Abraham v. Leigh

CourtDistrict Court, S.D. New York
DecidedSeptember 9, 2019
Docket1:17-cv-05429
StatusUnknown

This text of Abraham v. Leigh (Abraham v. Leigh) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Abraham v. Leigh, (S.D.N.Y. 2019).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ROBYN ABRAHAM, Plaintiff, -v.- ABBY LEIGH as Executrix of the 17 Civ. 5429 (KPF) ESTATE OF MITCH LEIGH, THE VIOLA FUND, ABBY LEIGH LTD., OPINION AND ORDER MARTHA WASSERMAN in her individual capacity and as Executrix of the ESTATE OF DALE WASSERMAN, and ALAN HONIG, Defendants. KATHERINE POLK FAILLA, District Judge: Plaintiff Robyn Abraham claims that Defendants — Abby Leigh (in her individual capacity, as Executrix of the Estate of Mitch Leigh, and as Trustee of the Viola Fund and Abby Leigh Ltd.), Martha Wasserman (in her individual capacity and as Executrix of the Estate of Dale Wasserman), Hellen Darion (in her individual capacity and as Executrix of the Estate of Joseph Darion), and Alan Honig — breached a contract (the “Talent Agreement”) that entitled Plaintiff to exclusive production rights to a revival of the musical, Man of La Mancha. In response, Defendant Leigh filed counterclaims against Plaintiff, alleging that she breached her fiduciary duties when she drafted and entered into the Talent Agreement. Plaintiff now moves to dismiss these counterclaims for failure to state a claim. For the reasons set forth below, Plaintiff’s motion is denied. BACKGROUND1 A. Factual Background 1. The Communications Between January 6 and 20, 2014 Mitch Leigh was a composer of the Tony-award winning musical Man of La Mancha (“MOLM”). (Am. Countercl. ¶¶ 3-5). Plaintiff is an attorney licensed

to practice law in, among other places, New York and the United Kingdom. (Id. at ¶ 2). On January 6, 2014, Plaintiff and Mr. Leigh met in person to discuss a revival of MOLM (the “January 6 Meeting”). (Id. at ¶ 12). Plaintiff claims that she and Mr. Leigh reached an agreement in principle that she would be given exclusive rights to a revival production of MOLM. (Am. Compl. ¶¶ 1-2). Defendant Leigh goes further, claiming that during the January 6 Meeting, Mr. Leigh hired Plaintiff as his attorney for the revival. (Am. Countercl. ¶ 13). On January 9, 2014, three days after the meeting, Plaintiff sent Mr.

Leigh’s assistant an email titled “Draft Six Month Agreement — January 6th

1 This Opinion draws its facts from Defendant Leigh’s Answer (“Leigh Answer” (Dkt. #86)), her Amended Counterclaims (“Am. Countercl.” (Dkt. #105)), and several exhibits attached to the Amended Counterclaims. The Court also draws on facts pleaded in the Amended Complaint (“Am. Compl.” (Dkt. #41)), and the Talent Agreement attached thereto as Exhibit 1. The Court may consider the Amended Complaint and the Talent Agreement because the Leigh Answer and the Amended Counterclaims incorporate them by reference. See, e.g., Goel v. Bunge, Ltd., 820 F.3d 554, 559 (2d Cir. 2016) (finding that district courts may consider “documents appended to the complaint or incorporated in the complaint by reference” when assessing the sufficiency of a pleading (quoting Concord Assocs., L.P. v. Entm’t Props. Tr., 817 F.3d 46, 51 n.2 (2d Cir. 2016))); Chambers v. Time Warner, Inc., 282 F.3d 147, 152-53 (2d Cir. 2002) (holding that documents that may be considered in determining a motion to dismiss are those that are “integral” to the claims alleged even if not incorporated in the complaint by reference). For convenience, the Court refers to Plaintiff’s Memorandum of Law in Support of the Motion to Dismiss the Amended Counterclaims as “Pl. Br.” (Dkt. #103), Defendant Leigh’s Memorandum of Law in Opposition to the Motion to Dismiss as “Leigh Opp.” (Dkt. #111), and Plaintiff’s Reply Memorandum of Law in Support of the Motion to Dismiss as “Pl. Reply” (Dkt. #131). Follow Up.” (Am. Countercl., Ex. A). Plaintiff’s email stated: “Since we did not discuss fees or costs during our January 6 meeting, we can address this as a discussion point for final comments in the Agreement.” (Id. at ¶ 15). Plaintiff

also included her hourly rate. (Id.). The email attached “a simple draft one page agreement memorializing that which we discussed with [Mr.] Leigh.” (Id.). The attached document is titled “SIX (6) MONTH EXCLUSIVE CONTRACT RE: LONDON STAGE PRODUCTION OF MAN OF LA MANCHA (‘MOLM’)” (the “Draft Agreement”). (Id. at ¶ 16). This document appears to be a first draft of the Talent Agreement. (Id.). The next day, January 10, 2014, Plaintiff sent Mr. Leigh’s assistant an email stating that “during our Monday meeting, [Mr. Leigh] specifically did

agree to hire me as his lawyer and solicitor for a period of six (6) months[.]” (Am. Countercl. ¶ 17; id., Ex. B). On the same day, Plaintiff purportedly dictated a letter to her assistant to be sent to Mr. Leigh to “recap [Plaintiff]’s understanding of [the] January 6, 2014 meeting.” (Id. at ¶ 18; id., Ex. C). In that letter, Plaintiff wrote that she was “optimistic that if authorized to proceed as [Mr. Leigh’s] London exclusive counsel, she could deliver” the desired results. Plaintiff went on to claim that “during the meeting ... [Mr. Leigh] advised [Plaintiff that he] would hire [her] on [his] behalf for 6 months as [his]

attorney/solicitor.” (Id., Ex. C). On January 20, 2014, Plaintiff revised the Draft Agreement and sent a new draft to Mr. Leigh via fax. (Am. Countercl. ¶ 22; id., Ex. D). In the fax, Plaintiff stated that she had attached a “revised six month London contract, with references to fees and costs eliminated.” (Id.). 2. The Talent Agreement Plaintiff alleges that she and Mr. Leigh entered into the Talent Agreement

on January 23, 2014. (Am. Compl., Ex. 1). To the extent this is accurate, Defendant Leigh claims that it evidences a breach of Plaintiff’s fiduciary duty to Mr. Leigh, insofar as Plaintiff drafted the final Talent Agreement without affording Mr. Leigh “the opportunity[] to seek independent legal advice from other counsel with respect to the Talent Agreement.” (Am. Countercl. ¶¶ 31- 32). The Talent Agreement “grants [Plaintiff] the sole and exclusive legal and business rights for six months to represent [MOLM] in England and United

Kingdom for the purpose of obtaining initial professional interest[.]” (Am. Compl., Ex. 1). Upon successful performance of the Agreement, Plaintiff would be entitled to receive an exclusive license to stage a MOLM revival, with 1.5% royalties to the owners and no further negotiation. (Am. Countercl. ¶ 30; Am. Compl. ¶¶ 56-60, 76). 3. The Attempted Enforcement of the Talent Agreement Mr. Leigh died on March 16, 2014, during the six-month term of the Talent Agreement. (Am. Countercl. ¶ 8). Defendant Leigh was duly appointed Executrix of his estate (the “Estate”). (Id. at ¶¶ 1, 8). After Mr. Leigh’s death, Plaintiff attempted, without success, to enforce the Talent Agreement by sending a demand letter to the Estate. (Id. at ¶ 36; Am. Compl., Ex. 14). B. Procedural Background Plaintiff filed this action on July 18, 2017. (Dkt. #1). She then filed the

Amended Complaint on September 15, 2017, after receiving leave to do so from the Court. (Dkt. #40). In an oral decision issued on June 14, 2018, the Court granted in part and denied in part Defendants’ several motions to dismiss the Amended Complaint. (Dkt. #65 (order memorializing decision); Dkt. #78 (transcript of decision)). On August 3, 2018, Defendant Leigh filed an answer to the Amended Complaint, and asserted counterclaims against Plaintiff. (Dkt. #86). On August 23, 2018, the Court granted Plaintiff leave to file a motion to dismiss

Defendant Leigh’s counterclaims. (Dkt. #90). On October 11, 2018, Plaintiff moved to dismiss Defendant Leigh’s counterclaims for failure to state a claim under Federal Rule of Civil Procedure 12(b)(6). (Dkt. #101). In response, on October 18, 2018, Defendant Leigh amended her counterclaims against Plaintiff. (Dkt. #105).

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