Abraham v. Leigh

District Court, S.D. New York·Decided September 14, 2020·No. 1:17-cv-05429·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ROBYN ABRAHAM,

Plaintiff,

17 Civ. 5429 (KPF) v.

OPINION AND ORDER ABBY LEIGH, as Executrix of the Estate of Mitch Leigh, Defendant. KATHERINE POLK FAILLA, District Judge:1

In an oral decision issued on October 22, 2019, the Court granted in part a motion for sanctions against Plaintiff Robyn Abraham that had been brought by Defendant Abby Leigh in her capacity as Executrix of the Estate of Mitch Leigh.2 After finding that Plaintiff had not only fraudulently doctored certain documents to improve her position in this litigation, but also perjured herself, the Court excluded from evidence 33 documents (the “Sanctioned Documents”) produced by Plaintiff during discovery. The Court also ordered that Plaintiff pay Defendant’s attorneys’ fees and costs incurred as a result of the Sanctioned Documents. Defendant submitted a fee petition, and Plaintiff filed objections to that petition. For the reasons set forth in the remainder of this Opinion, the Court awards Defendant attorneys’ fees in the amount of $52,507.50 and costs in the amount of $637.10.

1 The caption has been modified to reflect the parties to the instant application. 2 For clarity, the Court uses “Mr. Leigh” to refer to Mitch Leigh and “Defendant” to refer to Abby Leigh. BACKGROUND3 A. Factual Background

According to Plaintiff, on January 23, 2014, she and Mitch Leigh, composer of the musical Man of La Mancha (“MOLM”), agreed to a “Six (6) Month Exclusive Contract Re: London and United Kingdom Musical and Stage Production Rights of Man of La Mancha” (the “Talent Agreement”), pursuant to which Plaintiff was to solicit and secure interest in a revival of the musical by top-notch talent and production personnel. (Am. Compl. ¶¶ 1, 47-48). In exchange, Mr. Leigh agreed to grant Plaintiff “the sole and exclusive legal and business rights” to produce MOLM in London, tour the U.K., and transfer to Broadway with all industry standard U.S. touring and ancillary rights. (Id. at

¶ 48). Plaintiff further alleged that by February 26, 2014, she had satisfied her performance obligations under the Talent Agreement by securing an approved director and co-producer (the “Talent”). (Am. Compl. ¶¶ 61-71). Pursuant to

3 The facts stated herein are drawn primarily from the Amended Complaint, the operative pleading in this matter (“Am. Compl.” (Dkt. #41)). Facts are also drawn from former Defendants Alan Honig’s and Martha Wasserman’s Memorandum of Law in Support of Motion for Sanctions as a Result of Fraud by Plaintiff Robyn Abraham (“Sanctions Motion” (Dkt. #236)), including the supporting declarations of Ira S. Sacks, Esq. (“Sacks Decl.” (Dkt. #234)) and Duc Nguyen (“Nguyen Decl.” (Dkt. #235)); and Defendant Abby Leigh’s Memorandum of Law in Support of Joinder in the Sanctions Motion (the “Leigh Joinder” (Dkt. #264)). The Court recognizes that, in a subsequent decision, it granted summary judgment in favor of the Leigh Defendants, thereby finding insufficient proof of certain of Plaintiff’s allegations. See Abraham v. Leigh, No. 17 Civ. 5429 (KPF), 2020 WL 3833424 (S.D.N.Y. July 8, 2020), reconsideration denied, No. 17 Civ. 5429 (KPF), 2020 WL 5095655 (S.D.N.Y. Aug. 28, 2020). However, at the time Defendant’s sanctions motion was filed, the Amended Complaint was still the operative pleading. For ease of reference, the Court refers to Defendant’s Application for Attorney Fees and Costs as “Def. Br.” (Dkt. #407), and the supporting declaration of Michael J. Broadbent as the “Broadbent Decl.” (Dkt. 408); Plaintiff’s opposition brief as “Pl. Opp.” (Dkt. #426); and Defendant’s reply brief as “Def. Reply” (Dkt. #440). the Talent Agreement, upon Mr. Leigh’s approval, Mr. Leigh would, within five business days of provision of Talent confirmation by Plaintiff, perform his obligations under the Talent Agreement. (Id. at ¶ 71). However, instead of

performing these obligations, Mr. Leigh modified certain terms of Talent Agreement to require, inter alia, written confirmation from the recruited Talent. (Id. at ¶¶ 72-77). Plaintiff alleges that, before the Talent Agreement expired, she obtained written letters of intent from the Talent pre-approved by Mr. Leigh before his death. (Am. Comp. ¶ 98). When Mr. Leigh passed away on March 16, 2014 (during the term of the Talent Agreement), his widow — Defendant Leigh here — was named Executrix of the Leigh Estate. (Id. at ¶ 78). On July 11,

2014, Plaintiff’s counsel sent a letter to Defendant’s counsel, requesting that the Leigh Estate (i) fully acknowledge Plaintiff’s performance and (ii) perform in accordance with the terms of the Talent Agreement. (Id. at ¶ 99). On July 20, 2014, Defendant’s counsel responded to the letter and, it is alleged, repudiated the Talent Agreement between Plaintiff and Mr. Leigh. (Id. at ¶ 100). The response stated that if Plaintiff wished to submit a proposal for a 2015 revival of MOLM, the proposal would be considered “in good faith.” (Id. at ¶ 101). Significantly, however, Plaintiff would have to pay a $50,000 non-refundable

advance against royalties in order to have such a proposal considered. (Id.). By 2017, Plaintiff had not recovered what she was allegedly due under the Talent Agreement. Thereafter, Plaintiff brought suit against the three holders of the rights to MOLM — Defendant, in her capacity as Executrix of the Estate of Mitch Leigh; Martha Wasserman, in her capacity as Executrix of the Estate of Dale Wasserman; and Hellen Darion, in her capacity as Executrix of the Estate of Joseph Darion — as well as Alan Honig, who had served as an

accountant to the authors of MOLM. (See generally Am. Compl.). Plaintiff specifically alleged a breach of contract claim against Defendant Leigh, fraudulent inducement claims against former Defendants Wasserman and Honig, and tortious interference and promissory estoppel against all Defendants. (Id. at ¶¶ 143-77). B. Procedural History

This case has an especially complicated procedural history that is discussed at length in several prior opinions, all of which are incorporated herein by reference. See Abraham v. Leigh, No. 17 Civ. 5429 (KPF), 2020 WL 5095655 (S.D.N.Y. Aug. 28, 2020) (opinion denying Plaintiff’s motions for reconsideration, unsealing of certain materials, and recusal); Abraham v. Leigh, No. 17 Civ. 5429 (KPF), 2020 WL 3833424 (S.D.N.Y. July 8, 2020) (opinion granting Leigh Defendants’ motion for summary judgment); Abraham v. Leigh, No. 17 Civ. 5429 (KPF), 2019 WL 4256369 (S.D.N.Y. Sept. 9, 2019) (opinion denying Plaintiff’s motion to dismiss counterclaims); Abraham v. Leigh, No. 17 Civ. 5429 (KPF), 2018 WL 3632520 (S.D.N.Y. July 30, 2018) (opinion denying

motions for reconsideration of prior opinion granting in part and denying in part Defendants’ motions to dismiss). The Court focuses in this Opinion on the facts and procedural history undergirding the imposition of sanctions on Plaintiff. 1. Initial Concerns Regarding the Authenticity of Plaintiff’s Productions and the GoDaddy Theory

Plaintiff filed this action on July 18, 2017. (Dkt. #1). She then filed the Amended Complaint on September 15, 2017, after receiving leave to do so from the Court. (Dkt. #37, 40-41). In an oral decision issued on June 14, 2018, the Court granted in part and denied in part several motions to dismiss the Amended Complaint filed by those defendants then in the case (collectively, “Defendants”). (Dkt. #65 (order memorializing decision); Dkt. #78 (transcript of decision) (“June 14, 2018 Tr.”)). As relevant here, the Court denied Defendant Leigh’s motion to dismiss Plaintiff’s breach of contract claim; all other claims against Defendant were dismissed. (Dkt. #65 (order memorializing decision); June 14, 2018 Tr.). As the parties proceeded through discovery, various disputes arose.

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