various claims against Nicholas Clainos, the executor of Graham’s estate, and against Bill Graham Archives LLC, Norton LLC, and William E. Sagan (collectively, “the BGA Defendants”). The district court granted
**
The Honorable William E. Smith, Chief United States District Judge for the District of Rhode Island, sitting by designation.
summary judgment for all defendants and awarded attorney’s fees to the BGA Defendants under the Copyright Act, 17 U.S.C. § 505. We now affirm.1
I
Plaintiffs’ first claim against Clainos is for conversion of four categories of property: (1) poster copyrights, (2) the trademark for “The Fillmore,” (3) poster sets, and (4) posterbooks. Under California law, “[t]he basic elements of [conversion] are (1) the plaintiff’s ownership or right to possession of personal property; (2) the defendant’s disposition of the property in a manner that is inconsistent with the plaintiff’s property rights; and (3) resulting damages.” Fremont Indem. Co. v. Fremont Gen. Corp., 55 Cal. Rptr. 3d 621, 638 (Cal. Ct. App. 2007).
With respect to the poster copyrights, plaintiffs cannot demonstrate the first element of conversion, a right to possess the property. Because it is undisputed Graham neither created the posters himself nor purchased the intellectual property rights to them, the only way he could have personally owned the poster copyrights is if he was the commissioning party under the works-for-hire doctrine. “[W]hen one person engages another . . . to produce a work of an artistic nature, . . . the
1 We have jurisdiction under 28 U.S.C. § 1291. We review the district court’s grant of summary judgment de novo. See Perfect 10, Inc. v. Giganews, Inc., 847 F.3d 657, 665 (9th Cir. 2017).
presumption arises that the mutual intent of the parties is that the title to the copyright shall be in the person at whose instance and expense the work is done.” Twentieth Century Fox Film Corp. v. Entm’t Distrib., 429 F.3d 869, 877 (9th Cir. 2005) (emphasis added). Plaintiffs raise no triable issue of fact as to whether the posters were created at Graham’s personal instance and expense. The posters promoted the companies’ concerts. There is no evidence Graham paid any poster artist from personal funds.2 To the contrary, there is substantial evidence Graham’s companies paid some poster artists and considered posters as an expense in determining each show’s profit. Because plaintiffs cannot show that they have any right to possess the poster copyrights, their claim for conversion of the copyrights fails as a matter of law.3 With respect to the trademark for “The Fillmore,” plaintiffs cannot demonstrate either a right to possess the trademark or damages. “The good will of a trademark is an inseparable part of that mark as well as an inseparable part of the
2 Even as to the eight posters that (according to plaintiffs) were published before Graham began operating as a business, plaintiffs have not raised a triable issue of fact as to whether the posters were created at Graham’s expense.
3 The parties dispute the number of poster copyrights at issue in this appeal and, hence, the number of posters registered within five years of publication and entitled to presumptive validity under 17 U.S.C. § 410. The dispute is immaterial because plaintiffs have not raised a triable issue of fact as to whether any poster was created at Graham’s expense. Any presumption to which plaintiffs may be entitled under § 410 is rebutted.
business which owns the mark.” 3 MCCARTHY ON TRADEMARKS AND UNFAIR COMPETITION § 18:2 (5th ed.). Accordingly, “[t]he law is well settled that there are no rights in a trademark alone and that no rights can be transferred apart from the business with which the mark has been associated.” E. & J. Gallo Winery v. Gallo Cattle Co., 967 F.2d 1280, 1289 (9th Cir. 1992); see also 15 U.S.C. § 1060 (a mark is “assignable with the goodwill of the business in which the mark is used”). Even if Graham had personally owned the trademark for “The Fillmore” at his death, that trademark would necessarily have been included in the sale of Bill Graham Enterprises, Inc. (“BGE”) to the company’s key employees. Plaintiffs received compensation for their shares of BGE as part of that sale.4 They possess no right to the trademark today, nor could they have suffered any damage in this regard.
Similarly, plaintiffs can show neither a right to possess the poster sets nor any damage stemming therefrom. Graham’s companies paid for the posters to be printed, considered the posters as an expense in determining each show’s profit, paid to store, maintain, and insure the poster archives, and staffed the archives with their employees. The poster sets were undoubtedly included in the sale of BGE to
4 Plaintiffs do not dispute that, “[a]fter Graham’s death, the Trademark always remained tethered to and associated with the business.”
the company’s key employees, and as noted above, plaintiffs were compensated for that sale. The sale agreement granted plaintiffs a right of first refusal with respect to any offer to purchase the archives, which they twice declined to exercise. Later, plaintiffs were given the opportunity to retrieve Graham’s personal property from the archives and left the posters where they were. There can be no genuine dispute that Graham’s companies owned the posters sets and, as with the trademark for “The Fillmore,” plaintiffs cannot have suffered any damage in this regard.
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